Author: COLLIN BAY
Publisher: Mel Bay Publications
ISBN: 1619114046
Category : Music
Languages : en
Pages : 12
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Book Description
Glossary of Guitar Terms is an informative addition to any musician's library. Included are a rundown of the parts of the instrument, a variety of helpfuldiagrams, and some of the most important terms and concepts for guitarists to befamiliar with. Glossary of Guitar Terms is an excellent reference tool for players of all levels
Author: Collin Bay
Publisher: Mel Bay Publications
ISBN: 9780786684915
Category : Music
Languages : en
Pages :
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Book Description
Mel Bay's Guitar Terms Wall Chart is an attractive and informative addition to any practice room. Included are a rundown of the parts of the instrument, a variety of helpful diagrams, and some of the most important terms and concepts for guitarists to be familiar with. The Guitar Terms Wall Chart is an excellent referencetool for players of all levels. Dimensions: 35" x 24." Printed on durable coatedpaper.
Author:
Publisher: Guitar Lesson World
ISBN: 0978887700
Category :
Languages : en
Pages : 170
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Book Description
Author: R. M. Mottola
Publisher: Robert M Mottola
ISBN: 9781734125603
Category : Stringed instruments
Languages : en
Pages : 0
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Book Description
"Provides conventional spelling and short descriptions of the most common terms used in modern lutherie [that is, the construction and repair of stringed musical instruments] as well as historical and foreign language terminology that a modern luthier may come across."--Page 4 of cover
Author: Victor Coelho
Publisher: Cambridge University Press
ISBN: 9780521000406
Category : Music
Languages : en
Pages : 284
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Book Description
From its origins in the culture of late medieval Europe to enormous global popularity in the twentieth, the guitar and its development comprise multiple histories, each characterized by distinct styles, playing techniques, repertories, and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions, and Western and non-Western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring twelve essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and the differences between guitar traditions; all styles--from baroque, classical, country, blues, and rock to flamenco, African, and Celtic--will share the same platform, along with instrument making. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.
Author: Roger H. Siminoff
Publisher: Hal Leonard Corporation
ISBN: 9781423442929
Category : Music
Languages : en
Pages : 220
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Book Description
(Book). Siminoff's Luthier Glossary is a first-edition compendium of more than 800 technical terms used in the design, construction, and production of string musical instruments. The handy 6"x9" softcover text is intended for all levels of builders from beginners to advanced, and features descriptions of parts, techniques, tools, adhesives, finishes, machinery, woods, stains, acoustics, and legal terms. The Appendix includes numerous valuable data tables along with two dozen color plates to help recognize the tonewoods and decorative woods used in luthierie.
Author: Phil Capone
Publisher: Chartwell Books
ISBN: 1610583671
Category : Music
Languages : en
Pages : 261
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Book Description
Learn to play bass guitar the easy way, following simple illustrated lessons from all styles of music. Lessons start with the basics - how to hold the bass, how to tune and start playing - and take the student to a playing level with sufficient skills to join a band. Each lesson is written in the standard TAB format with easy-to-read rhythm notations, and step by step pictures of the correct finger positions. Also includes a library of scales.
Author: Mitch Gallagher
Publisher: Muska/Lipman
ISBN:
Category : Computers
Languages : en
Pages : 274
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Book Description
Presents a glossary of music technology and pro audio topics and terms. This title focuses on the terminology, techniques, and formats that are common in the audio and music technology field, and offers various explanations of what each term represents.
