Author: Columba Kelly
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 252
Book Description
Sound recording (digital) disk shelved separately in office.
Gregorian Chant Intonations and the Role of Rhetoric
Author: Columba Kelly
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 252
Book Description
Sound recording (digital) disk shelved separately in office.
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 252
Book Description
Sound recording (digital) disk shelved separately in office.
Tonal Consciousness and the Medieval West
Author: Fiona McAlpine
Publisher: Peter Lang
ISBN: 9783039115068
Category : History
Languages : en
Pages : 482
Book Description
Tonal consciousness, in the sense of a clear intuition about which note or chord a piece of music will finish on, is as much a part of our everyday experience of music as it is of contemporary music theory. This book asks to what extent such tonal consciousness might have operated in the minds of musicians of the Middle Ages, given the different tone world found in the modes of Gregorian chant, in troubadour and trouvère music, in Minnesang and in the early polyphony based upon chant. The author's approach is analytical, focusing on modality and balancing up-to-date concepts and methods of music analysis with those insights into their own compositional needs and processes that the people of the Middle Ages provided themselves through their writings about music. The book examines a range of both music sources and theoretical sources from the ninth to the thirteenth centuries. This is a ground-breaking contribution both to the study of medieval music and to music analysis.
Publisher: Peter Lang
ISBN: 9783039115068
Category : History
Languages : en
Pages : 482
Book Description
Tonal consciousness, in the sense of a clear intuition about which note or chord a piece of music will finish on, is as much a part of our everyday experience of music as it is of contemporary music theory. This book asks to what extent such tonal consciousness might have operated in the minds of musicians of the Middle Ages, given the different tone world found in the modes of Gregorian chant, in troubadour and trouvère music, in Minnesang and in the early polyphony based upon chant. The author's approach is analytical, focusing on modality and balancing up-to-date concepts and methods of music analysis with those insights into their own compositional needs and processes that the people of the Middle Ages provided themselves through their writings about music. The book examines a range of both music sources and theoretical sources from the ninth to the thirteenth centuries. This is a ground-breaking contribution both to the study of medieval music and to music analysis.
Melodic Sculpturing
Author: Donald R. Mathis
Publisher: AuthorHouse
ISBN: 1438972482
Category : Education
Languages : en
Pages : 258
Book Description
About the Book Melodic Sculpturing is intended to provide a comprehensive, developmental approach to vocal instruction for the teacher and for a serious singer. The contents are based on the author's professional experience as a singer and teacher of singing and on the writings of many great teachers of the past and present. The book addresses the physiology of the voice, psychology of voice production, relevant acoustics, and corrections for vocal faults. It also deals with diction, breath management, and vibrato prognosis. Suggestions for using technology as an objective visual tool in voice instruction are included in an entire chapter on the topic. A major and unique portion of the book presents a subject regularly omitted from textbooks on vocal production - interpretation and style. The author presents 34 "principles" of melodic practices that may enhance composers' and poets' intentions, while providing greater interest and involvement for the listener. It is like an encyclopedia for teaching students and for learning to sing well. This inspiring and encouraging volume is filled with documentation from vocal masters of two centuries and many apropos quotations that bolster the interest for the reader. Nearly 100 vocal examples (VEs) are identified and coded in the chapters. They are available at www.MelodicSculpturing.com for downloading. Two accompanying 1-semester workbooks geared for voice classes, the private studio, and a singer's personal use are published separately.
Publisher: AuthorHouse
ISBN: 1438972482
Category : Education
Languages : en
Pages : 258
Book Description
About the Book Melodic Sculpturing is intended to provide a comprehensive, developmental approach to vocal instruction for the teacher and for a serious singer. The contents are based on the author's professional experience as a singer and teacher of singing and on the writings of many great teachers of the past and present. The book addresses the physiology of the voice, psychology of voice production, relevant acoustics, and corrections for vocal faults. It also deals with diction, breath management, and vibrato prognosis. Suggestions for using technology as an objective visual tool in voice instruction are included in an entire chapter on the topic. A major and unique portion of the book presents a subject regularly omitted from textbooks on vocal production - interpretation and style. The author presents 34 "principles" of melodic practices that may enhance composers' and poets' intentions, while providing greater interest and involvement for the listener. It is like an encyclopedia for teaching students and for learning to sing well. This inspiring and encouraging volume is filled with documentation from vocal masters of two centuries and many apropos quotations that bolster the interest for the reader. Nearly 100 vocal examples (VEs) are identified and coded in the chapters. They are available at www.MelodicSculpturing.com for downloading. Two accompanying 1-semester workbooks geared for voice classes, the private studio, and a singer's personal use are published separately.
The American Organist
Author:
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 640
Book Description
Publisher:
ISBN:
Category : Electronic journals
Languages : en
Pages : 640
Book Description
The Solesmes Method
Author: Joseph Gajard
Publisher: Collegeville, Minn. : Liturgical Press
ISBN:
Category : Music
Languages : en
Pages : 102
Book Description
Presents the "Solesmes Method" in two parts. The first part sets forth the principles that constitute the method. The second part presents the actual rules for singing.
Publisher: Collegeville, Minn. : Liturgical Press
ISBN:
Category : Music
Languages : en
Pages : 102
Book Description
Presents the "Solesmes Method" in two parts. The first part sets forth the principles that constitute the method. The second part presents the actual rules for singing.
Forthcoming Books
Author: Rose Arny
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1190
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1190
Book Description
Books Out Loud
Author:
Publisher:
ISBN:
Category : Audiobooks
Languages : en
Pages : 3214
Book Description
Publisher:
ISBN:
Category : Audiobooks
Languages : en
Pages : 3214
Book Description
The British National Bibliography
Author: Arthur James Wells
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1264
Book Description
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 1264
Book Description
An Introduction to the Interpretation of Gregorian Chant: Foundations
Author: Luigi Agustoni
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 376
Book Description
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 376
Book Description
Writing Sounds in Carolingian Europe
Author: Susan Rankin
Publisher: Cambridge University Press
ISBN: 1108381782
Category : Music
Languages : en
Pages : 429
Book Description
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
Publisher: Cambridge University Press
ISBN: 1108381782
Category : Music
Languages : en
Pages : 429
Book Description
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.