Grundriss Der Musikwissenschaft PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Grundriss Der Musikwissenschaft PDF full book. Access full book title Grundriss Der Musikwissenschaft by Hugo Riemann. Download full books in PDF and EPUB format.
Author: Hugo Riemann
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 212
Get Book Here
Book Description
Author: Hugo Riemann
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 212
Get Book Here
Book Description
Author: Charles Seeger
Publisher: Univ of California Press
ISBN: 9780520020009
Category : Music
Languages : en
Pages : 376
Get Book Here
Book Description
Author: Phillip Crabtree
Publisher: Indiana University Press
ISBN: 9780253213235
Category : Bibliographical literature
Languages : en
Pages : 258
Get Book Here
Book Description
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Author: Edward Gollin
Publisher: OUP USA
ISBN: 0195321332
Category : Music
Languages : en
Pages : 628
Get Book Here
Book Description
In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.
Author: Alexandra Hui
Publisher: MIT Press
ISBN: 0262305038
Category : Science
Languages : en
Pages : 257
Get Book Here
Book Description
An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. In the middle of the nineteenth century, German and Austrian concertgoers began to hear new rhythms and harmonies as non-Western musical ensembles began to make their way to European cities and classical music introduced new compositional trends. At the same time, leading physicists, physiologists, and psychologists were preoccupied with understanding the sensory perception of sound from a psychophysical perspective, seeking a direct and measurable relationship between physical stimulation and physical sensation. These scientists incorporated specific sounds into their experiments—the musical sounds listened to by upper middle class, liberal Germans and Austrians. In The Psychophysical Ear, Alexandra Hui examines this formative historical moment, when the worlds of natural science and music coalesced around the psychophysics of sound sensation, and new musical aesthetics were interwoven with new conceptions of sound and hearing. Hui, a historian and a classically trained musician, describes the network of scientists, musicians, music critics, musicologists, and composers involved in this redefinition of listening. She identifies a source of tension for the psychophysicists: the seeming irreconcilability between the idealist, universalizing goals of their science and the increasingly undeniable historical and cultural contingency of musical aesthetics. The convergence of the respective projects of the psychophysical study of sound sensation and the aesthetics of music was, however, fleeting. By the beginning of the twentieth century, with the professionalization of such fields as experimental psychology and ethnomusicology and the proliferation of new and different kinds of music, the aesthetic dimension of psychophysics began to disappear.
Author: Knud Jeppesen
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 298
Get Book Here
Book Description
Author: Jacques Havet
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111532399
Category : Language Arts & Disciplines
Languages : en
Pages : 968
Get Book Here
Book Description
No detailed description available for "Anthropological and historical sciences. Aesthetics and the sciences of art".
Author: Guerino Mazzola
Publisher: Birkhäuser
ISBN: 303488141X
Category : Mathematics
Languages : en
Pages : 1310
Get Book Here
Book Description
With contributions by numerous experts
Author: Malik Sharif
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990125605
Category : Music
Languages : en
Pages : 297
Get Book Here
Book Description
The US American musicologist, composer, philosopher, inventor, and political activist Charles Seeger (1886–1979) is a key figure in the development of twentieth-century musicology. "Speech about Music" is an in-depth study of his philosophical theory of musicology – his meta-musicology. Seeger developed this body of theory in numerous publications over the course of more than sixty years, yet he never realized his dream of creating a comprehensive "Principia Musicologica". Detailed historical reconstruction and comparative analysis of Seeger's meta-musicology makes "Speech about Music" an important contribution to the study of the history of musicology. By approaching Seeger's theory as an arsenal of ideas in the discussion of twenty-first century meta-musicological issues, the book is also a critical examination of the pertinence of Seeger's ideas.
Author: Nicholas Mathew
Publisher: Cambridge University Press
ISBN: 1107651239
Category : Music
Languages : en
Pages : 399
Get Book Here
Book Description
Beethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' – a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.
