Gold, Silver & Bronze from Mughal India PDF Download
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Author: Mark Zebrowski
Publisher: Laurence King
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
"Metalwork has always been to India what ceramics are to China. During the fabled Mughal age, the craftsmen of the Sultans and Rajahs of India produced an astonishing variety of objects in gold and gold enamel, silver, brass, bronze, gilt copper and the Deccani alloy known as bidri. The finest of these are among the most striking and poetic utilitarian wares ever made, in addition to being of the most outstanding technical refinement." "This, the first book on the metalwork of Mughal India, illustrates all the great surviving objects, the majority of which have never been published before and are unknown to the western connoisseur."--Jacket.
Author: Mark Zebrowski
Publisher: Laurence King
ISBN:
Category : Art
Languages : en
Pages : 376
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Book Description
"Metalwork has always been to India what ceramics are to China. During the fabled Mughal age, the craftsmen of the Sultans and Rajahs of India produced an astonishing variety of objects in gold and gold enamel, silver, brass, bronze, gilt copper and the Deccani alloy known as bidri. The finest of these are among the most striking and poetic utilitarian wares ever made, in addition to being of the most outstanding technical refinement." "This, the first book on the metalwork of Mughal India, illustrates all the great surviving objects, the majority of which have never been published before and are unknown to the western connoisseur."--Jacket.
Author: Annemarie Schimmel
Publisher: Reaktion Books
ISBN: 9781861891853
Category : Art
Languages : en
Pages : 368
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Book Description
Annemarie Schimmel has written extensively on India, Islam and poetry. In this comprehensive study she presents an overview of the cultural, economic, militaristic and artistic attributes of the great Mughal Empire from 1526 to 1857.
Author: William Dalrymple
Publisher: Penguin
ISBN: 1101098120
Category : Fiction
Languages : en
Pages : 540
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Book Description
White Mughals is the romantic and ultimately tragic tale of a passionate love affair that crossed and transcended all the cultural, religious and political boundaries of its time. James Achilles Kirkpatrick was the British Resident at the court of the Nizam of Hyderabad when in 1798 he glimpsed Kahir un-Nissa—'Most excellent among Women'—the great-niece of the Nizam's Prime Minister and a descendant of the Prophet. Kirkpatrick had gone out to India as an ambitious soldier in the army of the East India Company, eager to make his name in the conquest and subjection of the subcontinent. Instead, he fell in love with Khair and overcame many obstacles to marry her—not least of which was the fact that she was locked away in purdah and engaged to a local nobleman. Eventually, while remaining Resident, Kirkpatrick converted to Islam, and according to Indian sources even became a double-agent working for the Hyderabadis against the East India Company. It is a remarkable story, involving secret assignations, court intrigue, harem politics, religious and family disputes. But such things were not unknown; from the early sixteenth century, when the Inquisition banned the Portuguese in Goa from wearing the dhoti, to the eve of the Indian mutiny, the 'white Mughals' who wore local dress and adopted Indian ways were a source of embarrassments to successive colonial administrations. William Dalrymple unearths such colourful figures as 'Hindoo Stuart', who travelled with his own team of Brahmins to maintain his temple of idols, and who spent many years trying to persuade the memsahibs of Calcutta to adopt the sari; and Sir David Ochterlony, Kirkpatrick's counterpart in Delhi, who took all thirteen of his wives out for evening promenades, each on the back of their own elephant. In White Mughals, William Dalrymple discovers a world almost entirely unexplored by history, and places at its centre a compelling tale of love, seduction and betrayal. It possesses all the sweep and resonance of a great nineteenth-century novel, set against a background of shifting alliances and the manoeuvring of the great powers, the mercantile ambitions of the British and the imperial dreams of Napoleon. White Mughals, the product of five years' writing and research, triumphantly confirms Dalrymple's reputation as one of the finest writers at work today.
Author: Upendrakishore Roychoudhury
Publisher: Penguin Books India
ISBN: 9780143030461
Category : British
Languages : en
Pages : 652
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Book Description
James Achilles Kirkpatrick Landed On The Shores Of Eighteenth-Century India As An Ambitious Soldier Of The East India Company. Although Eager To Make His Name In The Subjection Of A Nation, It Was He Who Was Conquered Not By An Army But By A Muslim Indian Princess. Kirkpatrick Was The British Resident At The Court Of The Nizam Of Hyderabad When In 1798 He Glimpsed Khair Un-Nissa Most Excellent Among Women' The Great-Niece Of The Nizam'S Prime Minister. He Fell In Love With Khair, And Overcame Many Obstacles To Marry Her Not Least Of Which Was The Fact That She Was Locked Away In Purdah And Engaged To A Local Nobleman. Eventually, While Remaining Resident, Kirkpatrick Converted To Islam, And According To Indian Sources Even Became A Double-Agent Working For The Hyderabadis Against The East India Company. Possessing All The Sweep Of A Great Nineteenth-Century Novel, White Mughals Is A Remarkable Tale Of Harem Politics, Secret Assignations, Court Intrigue, Religious Disputes And Espionage.
