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Author: Carmen C. Esteves
Publisher: Rutgers University Press
ISBN: 9780813517384
Category : Fiction
Languages : en
Pages : 316
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Book Description
"Unique . . . a wonderful collection that will receive much attention." --Barbara Christian, University of California at Berkeley "The panorama of insights and visions is vast . . . the context of women's writings is a broadening link, connecting these writers with their contemporaries in other cultures around the world." --Gregory Rabassa "Provides wonderful insights into writing by women from the Caribbean." --J. Michael Dash, The University of the West Indies This collection of short stories features moving tales from the rich Caribbean oral tradition, stories that question women's traditional roles, present women's perspectives on the history of Caribbean slavery and colonialism, and convey the beautiful cadences of the language of Caribbean women. It offers the general reader a broad selection of the themes, styles, and techniques characteristic of contemporary women's fiction in the Caribbean. There are twenty-seven enjoyable and vibrant tales in this anthology, some of them originally written in English, others in French, Dutch, and Spanish. There are writers from Guadeloupe, Dominica, Jamaica, Trinidad, Puerto Rico, Martinique, Antigua, Haiti, Cuba, the Dominican Republic, and Surinam. Along with stories by well-known writers such as Jean Rhys, Jamaica Kincaid, Michelle Cliff, Maryse Conde, and Rosario Ferre, the anthology also includes first-rate stories by lesser-known but equally talented writers. The collection also contains a critical introduction, biographical notes, and a bibliography. Carmen C. Esteves is assistant professor in the department of Romance languages at Lehman College-CUNY. She has translated into English works by Latin American women such as Magali Garcia Ramis and Elena Poniatowska. Lizabeth Paravisini-Gebert is associate professor of Puerto Rican studies at Lehman College-CUNY. She has published many articles on Caribbean writers, and has translated many works into English, including Love (Amour) by the Haitian writer Marie Chauvet.
Author: Carmen C. Esteves
Publisher: Rutgers University Press
ISBN: 9780813517384
Category : Fiction
Languages : en
Pages : 316
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Book Description
"Unique . . . a wonderful collection that will receive much attention." --Barbara Christian, University of California at Berkeley "The panorama of insights and visions is vast . . . the context of women's writings is a broadening link, connecting these writers with their contemporaries in other cultures around the world." --Gregory Rabassa "Provides wonderful insights into writing by women from the Caribbean." --J. Michael Dash, The University of the West Indies This collection of short stories features moving tales from the rich Caribbean oral tradition, stories that question women's traditional roles, present women's perspectives on the history of Caribbean slavery and colonialism, and convey the beautiful cadences of the language of Caribbean women. It offers the general reader a broad selection of the themes, styles, and techniques characteristic of contemporary women's fiction in the Caribbean. There are twenty-seven enjoyable and vibrant tales in this anthology, some of them originally written in English, others in French, Dutch, and Spanish. There are writers from Guadeloupe, Dominica, Jamaica, Trinidad, Puerto Rico, Martinique, Antigua, Haiti, Cuba, the Dominican Republic, and Surinam. Along with stories by well-known writers such as Jean Rhys, Jamaica Kincaid, Michelle Cliff, Maryse Conde, and Rosario Ferre, the anthology also includes first-rate stories by lesser-known but equally talented writers. The collection also contains a critical introduction, biographical notes, and a bibliography. Carmen C. Esteves is assistant professor in the department of Romance languages at Lehman College-CUNY. She has translated into English works by Latin American women such as Magali Garcia Ramis and Elena Poniatowska. Lizabeth Paravisini-Gebert is associate professor of Puerto Rican studies at Lehman College-CUNY. She has published many articles on Caribbean writers, and has translated many works into English, including Love (Amour) by the Haitian writer Marie Chauvet.
