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Author: Tony Bolden
Publisher: Univ. Press of Mississippi
ISBN: 1496830636
Category : Music
Languages : en
Pages : 272
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Book Description
Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
Author: Tony Bolden
Publisher: Univ. Press of Mississippi
ISBN: 149683061X
Category : Music
Languages : en
Pages : 207
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Book Description
Tony Bolden presents an innovative history of funk music focused on the performers, regarding them as intellectuals who fashioned a new aesthetic. Utilizing musicology, literary studies, performance studies, and African American intellectual history, Bolden explores what it means for music, or any cultural artifact, to be funky. Multitudes of African American musicians and dancers created aesthetic frameworks with artistic principles and cultural politics that proved transformative. Bolden approaches the study of funk and black musicians by examining aesthetics, poetics, cultural history, and intellectual history. The study traces the concept of funk from early blues culture to a metamorphosis into a full-fledged artistic framework and a named musical genre in the 1970s, and thereby Bolden presents an alternative reading of the blues tradition. In part one of this two-part book, Bolden undertakes a theoretical examination of the development of funk and the historical conditions in which black artists reimagined their music. In part two, he provides historical and biographical studies of key funk artists, all of whom transfigured elements of blues tradition into new styles and visions. Funk artists, like their blues relatives, tended to contest and contextualize racialized notions of blackness, sexualized notions of gender, and bourgeois notions of artistic value. Funk artists displayed contempt for the status quo and conveyed alternative stylistic concepts and social perspectives through multimedia expression. Bolden argues that on this road to cultural recognition, funk accentuated many of the qualities of black expression that had been stigmatized throughout much of American history.
Author:
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 16
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Book Description
Author: Regina N. Bradley
Publisher: University of Georgia Press
ISBN: 0820368857
Category : History
Languages : en
Pages : 281
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Book Description
Author: Ford D. Barrett
Publisher: Xlibris Corporation
ISBN: 1462885527
Category : Drama
Languages : en
Pages : 271
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Book Description
Double Deception is a mystery suspense about a young artist named Antonio who feels that he never finds true love. That is until he meets Simone Jackson, a wealthy middle age women who hears about his paintings from a friend. She falls for his paintings and the two create a business relationship. The relationship turns from business to pleasure as the two generate a physical chemistry that seemingly blinds Antonio. What Antonio does not know is that Simone Jackson has other motives; to take over her the art gallery gaining all the assets and killing Antonio. When Antonios friends find this out, they desperately intervene to stop him but their attempts to help become at times deadly. This twisted suspense tail ends deadly leaving the characters and the readers mystified, dumbfounded and shocked.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
The weekly source of African American political and entertainment news.
Author: Jitendra Kumar Katiyar
Publisher: Springer Nature
ISBN: 3030474518
Category : Technology & Engineering
Languages : en
Pages : 306
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Book Description
This book broadens the knowledge of tribology. This book is evolved out of current research trends on tribological performance of systems related to nano tribology, rheology, engines, polymer brushes, composite materials, erosive wear and lubrication. The book deals with enhancing the ideas on tribological properties, the different types of wear phenomenon and lubrication enhancement. Further, the tribological performance of systems, whether nano, micro or macro-scale, depends upon a large number of external parameters and important among them are temperature, contact pressure and relative speed. Thus, the book focus on the theoretical aspects to industrial applications of tribology.
Author: Bold Rain
Publisher: BOLD RAIN
ISBN:
Category : Music
Languages : en
Pages : 1458
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Book Description
Discovering a good song is like finding hidden treasures. A particular song may kindle your memory and connect you to the past. Try "Gnarls Barkley - Crazy" (2006) ? Or "Duran Duran - Ordinary World" (1993) ? How about "Starship - Nothing's Gonna Stop Us Now" (1987) ? These are only a few examples. "Billboard Top Ten Hits 1980-2015 With Video Links" presents all 2548 songs that reached Billboard Hot 100 Chart Top 10 positions, from 1980 to 2015. All songs come with direct links of Youtube music videos. Just 1-Click away to enjoy music! This book will be a wonderful journey. Let's travel back through time again, along with all these beautiful songs and memories. This book has two smart views - By Year view and By Artist view. By Year view lists all Top 10 hits by year. By Artist view groups the Top 10 hits by each artist. Every Song comes with detailed information such as peak position, peak date, week counts in Top 10, artist Top 10 hits info, view counts of Youtube music video (which measures the song's lasting popularity), and more.
Author: Vladimir Bogdanov
Publisher: Rowman & Littlefield
ISBN: 1617134961
Category : Music
Languages : en
Pages : 4139
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Book Description
This comprehensive guide is a must-have for the legions of fans of the beloved and perennially popular music known as soul and rhythm & blues. The latest in the definitive All Music Guide series, the All Music Guide to Soul offers nearly 8 500 entertaining and informative reviews that lead readers to the best recordings by more than 1 500 artists and help them find new music to explore. Informative biographies, essays and “music maps” trace R&B's growth from its roots in blues and gospel through its flowering in Memphis and Motown, to its many branches today. Complete discographies note bootlegs, important out-of-print albums, and import-only releases. “Extremely valuable and exhaustive.” – The Christian Science Monitor
Author: Reiland Rabaka
Publisher: Taylor & Francis
ISBN: 104017230X
Category : Music
Languages : en
Pages : 216
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Book Description
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
Author: Serouj "Midus" Aprahamian
Publisher: Bloomsbury Publishing USA
ISBN: 1501394339
Category : Music
Languages : en
Pages : 233
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Book Description
The untold story of how breaking – one of the most widely practiced dance forms in the world today – began as a distinctly African American expression in the Bronx, New York, during the 1970s. Breaking is the first and most widely practiced hip-hop dance in the world, with around one million participants in this dynamic, multifaceted artform – and, as of 2024, Olympic sport. Yet, despite its global reach and nearly 50-year history, stories of breaking's origins have largely neglected the African Americans who founded it. Dancer and scholar Serouj "Midus" Aprahamian offers, for the first time, a detailed look into the African American beginnings of breaking in the Bronx, New York. The Birth of Breaking challenges numerous myths and misconceptions that have permeated studies of hip-hop's evolution, considering the influence breaking has had on hip-hop culture. Including previously unseen archival material, interviews, and detailed depictions of the dance at its outset, this book brings to life this buried history, with a particular focus on the early development of the dance, the institutional settings where hip-hop was conceived, and the movement's impact on sociocultural conditions in New York City throughout the 1970s. By featuring the overlooked first-hand accounts of over 50 founding b-boys and b-girls alongside movement analysis informed by his embodied knowledge of the dance, Aprahamian reveals how indebted breaking is to African American culture, as well as the disturbing factors behind its historical erasure.