Author: Christopher Page
Publisher: Boydell & Brewer
ISBN: 1837650330
Category : Music
Languages : en
Pages : 337
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Book Description
The first book devoted to the composers, instrument makers and amateur players who advanced the great guitar vouge throughout Western Europe during the early decades of the nineteenth century.Contemporary critics viewed the fashion for the guitar with sheer hostility, seeing in it a rejection of true musical value. After all, such trends advanced against the grain of mainstream musical developments of ground-breaking (often Austro-German) repertoire for standard instruments. Yet amateur musicians throughout Europe persisted; many instruments were built to meet the demand, a substantial volume of music was published for amateurs to play, and soloist-composers moved freely between European cities. This book follows these lines of travel venturing as far as Moscow, and visiting all the great musical cities of the period, from London to Vienna, Madrid to Naples. The first section of the book looks at eighteenth-century precedents, the instrument - its makers and owners, amateur and professional musicians, printing and publishing, pedagogy, as well as aspects of repertoire. The second section explores the extensive repertoire for accompanied song and chamber music. A final substantive section assembles chapters on a wide array of the most significant soloist-composers of the time. The chapters evoke the guitar milieu in the various cities where each composer-player worked and offer a discussion of some representative works. This book, bringing together an international tally of contributors and never before examined sources, will be of interest to devotees of the guitar, as well as music historians of the Romantic period.
Author: Joseph Davis
Publisher: Gatekeeper Press
ISBN: 166292402X
Category : Music
Languages : en
Pages : 297
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Book Description
Finally—an intuitive, single-source standardization for naming guitar chords in the 21st century! A honing of guitar theory as a subcategory of music theory. Commonsense approach to all things guitar chord, including how to label alternate chord voicings. New concepts, including natural harmonics chords, unison chords, and octaval chords. A massive Instructional Glossary with clear and precise definitions, benefiting both guitarists and music theorists alike. Appendices containing 747 graphical guitar chord boxes and definitions for several guitar tunings: • Standard • Open Major A/E • Open Major G/D • Drop D • Double Drop D • Bruce Palmer Modal “Band of Witches” sample song sheet. Procedures for registering a copyright with the U.S. Copyright Office. Introduction to U.S. copyright law’s fair use doctrine, including a comparison of mechanical and sync licenses. Presented in an easy-to-read, connect-the-dots manner. An absolute must-read for the guitarist wanting to transcribe new sound-creations into guitar chords. The only textbook needed for a Progressive Guitar Theory 105 course. Though geared toward the needs of a seasoned guitarist, this book contains a wealth of information that will benefit anyone, from the casual campfire-strumming enthusiast to avid music theorists looking for a greater understanding of the challenges facing non-sight-reading guitar players. Book Review: "A soup-to-nuts guide for guitarists looking for a comprehensive way to name and notate chords. Music theory and practicality are sometimes at odds. For example, theory dictates that a chord must have three or more notes, but as debut author Davis explains in his introduction, guitarists play two-note formations frequently, which they must then label as chords when transcribing. As one gets deeper into theory, the conflicts can get more complicated in terms of where a “root” note might lay in a chord sequence, or how a chord might fit in a particular scale. Davis seeks to solve that quandary with a practical standard for working guitarists. It’s a complicated task, and this book provides a lot of context for readers to consider, explaining pitch, tuning, scales, and intervals, and even providing information on copyrighting musical works. Along the way, he takes a lot of advanced ideas into account, such as unaltered nonextended chords, unaltered extended chords, suspended nonextended chords, and the like. Chances are that any guitarist who’s attracted by the title of this book already knows enough to follow these theoretical aspects. The author offers a process to make these concepts clearer, [to Gatekeeper: my rewrite attends to the rest of the sentence & the next one] but it’s not a basic, numbered list of steps. Readers with no education in theory may have to read passages several times to put the level of detail into proper perspective [to Gatekeeper: this ends the portion of the Review I "fixed."]. A weekend warrior who’s happy banging out basic G-C-D or E-A-D progressions, for instance, won’t find much use for the theory, but those looking to move forward will find value in the first, basic chapters and the massive appendices, which feature definitions of everything from Travis picking to truss rods. For guitarists who write, the most useful aspect of this book may be the chord guide, which includes voicings for both standard and alternate tunings. A complex manual for guitar players who want to keep learning new things." -- Kirkus Indie Reviews