Author:
Publisher:
ISBN:
Category : Caribbean fiction
Languages : en
Pages : 273
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Book Description
Author: Carmen C. Esteves
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Albert James Arnold
Publisher: John Benjamins Publishing
ISBN: 9789027234483
Category : Literary Criticism
Languages : en
Pages : 700
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Book Description
For the first time the Dutch-speaking regions of the Caribbean and Suriname are brought into fruitful dialogue with another major American literature, that of the anglophone Caribbean. The results are as stimulating as they are unexpected. The editors have coordinated the work of a distinguished international team of specialists. Read separately or as a set of three volumes, the History of Literature in the Caribbean is designed to serve as the primary reference book in this area. The reader can follow the comparative evolution of a literary genre or plot the development of a set of historical problems under the appropriate heading for the English- or Dutch-speaking region. An extensive index to names and dates of authors and significant historical figures completes the volume. The subeditors bring to their respective specialty areas a wealth of Caribbeanist experience. Vera M. Kutzinski is Professor of English, American, and Afro-American Literature at Yale University. Her book Sugar's Secrets: Race and The Erotics of Cuban Nationalism, 1993, treated a crucial subject in the romance of the Caribbean nation. Ineke Phaf-Rheinberger has been very active in Latin American and Caribbean literary criticism for two decades, first at the Free University in Berlin and later at the University of Maryland. The editor of A History of Literature in the Caribbean, A. James Arnold, is Professor of French at the University of Virginia, where he founded the New World Studies graduate program. Over the past twenty years he has been a pioneer in the historical study of the Négritude movement and its successors in the francophone Caribbean.
Author: Joy Allison Indira Mahabir
Publisher: Routledge
ISBN: 041550967X
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This book is the first collection on Indo-Caribbean women's writing and the first work to offer a sustained analysis of the literature from a range of theoretical and critical perspectives, such as ecocriticism, feminist, queer, post-colonial and Caribbean cultural theories. The essays not only lay the framework of an emerging and growing field, but also critically situate internationally acclaimed writers such as Shani Mootoo, Lakshmi Persaud and Ramabai Espinet within this emerging tradition. Indo-Caribbean women writers provide a fresh new perspective in Caribbean literature, be it in their unique representations of plantation history, anti-colonial movements, diasporic identities, feminisms, ethnicity and race, or contemporary Caribbean societies and culture. The book offers a theoretical reading of the poetics, politics and cultural traditions that inform Indo-Caribbean women's writing, arguing that while women writers work with and through postcolonial and Caribbean cultural theories, they also respond to a distinctive set of influences and realities specific to their positioning within the Indo-Caribbean community and the wider national, regional and global imaginary. Contributors visit the overlap between national and transnational engagements in Indo-Caribbean women's literature, considering the writers' response to local or nationally specific contexts, and the writers' response to the diasporic and transnational modalities of Caribbean and Indo-Caribbean communities.
Author: Barbara Christian
Publisher: University of Illinois Press
ISBN: 0252090829
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
A passionate and celebrated pioneer in her own words New Black Feminist Criticism, 1985-2000 collects a selection of essays and reviews from Barbara Christian, one of the founding voices in black feminist literary criticism. Published between the release of her second landmark book Black Feminist Criticism and her death, these writings include eloquent reviews, evaluations of black feminist criticism as a discipline, reflections on black feminism in the academy, and essays on Toni Morrison, Alice Walker, Paule Marshall, and others.
Author: Supriya M. Nair
Publisher: Modern Language Association
ISBN: 160329161X
Category : Language Arts & Disciplines
Languages : en
Pages : 421
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Book Description
This volume in the Options for Teaching series recognizes that the most challenging aspect of introducing students to anglophone Caribbean literature--the sheer variety of intellectual and artistic traditions in Western and non-Western cultures that relate to it--also offers the greatest opportunities to teachers. Courses on anglophone literature in the Caribbean can consider the region's specific histories and contexts even as they explore common issues: the legacies of slavery, colonialism, and colonial education; nationalism; exile and migration; identity and hybridity; class and racial conflict; gender and sexuality; religion and ritual. While considering how the availability of materials shapes syllabi, this volume recommends print, digital, and visual resources for teaching. The essays examine a host of topics, including the following: the development of multiethnic populations in the Caribbean and the role of various creole languages in the literature oral art forms, such as dub poetry and reggae music the influence of anglophone literature in the Caribbean on literary movements outside it, such as the Harlem Renaissance and black British writing Carnival religious rituals and beliefs specific genres such as slave narratives and autobiography film and drama the economics of rum Many essays list resources for further reading, and the volume concludes with a section of additional teaching resources.
