Author: Kate Nichols
Publisher:
ISBN: 0199596468
Category : Art
Languages : en
Pages : 321
Book Description
The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture, comprising plaster casts from major European museums and scaled down architectural features, was on show in the South London suburb of Sydenham, in the Crystal Palace which had housed the Great Exhibition of 1851. By the late 1850s, two million visitors were passing through the glass doors of the Sydenham Crystal Palace each year, more than twice as many as recorded at the British Museum. Many more people, and from a greater variety of social strata, saw the painted cast of the Parthenon frieze in Sydenham than the original in Bloomsbury. Utilizing an extensive variety of archival material, including diaries, scrapbooks and photographs, Greece and Rome at the Crystal Palace evokes visitor experiences at Sydenham, and examines the discussion that arose around the presentation of classical plaster casts to a mass audience. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain, assessing how classical art figured in debates over design reform, taste, beauty and morality, class and gender, and race and imperialism.
Greece and Rome at the Crystal Palace
Author: Kate Nichols
Publisher:
ISBN: 0199596468
Category : Art
Languages : en
Pages : 321
Book Description
The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture, comprising plaster casts from major European museums and scaled down architectural features, was on show in the South London suburb of Sydenham, in the Crystal Palace which had housed the Great Exhibition of 1851. By the late 1850s, two million visitors were passing through the glass doors of the Sydenham Crystal Palace each year, more than twice as many as recorded at the British Museum. Many more people, and from a greater variety of social strata, saw the painted cast of the Parthenon frieze in Sydenham than the original in Bloomsbury. Utilizing an extensive variety of archival material, including diaries, scrapbooks and photographs, Greece and Rome at the Crystal Palace evokes visitor experiences at Sydenham, and examines the discussion that arose around the presentation of classical plaster casts to a mass audience. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain, assessing how classical art figured in debates over design reform, taste, beauty and morality, class and gender, and race and imperialism.
Publisher:
ISBN: 0199596468
Category : Art
Languages : en
Pages : 321
Book Description
The marble halls of the British Museum might seem the natural habitat for classical sculpture, but in the nineteenth century its sombre displays were far from being the only place that people encountered antiquities. From 1854, a rival collection of classical sculpture, comprising plaster casts from major European museums and scaled down architectural features, was on show in the South London suburb of Sydenham, in the Crystal Palace which had housed the Great Exhibition of 1851. By the late 1850s, two million visitors were passing through the glass doors of the Sydenham Crystal Palace each year, more than twice as many as recorded at the British Museum. Many more people, and from a greater variety of social strata, saw the painted cast of the Parthenon frieze in Sydenham than the original in Bloomsbury. Utilizing an extensive variety of archival material, including diaries, scrapbooks and photographs, Greece and Rome at the Crystal Palace evokes visitor experiences at Sydenham, and examines the discussion that arose around the presentation of classical plaster casts to a mass audience. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain, assessing how classical art figured in debates over design reform, taste, beauty and morality, class and gender, and race and imperialism.
Greece and Rome at the Crystal Palace
Author: Kate Nichols
Publisher:
ISBN: 9780191795770
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780191795770
Category :
Languages : en
Pages :
Book Description
The Crystal Palace Penny Guide
Author: Crystal Palace Company (Sydenham, London, England)
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Book Description
Four Courts in the Crystal Palace
Author: Crystal Palace Company (Sydenham, London, England)
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 470
Book Description
The Fine Arts' Courts in the Crystal Palace
Author: Crystal Palace Company (Sydenham, London, England)
Publisher:
ISBN:
Category : Exhibition buildings
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category : Exhibition buildings
Languages : en
Pages : 558
Book Description
Britain, the Empire, and the World at the Great Exhibition of 1851
Author: Jeffrey A. Auerbach
Publisher: Routledge
ISBN: 1317172272
Category : History
Languages : en
Pages : 238
Book Description
Britain, the Empire, and the World at the Great Exhibition is the first book to situate the Crystal Palace Exhibition of 1851 in a truly global context. Addressing national, imperial, and international themes, this collection of essays considers the significance of the Exhibition both for its British hosts and their relationships to the wider world, and for participants from around the globe. How did the Exhibition connect London, England, important British colonies, and significant participating nation-states including Russia, Greece, Germany and the Ottoman Empire? How might we think about the exhibits, visitors and organizers in light of what the Exhibition suggested about Britain’s place in the global community? Contributors from various academic disciplines answer these and other questions by focusing on the many exhibits, publications, visitors and organizers in Britain and elsewhere. The essays expand our understanding of the meanings, roles and legacies of the Great Exhibition for British society and the wider world, as well as the ways that this pivotal event shaped Britain’s and other participating nations’ conceptions of and locations within the wider nineteenth-century world.
