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Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1630
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Book Description
Volumes for 1898-1968 include a directory of publishers.
Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1630
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Book Description
Volumes for 1898-1968 include a directory of publishers.
Author: Scott Nethersole
Publisher: Yale University Press
ISBN: 0300233515
Category : Art
Languages : en
Pages : 320
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Book Description
This study is the first to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.
Author: Paula Nuttall
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 548
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Book Description
Author: Jennifer Cooke
Publisher: Routledge
ISBN: 042964065X
Category : Art
Languages : en
Pages : 167
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Book Description
A member of the art history generation from the golden age of the 1920s and 1930s, Millard Meiss (1904–1975) developed a new and multi-faceted methodological approach. This book lays the foundation for a reassessment of this key figure in post-war American and international art history. The book analyses his work alongside that of contemporary art historians, considering both those who influenced him and those who were receptive to his research. Jennifer Cooke uses extensive archival material to give Meiss the critical consideration that his extensive and important art historical, restoration and conservation work deserves. This book will be of interest to scholars in art history, historiography and heritage management and conservation.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870990195
Category : Florence (Italy)
Languages : en
Pages : 246
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Book Description
Author: Edward Izzi
Publisher: Cassino Publishing
ISBN: 1084143402
Category : Literary Criticism
Languages : en
Pages : 483
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Book Description
"His Holiness Sends His Regards." When Chicago mobster Don Carlo Marchese is found hanging from the 18th story window of the Blackstone Hotel, Reporter Paul Crawford of the Chicago Sun Times is assigned to investigate. He finds out that Don Carlo was brokering art works for the Vatican’s Pope Emeritus Honorius V (Josef Cardinal Schroder). Because of all the innumerate sexual molestation lawsuits that have been settled by many archdiocese's internationally, the Vatican has been in dire need of money, and began the process of liquidating Vatican Museum artworks. Last July, Hermann Kalkschmidt, the son of a former Nazi officer, is found dead in his Munich apartment. Hidden in his attic for the last seventy-five years, are forty-two paintings stolen by the Nazi’s from Florence's Uffizi Gallery in 1943. His second cousin, Chicago art dealer Wolfgang Schmidt is suspected of having his cousin killed by the professional assassin Stefano Iannucci for possession of these paintings. The Pope Emeritus, “Papa Onorio” believes that these stolen paintings really belong to the Vatican Museum. He decides to try to recover the stolen art collection, believing that their recovery back to Rome would restore his abysmal public image. He turns to the Chicago mobster Don Carlo Marchese to retrieve these works of art. Apparently, Pope Pius XI consigned the valuable art collection to Mussolini back in 1938, to be stored in safekeeping at the Uffizi Museum. He feared that if Hitler ever invaded Rome, the Vatican artworks would be looted. But in November 1943, the opposite occurred. Florence was invaded, and the Nazi's discovered 103 Jewish refugees hiding in one of Florence's basilicas. The paintings were traded to the Nazi's for the lives of these Jews, who were supposed to be transported to Switzerland. They were sent to the Auschwitz concentration camps instead. When Marchese double crosses the Papa Onorio, he hires 'contract killer' Stefano Iannucci to stop at nothing, including murder, to retrieve those paintings. Meanwhile, Florence’s Giammarco crime family is in search of the Uffizi art collection as well, in conflict with the Vatican over their true ownership. Blood and dead bodies start appearing everywhere, from Chicago to Munich to Detroit to Florence, and the search for these paintings and especially, Fra Filippo Lippi’s valuable masterpiece ‘Demons of Divine Wrath’ remain at large.
Author: Pavel Florensky
Publisher: Reaktion Books
ISBN: 1861896395
Category : Art
Languages : en
Pages : 396
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Book Description
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
Author: Pietro Greco
Publisher: Springer
ISBN: 3319720325
Category : History
Languages : en
Pages : 373
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Book Description
This book is a distinctively original biography of Galileo Galilei, probably the last eclectic genius of the Italian Renaissance, who was not only one of the greatest scientists ever, but also a philosopher, a theologian, and a man of great literary, musical, and artistic talent – “The Tuscan Artist”, as the poet John Milton referred to him. Galileo was exceptional in simultaneously excelling in the Arts, Science, Philosophy, and Theology. These diverse aspects of his life were closely intertwined; indeed, it may be said that he personally demonstrated that human culture is not divisible, but rather one, with a thousand shades. Galileo also represented the bridge between two historical epochs. As the philosopher Tommaso Campanella, a contemporary of Galileo, recognized at the time, Galileo was responsible for ushering in a new age, the Modern Age. This book, which is exceptional in the completeness of its coverage, explores all aspects of the life of Galileo, as a Tuscan artist and giant of the Renaissance, in a stimulating and reader-friendly way.
Author: Adrian Hicken
Publisher: Routledge
ISBN: 1351576372
Category : Art
Languages : en
Pages : 272
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Book Description
During the years before his death in 1918 Apollinaire?s reputation as poet and artistic animateur approached legendary proportions. This book is the first to present an extensive reassessment of Apollinaire?s role in the promotion of themes and iconography amongst his painter friends. Detailed analysis of the poetic subject matter of selected works of Dufy, Delaunay, de Chirico, Laurencin, Marcoussis, Metzinger, Picabia and Picasso is used to reconstruct the responses of these artists to Apollinaire?s artistic and aesthetic proclivities. Drawing attention to the poet?s immersion in the art and iconography of the French late-Renaissance and the seventeenth century, Adrian Hicken shows that the study of the permeation of Apollinairean and Orphic imagery in the work of artists with very different personalities presents a fascinating and pivotal episode in the history of Parisian modernism.
Author: Sotheran
Publisher:
ISBN:
Category :
Languages : en
Pages : 644
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Book Description
