Author: Leonard Maltin
Publisher: Random House Value Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
Examines the personal lives, careers, and films of Chaplin, Keaton, Laurel & Hardy, the Marx Brothers, Danny Kaye, and other great movie comedians.
Author: James Roots
Publisher: Rowman & Littlefield
ISBN: 1442236507
Category : Performing Arts
Languages : en
Pages : 465
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Book Description
The silent film era featured some of the most revered names of on-screen comic performance, from Charlie Chaplin and Buster Keaton to Harold Lloyd, Douglas Fairbanks, and Laurel & Hardy. Besides these giants of cinema, however, there are other silent era performers—both leading actors and supporting players—who left an enduring legacy of laughter. In The 100 Greatest Silent Film Comedians, James Roots ranks the greatest performers based on a scorecard that measures each comic’s humor, timelessness, originality, and teamwork. Far more than just a listing, this is an idiosyncratic and entertaining review of the men and women who created the golden age of comedy. As a critic and deaf viewer, Roots brings a truly unique perspective to the evaluation of these performers and their work. He has viewed thousands of silent comedies and offers some assessments that run contrary to the standard list of performers. While many obvious names are placed in the top echelon, the author also champions performers who have been neglected, in part because their work has not been as visible. Each entry includes a filmography a scorecard an evaluation of the artist’s overall work an assessment of representative films DVD availability With the increased availability of films on DVD, as well as Internet access, more and more silent performers are being discovered by film fans. Supplemented by an appendix of comedians who missed the cut, as well as an annotated bibliography, The 100 Greatest Silent Film Comedians will be an invaluable resource to anyone wanting to know more about the brilliant entertainers of the silent era.
Author: Leonard Maltin
Publisher: Random House Value Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
Author: Neil Sinyard
Publisher: Smithmark Publishers
ISBN: 9780831714512
Category : Performing Arts
Languages : en
Pages : 182
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Book Description
Author: Graham Elwood
Publisher: Morgan James Publishing
ISBN: 1614482217
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
"The Comedy Film Nerds Guide to Movies" brings what has been missing from movie discussion for too long: A healthy dose of humor. This is the first time ever two filmmakers who are also comedians give their views on film. It will bring movie discussion to a younger audience in a way they can relate to it without all the stodgy film school discussion. This is a movie book for film and comedy fans, by filmmakers and comedians. In the way that Jon Stewart and Bill Mahr have brought comedy to politics, Chris and Graham will do this for film.
Author: Gerald Nachman
Publisher: Pantheon
ISBN: 0307490726
Category : Social Science
Languages : en
Pages : 688
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Book Description
The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting • Mel Brooks, of the Yiddishization of American comedy • Sid Caesar, of a new awareness of the satirical possibilities of television • Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility • Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore • Steve Allen, of the late-night talk show as a force in American comedy • David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry • Shelley Berman, of a generation of obsessively self-confessional humor • Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes • Ernie Kovacs, of surreal visual effects and the unbounded vistas of video Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965. Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.
Author: Leonard Maltin
Publisher: New York : Crown Publishers
ISBN:
Category : Motion pictures
Languages : en
Pages : 256
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Book Description
Author: Wes D. Gehring
Publisher: McFarland
ISBN: 0786499966
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
The 1950s were a transitional period for film comedians. The artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed a funny but cartoonish effect through his work with comedians like Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without stock comic garb or make-up--fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking. This book provides insight into a misunderstood decade of film history with an examination of the "personality comedians." The talents of Dean Martin and Bob Hope are reappraised and the "dumb blonde" stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.
Author: Wes D. Gehring
Publisher: McFarland
ISBN: 0786483512
Category : Sports & Recreation
Languages : en
Pages : 229
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Book Description
As a young boy in the depths of the 1890s depression, Joe E. Brown had a job: making faces at the firemen on passing coal-burning trains so they would throw coal at him. As a child he also worked as a circus acrobat and newsboy. His inventiveness and spunk helped his family get through hard times but also fueled his fascination with entertainment, and he built up a repertoire of rubber-faced expressions and funny antics that would make his stage and screen work memorable. Baseball was a favorite pursuit in his life and thus a recurring theme in his films and skits. In this biography--the first on one of the top film comedians of the 1930s--the reader learns of Joe's challenging childhood and how it prepared him for later screen roles, and how his love of baseball translated into screen successes. His early career in vaudeville is discussed, his work as a Broadway comedian in the Roaring Twenties, his road to movie stardom, and how he parlayed his love of sports into big hits like 1930's Elmer the Great. The year 1935 gets its own chapter; its films are considered the pinnacle of Brown's career, including Alibi Ike, Bright Lights and A Midsummer Night's Dream. The final chapters reveal what happened after he left Warner Bros., including the bittersweet 1940s, when he entertained troops around the globe while mourning a son lost to the war. The book concludes with a comprehensive filmography of his features from 1928 to 1963.
Author: Richard Schickel
Publisher: Ivan R. Dee Publisher
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
The most important criticism of the great comedian's work, including pieces by Andrew Sarris, David Thomson, Gilbert Seldes, Alistair Cooke, Robert E. Sherwood, Stark Young, Edmund Wilson, Stanley Kauffmann, Alexander Woollcott, George Jean Nathan, Max Eastman, Robert Warshow, Water Kerr, and James Agee. Richard Schickel, one of our outstanding film critics, has written a long introduction. Praise for Schickel's Chaplin documentary: An invaluable critic and historian.... Schickel's film...is like a course in cultural history taught by a witty, slightly dyspeptic professor.-A. O. Scott, New York Times