Publisher: Routledge
ISBN: 1317172272
Category : History
Languages : en
Pages : 238
Book Description
Britain, the Empire, and the World at the Great Exhibition is the first book to situate the Crystal Palace Exhibition of 1851 in a truly global context. Addressing national, imperial, and international themes, this collection of essays considers the significance of the Exhibition both for its British hosts and their relationships to the wider world, and for participants from around the globe. How did the Exhibition connect London, England, important British colonies, and significant participating nation-states including Russia, Greece, Germany and the Ottoman Empire? How might we think about the exhibits, visitors and organizers in light of what the Exhibition suggested about Britain’s place in the global community? Contributors from various academic disciplines answer these and other questions by focusing on the many exhibits, publications, visitors and organizers in Britain and elsewhere. The essays expand our understanding of the meanings, roles and legacies of the Great Exhibition for British society and the wider world, as well as the ways that this pivotal event shaped Britain’s and other participating nations’ conceptions of and locations within the wider nineteenth-century world.
The Greek Court Erected in the Crystal Palace by Owen Jones
Author: George Scharf
Publisher:
ISBN:
Category : Architecture, Greek
Languages : en
Pages : 134
Book Description
Publisher:
ISBN:
Category : Architecture, Greek
Languages : en
Pages : 134
Book Description
The Nero-Antichrist
Author: Shushma Malik
Publisher: Cambridge University Press
ISBN: 1108491499
Category : Bibles
Languages : en
Pages : 245
Book Description
Refutes the commonly-held perception that Nero should be understood as the Antichrist figure in the Bible, and argues instead that this paradigm was a product of late antiquity. The paradigm's success facilitated its revival in the nineteenth century against the backdrop of the era's fin-de-siècle anxieties and religious controversies.
Publisher: Cambridge University Press
ISBN: 1108491499
Category : Bibles
Languages : en
Pages : 245
Book Description
Refutes the commonly-held perception that Nero should be understood as the Antichrist figure in the Bible, and argues instead that this paradigm was a product of late antiquity. The paradigm's success facilitated its revival in the nineteenth century against the backdrop of the era's fin-de-siècle anxieties and religious controversies.
Housing the New Romans
Author: Katharine T. von Stackelberg
Publisher: Oxford University Press
ISBN: 0190272341
Category : Literary Collections
Languages : en
Pages : 353
Book Description
In the last twenty years, reception studies have significantly enhanced our understanding of the ways in which Classics has shaped modern Western culture, but very little attention has been directed toward the reception of classical architecture. Housing the New Romans: Architectual Reception and Classical Style in the Modern World addresses this gap by investigating ways in which appropriation and allusion facilitated the reception of Classical Greece and Rome through the requisition and redeployment of classicizing tropes to create neo-Antique sites of "dwelling" in the 19th and early 20th centuries. The volume, across nine essays, will cover both European and American iterations of place making, including Sir John Soanes' house in London, the Hôtel de Beauharnais in Paris, and the Getty Villa in California. By focusing on structures and places that are oriented towards private life-houses, hotels, clubs, tombs, and gardens-the volume directs the critical gaze towards diverse and complex sites of curatorial self-fashioning. The goal of the volume is to provide a multiplicity of interpretative frameworks (e.g. object-agency enchantment, hyperreality, memory-infrastructure) that may be applied to the study of architectural reception. This critical approach makes Housing the New Romans the first work of its kind in the emerging field of architectural and landscape reception studies and in the hitherto textually dominated field of classical reception.
Publisher: Oxford University Press
ISBN: 0190272341
Category : Literary Collections
Languages : en
Pages : 353
Book Description
In the last twenty years, reception studies have significantly enhanced our understanding of the ways in which Classics has shaped modern Western culture, but very little attention has been directed toward the reception of classical architecture. Housing the New Romans: Architectual Reception and Classical Style in the Modern World addresses this gap by investigating ways in which appropriation and allusion facilitated the reception of Classical Greece and Rome through the requisition and redeployment of classicizing tropes to create neo-Antique sites of "dwelling" in the 19th and early 20th centuries. The volume, across nine essays, will cover both European and American iterations of place making, including Sir John Soanes' house in London, the Hôtel de Beauharnais in Paris, and the Getty Villa in California. By focusing on structures and places that are oriented towards private life-houses, hotels, clubs, tombs, and gardens-the volume directs the critical gaze towards diverse and complex sites of curatorial self-fashioning. The goal of the volume is to provide a multiplicity of interpretative frameworks (e.g. object-agency enchantment, hyperreality, memory-infrastructure) that may be applied to the study of architectural reception. This critical approach makes Housing the New Romans the first work of its kind in the emerging field of architectural and landscape reception studies and in the hitherto textually dominated field of classical reception.
The Crystal palace, an essay, descriptive and critical, 2nd ed
Author: Crystal palace
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Book Description