Author: Navina Najat Haidar
Publisher: Metropolitan Museum of Art
ISBN: 0300208871
Category : History
Languages : en
Pages : 146
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Book Description
India's rich heritage of jeweled artistry is expressed in extravagant and opulent creations that range from ornaments for every part of the body to ceremonial court objects such as boxes, daggers, and thrones. Treasures from India presents more than sixty iconic works from the renowned Al-Thani collection, including pieces created for the imperial Mughals in the seventeenth century, others made for the nizams of Hyderabad and the maharajas of the Rajput courts from the eighteenth to the twentieth century, Indian-inspired jewelry fashioned by Cartier and other Western firms, and contemporary designs. The lucid text discusses the significance of these objects within the history of Indian jeweled arts, demonstrating how they stand among the highest expressions of Indian culture.
Author: Finbarr Barry Flood
Publisher: Princeton University Press
ISBN: 1400833248
Category : Art
Languages : en
Pages : 384
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Book Description
Objects of Translation offers a nuanced approach to the entanglements of medieval elites in the regions that today comprise Afghanistan, Pakistan, and north India. The book--which ranges in time from the early eighth to the early thirteenth centuries--challenges existing narratives that cast the period as one of enduring hostility between monolithic "Hindu" and "Muslim" cultures. These narratives of conflict have generally depended upon premodern texts for their understanding of the past. By contrast, this book considers the role of material culture and highlights how objects such as coins, dress, monuments, paintings, and sculptures mediated diverse modes of encounter during a critical but neglected period in South Asian history. The book explores modes of circulation--among them looting, gifting, and trade--through which artisans and artifacts traveled, remapping cultural boundaries usually imagined as stable and static. It analyzes the relationship between mobility and practices of cultural translation, and the role of both in the emergence of complex transcultural identities. Among the subjects discussed are the rendering of Arabic sacred texts in Sanskrit on Indian coins, the adoption of Turko-Persian dress by Buddhist rulers, the work of Indian stone masons in Afghanistan, and the incorporation of carvings from Hindu and Jain temples in early Indian mosques. Objects of Translation draws upon contemporary theories of cosmopolitanism and globalization to argue for radically new approaches to the cultural geography of premodern South Asia and the Islamic world.
Author: Gülru Necipoglu
Publisher: BRILL
ISBN: 9047429338
Category : Art
Languages : en
Pages : 396
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Book Description
Muqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. Muqarnas 26 contains articles on a variety of topics that span and transcend the geographic and temporal boundaries that have traditionally defined the history of Islamic art and architecture. Contributors include Robert McChesney, Mattia Guidetti, Marcus Schadl, Christian Gruber, Katia Cytryn-Silverman, Doris Abouseif, Olga Bush, Emine Fetvaci, Moya Carey, Bernard O'Kane, Hadi Maktabi, Nadia Erzini and Stephen Vernoit.
Author: Jonathan Bloom
Publisher: Oxford University Press
ISBN: 019530991X
Category : Architecture
Languages : en
Pages : 1697
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Book Description
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Author: Ana M. Lopez
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Art
Languages : en
Pages : 197
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Book Description
Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. Metalworking Through History provides a comprehensive, historic overview of the subject of metalworking while exploring it within its cultural context. It is written from the perspective that the crafting of objects in metal is a unique way of understanding a particular time and culture. As a broad encyclopedia of metalworking, it allows the reader to view the different societies and periods that produced work in this medium as part of a global, interrelated practice. Comprised of over sixty entries on relevant time periods, cultures, makers and processes, the book is a much-needed general reference text in the survey of this craft. The subjects span all the major metalworking periods and peoples, from the rituals of African iron smelting to the twentieth century studio movement. Outstanding individual makers are highlighted to give additional insight into the times at which they were active. Furthermore, the materials and techniques used in the act of metalworking are clearly explained in terms that are easily understood by a practitioner with tacit knowledge of the medium. Suggested further readings and cross-references allow for the expansion of research and additional study. It is an excellent first resource for understanding the concepts and terminology of the ancient and pervasive craft of metalworking. Volume includes eight pages of color plates, and black and white photos throughout. *Art Deco *Marianne Brandt *Chinese *Dark Ages *Enamel *Engraving *Georg Jensen *Judaica *Metals and their Alloys *Native American *Plating and Leaf *Renaissance *June Schwartz *Soldering *South American *Samuel Yellin
Author: George Michell
Publisher: Cambridge University Press
ISBN: 9780521563215
Category : Architecture
Languages : en
Pages : 344
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Book Description
The Muslim kingdoms of the Deccan plateau flourished from the fourteenth to eighteenth centuries. During this period, the Deccan sultans built palaces, mosques and tombs, and patronised artists who produced paintings and decorative objects. Many of these buildings and works of art still survive as testimony to the sophisticated techniques of their craftsmen. This volume is the first to offer an overall survey of these architectural and artistic traditions and to place them within their historical context. The links which existed between the Deccan and the Middle East, for example, are discernible in Deccani architecture and paintings, and a remarkable collection of photographs, many of which have never been published before, testify to these influences. The book will be a source of inspiration to all those interested in the rich and diverse culture of India, as well as to those concerned with the artistic heritage of the Middle East.