Author: Kathleen Gyssels
Publisher: Rodopi
ISBN: 9042025530
Category : Literary Criticism
Languages : en
Pages : 506
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Book Description
This bilingual collection illustrates the concept of the 'Warrior of the Imaginary', as defined by Patrick Chamoiseau, in a multi-faceted corpus of texts. Francophone contributions explore the role of the Caribbean writer in works by Chamoiseau, Édouard Glissant, Daniel Maximin, and Joseph Zobel. Essays in English focus not only on familiar writers (Dionne Brand, Edwidge Danticat, Wilson Harris, Jamaica Kincaid, Caryl Phillips, Derek Walcott) but also on less widely studied voices (Robert Antoni, Albert Helman). Other contributions deal with such 'fighting areas' as Afro-Brazilian music, film, and Mutabaruka's militant poetry. The whole testifies to a surprisingly coherent imaginary, one that goes beyond the 'balkanization' of the Caribbean archipelago. Dans ce collectif bilingue, le concept de 'Guerrier de l'imaginaire' tel que défini par Patrick Chamoiseau est illustré par un corpus de textes variés. Plusieurs des articles en français engagent directement le cycle romanesque de l'auteur martiniquais, d'autres étendent l'interrogation de la fonction de l'auteur caribéen à l'écriture glissantienne, maximinienne et zobélienne. Études en anglais portent sur des écrivains dont le renom n'est plus à faire (Dionne Brand, Edwidge Danticat, Wilson Harris, Jamaica Kincaid, Caryl Phillips, Derek Walcott) mais donnent aussi la parole à des auteurs jusqu'à présent moins étudiés (Robert Antoni, Albert Helman). Enfin, quelques-unes des contributions portent sur d'autres 'terrains de lutte', comme la musique afro-brésilienne, le cinéma, ou la poésie militante de Mutabaruka. L'ensemble témoigne d'un imaginaire étonnamment confluant, au-delà de la 'balkanisation' de l'archipel caribéen.
Author: Brinda J. Mehta
Publisher:
ISBN: 9789766401573
Category : Literary Collections
Languages : en
Pages : 284
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Book Description
Indo-Caribbean women writers are virtually invisible in the literary landscape because of cultural and social inhibitions and literary chauvinism. Until recently, the richness and particularities of the experiences of these writers in the field of literature and literary studies were compromised by stereotypical representations of the Indo-Caribbean women that were narrated from a purely masculine or an Afrocentric point of view. This book fills an important gap in an important but underestimated emergent field. The book explores how cultural traditions and female modes of opposition to patriarchal control were transplanted from India and rearticulated in the Indo-Caribbean diaspora to determine whether the idea of cultural continuity is, in fact, a postcolonial reality or a fictionalized myth. kala pani, to Trinidad and Guyana provided courage, determination, self-reliance and sexual independence to their literary granddaughters who in turn used the kala pani as the necessary language and frame of reference to position Indo-Caribbean female subjectivity with equating writing as a pubic declaration of one's identity and right to claim creative agency. The book is of critical interest to those interested in twentieth-century literary studies, Caribbean studies, gender studies, ethnic studies and cultural studies.
Author: Lizabeth Paravisini-Gebert
Publisher: Rutgers University Press
ISBN: 9780813522654
Category : Biography & Autobiography
Languages : en
Pages : 372
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Book Description
Phyllis Shand Allfrey is the first biography of one of the Caribbean's most intriguing writers and politicians. Allfrey (1908-1986) is best known as the author of The Orchid House, a fictionalized account of her early life that was turned into a highly acclaimed film for British television. Born to a prominent family of formerly wealthy sugar planters in Dominica, Allfrey followed an unexpected path: a rising novelist (who is often paired with Jean Rhys in critical discussion) and Fabian socialist in England and the United States, she returned to Dominica to organize the peasantry and estate workers into the island's first political party. Ostracized by the white elite into which she was born, she led the Dominica Labour party to power and became the West Indian Federation's only woman (and only white) minister, only to find herself expelled from the party when the rise of black nationalism made it expedient. The biography recreates Allfrey's life as it unfolds against the background of twentieth-century Caribbean political and literary history, from the decline of the planter class through the rise of party politics and the efforts to join the anglophone West Indies into a federation, to the troubled sixties and seventies, decades marked by racial violence and the emergence of the former British territories from colonial control. This volume includes five autobiographical stories that have long been out of print.
