Author: Shinʼichi Suzuki
Publisher: Alfred Music Publishing
ISBN: 9780874873894
Category : Music
Languages : en
Pages : 32
Book Description
The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. Students are taught using the "mother-tongue" approach. Suzuki Guitar School materials include: Guitar Part (Vol. 1-7) * Guitar Accompaniments (Vol. 1) * CD (Vol. 1-4). Suzuki Method Core Materials are available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.
Suzuki guitar school
Author: Shinʼichi Suzuki
Publisher: Alfred Music Publishing
ISBN: 9780874873894
Category : Music
Languages : en
Pages : 32
Book Description
The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. Students are taught using the "mother-tongue" approach. Suzuki Guitar School materials include: Guitar Part (Vol. 1-7) * Guitar Accompaniments (Vol. 1) * CD (Vol. 1-4). Suzuki Method Core Materials are available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.
Publisher: Alfred Music Publishing
ISBN: 9780874873894
Category : Music
Languages : en
Pages : 32
Book Description
The Suzuki Method of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. Students are taught using the "mother-tongue" approach. Suzuki Guitar School materials include: Guitar Part (Vol. 1-7) * Guitar Accompaniments (Vol. 1) * CD (Vol. 1-4). Suzuki Method Core Materials are available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.
Mastering the Classical Guitar, Book 1B
Author: Wissam Abboud
Publisher: Mel Bay Publications
ISBN: 1619118548
Category : Music
Languages : en
Pages : 73
Book Description
Mastering the Classical Guitar, Book 1B is the second book in a progressive series using a variety of musical repertoire and educational materials to provide a solid technical foundation for classical guitar students. Book 1B focuses largely on scale, interval and chord construction and how this knowledge is useful in becoming a better sight reader. This book is most appropriate for students who can already read standard notation in first position and are ready to attempt second position. Again written in three broad sections, Progressive Studies and Pieces, Technical Exercises and Rhythmic Reading, Book 1Bpresents numerous playing, chord progression and clapping exercises along with 40 mostly 19th-century pieces by Aguado, Carcassi, Carulli, Sor and others. Tips on how to integrate the three sections are given throughout the book. While underlying theory is explained in the text, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Teachers will also applaud the generous number of attractive, easy-to-intermediate recital pieces in the book. Fingering is kept to a minimum to encourage students and teachers to pencil-in their own fingering, leading to greater understanding and retention. Written in standard notation only, Mastering the Classical Guitar, Book 1B comes with extensive audio examples. Includes access to online audio.
Publisher: Mel Bay Publications
ISBN: 1619118548
Category : Music
Languages : en
Pages : 73
Book Description
Mastering the Classical Guitar, Book 1B is the second book in a progressive series using a variety of musical repertoire and educational materials to provide a solid technical foundation for classical guitar students. Book 1B focuses largely on scale, interval and chord construction and how this knowledge is useful in becoming a better sight reader. This book is most appropriate for students who can already read standard notation in first position and are ready to attempt second position. Again written in three broad sections, Progressive Studies and Pieces, Technical Exercises and Rhythmic Reading, Book 1Bpresents numerous playing, chord progression and clapping exercises along with 40 mostly 19th-century pieces by Aguado, Carcassi, Carulli, Sor and others. Tips on how to integrate the three sections are given throughout the book. While underlying theory is explained in the text, students using this book would still benefit from the advice and constructive feedback of a competent teacher. Teachers will also applaud the generous number of attractive, easy-to-intermediate recital pieces in the book. Fingering is kept to a minimum to encourage students and teachers to pencil-in their own fingering, leading to greater understanding and retention. Written in standard notation only, Mastering the Classical Guitar, Book 1B comes with extensive audio examples. Includes access to online audio.
Classical Guitar Pedagogy
Author: Anthony L. Glise
Publisher: Mel Bay Publications
ISBN: 1609740947
Category : Music
Languages : en
Pages : 297
Book Description
This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the "why" rather than the "how" the classical guitarist does things a certain way. In the author's words, "Classical Guitar Pedagogy is the study of how to teach guitarists to teach." This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.
Publisher: Mel Bay Publications
ISBN: 1609740947
Category : Music
Languages : en
Pages : 297
Book Description
This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the "why" rather than the "how" the classical guitarist does things a certain way. In the author's words, "Classical Guitar Pedagogy is the study of how to teach guitarists to teach." This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.
Classical guitar
Author: Paul Henry (Guitarist)
Publisher: Hal Leonard Corporation
ISBN: 9780634093296
Category : Music
Languages : en
Pages : 84
Book Description
A beginner's guide to playing the guitar.
Publisher: Hal Leonard Corporation
ISBN: 9780634093296
Category : Music
Languages : en
Pages : 84
Book Description
A beginner's guide to playing the guitar.
Hal Leonard Classical Guitar Method (Tab Edition)
Author: Paul Henry
Publisher: Hal Leonard Corporation
ISBN: 1495030210
Category : Music
Languages : en
Pages : 223
Book Description
(Guitar Method). The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use beginner's guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to teach you the basics of the classical style and technique. The book includes pieces by Beethoven, Bach, Mozart, Schumann, Purcell and many more and includes lessons on: tuning * proper playing technique * notes in open position * PIMA technique * time signatures * key signatures * scales * chords * and more. Includes access to audio demo tracks online for download or streaming.
Publisher: Hal Leonard Corporation
ISBN: 1495030210
Category : Music
Languages : en
Pages : 223
Book Description
(Guitar Method). The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use beginner's guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to teach you the basics of the classical style and technique. The book includes pieces by Beethoven, Bach, Mozart, Schumann, Purcell and many more and includes lessons on: tuning * proper playing technique * notes in open position * PIMA technique * time signatures * key signatures * scales * chords * and more. Includes access to audio demo tracks online for download or streaming.
Fingerstyle Solos Volume 1
Author: Isaac Gish
Publisher: Independently Published
ISBN: 9781097869565
Category :
Languages : en
Pages : 38
Book Description
FIngerstyle Solos for new guitarists written in both standard notation and tab. The goal of this book is to give students enjoyable and accessible music to play as they build their skills in fingerstyle playing. A great variety of songs and easy but beautiful arrangements make this perfect for helping new guitarists stay motivated and inspired as they continue to progress.
Publisher: Independently Published
ISBN: 9781097869565
Category :
Languages : en
Pages : 38
Book Description
FIngerstyle Solos for new guitarists written in both standard notation and tab. The goal of this book is to give students enjoyable and accessible music to play as they build their skills in fingerstyle playing. A great variety of songs and easy but beautiful arrangements make this perfect for helping new guitarists stay motivated and inspired as they continue to progress.
The Art of Tremolo
Author: Ioannis Anastassakis
Publisher: Mel Bay Publications
ISBN: 160974070X
Category : Music
Languages : en
Pages : 153
Book Description
Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminatesthe guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitaristsincluding: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose AntonioRodriguez, Paco Serrano, and many more
Publisher: Mel Bay Publications
ISBN: 160974070X
Category : Music
Languages : en
Pages : 153
Book Description
Here's yet another book that should be in every serious classical and flamenco guitarist's library; this time, Ioannis Anastassakis (The Art of Rasguedo) eliminatesthe guesswork on how to practice and perform the tremolo technique. The book addresses over 70 different approaches and methods to practice the tremolo with unprecedented advice from some of the greatest classical and flamenco guitaristsincluding: Andres Segovia, John Williams, Sharon Isbin, Christopher Parkening, Pepe Romero, Scott Tennant, David Russell, Narciso Yepes, Stanley Yates, Stepan Rak, Juan Serrano, Manolo Sanlucar, Manolo Franco, Jose AntonioRodriguez, Paco Serrano, and many more
Hal Leonard Guitar Method Book 1
Author: Will Schmid
Publisher: Hal Leonard Corporation
ISBN: 1476862036
Category : Music
Languages : en
Pages : 84
Book Description
(Guitar Method). The Hal Leonard Guitar Method is designed for anyone just learning to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages, and it also reflects some of the best guitar teaching ideas from around the world. Book 1 includes tuning; playing position; musical symbols; notes in first position; C, G, G7, D, D7, A7, and Em chords; rhythms through eighth notes; strumming and picking; over 80 great songs, riffs, and examples.
Publisher: Hal Leonard Corporation
ISBN: 1476862036
Category : Music
Languages : en
Pages : 84
Book Description
(Guitar Method). The Hal Leonard Guitar Method is designed for anyone just learning to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages, and it also reflects some of the best guitar teaching ideas from around the world. Book 1 includes tuning; playing position; musical symbols; notes in first position; C, G, G7, D, D7, A7, and Em chords; rhythms through eighth notes; strumming and picking; over 80 great songs, riffs, and examples.
A New Look at Segovia, His Life, His Music, Volume 1
Author: Graham Wade
Publisher: Mel Bay Publications
ISBN: 1619115794
Category : Music
Languages : en
Pages : 513
Book Description
A scholarly edition of over 500 pages written to explore and evaluate Andres Segovia's achievements. Volume One contains a biography of the years of 1893 -1957 and focuses on Segovia's renditions of Renaissance, Baroque and Classical masterpieces by Narvaez, Frescobaldi, Bach, Scarlatti and Sor
Publisher: Mel Bay Publications
ISBN: 1619115794
Category : Music
Languages : en
Pages : 513
Book Description
A scholarly edition of over 500 pages written to explore and evaluate Andres Segovia's achievements. Volume One contains a biography of the years of 1893 -1957 and focuses on Segovia's renditions of Renaissance, Baroque and Classical masterpieces by Narvaez, Frescobaldi, Bach, Scarlatti and Sor
Fundamentals of Guitar
Author: Miles Okazaki
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.