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Author:
Publisher: Tate
ISBN: 9781849763561
Category : Art
Languages : en
Pages : 0
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Book Description
Glenn Ligon (b. 1960) is one of the most significant American artists of his generation. Much of his work relates to abstract cxpressionism and minimalist painting, remixing formal characteristics to highlight the cultural and social histories of the time, such as the civil rights movement. This new book brings together artworks and other material Ligon references or work with which he shares certain affinities. The book illustrates works by Ligon and other artists--including Chris Ofili, Willem de Kooning, Jackson Pollock, Lorna Simpson, Felix Gonzalez-Torres, and Jasper Johns--accompanied by texts by Ligon, Francesco Manacorda, Alex Farquharson, and Gregg Bordowitz, and an anthology of some 20 texts selected/excerpted by Ligon.
Author:
Publisher: Tate
ISBN: 9781849763561
Category : Art
Languages : en
Pages : 0
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Book Description
Glenn Ligon (b. 1960) is one of the most significant American artists of his generation. Much of his work relates to abstract cxpressionism and minimalist painting, remixing formal characteristics to highlight the cultural and social histories of the time, such as the civil rights movement. This new book brings together artworks and other material Ligon references or work with which he shares certain affinities. The book illustrates works by Ligon and other artists--including Chris Ofili, Willem de Kooning, Jackson Pollock, Lorna Simpson, Felix Gonzalez-Torres, and Jasper Johns--accompanied by texts by Ligon, Francesco Manacorda, Alex Farquharson, and Gregg Bordowitz, and an anthology of some 20 texts selected/excerpted by Ligon.
Author: Scott Rothkopf
Publisher:
ISBN: 9780300168471
Category : African American artists
Languages : en
Pages : 0
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Book Description
Published on the occasion of an exhibition held at the Whitney Museum of American Art, New York, Mar. 10-June 5, 2011, the Los Angeles County Museum of Art, Los Angeles, Calif. Oct. 23, 2011-Jan. 22, 2012 and the Modern Art Museum of Fort Worth, Fort Worth, Tex. Feb.-May 2012.
Author: Gregg Bordowitz
Publisher: MIT Press
ISBN: 1846381940
Category : Art
Languages : en
Pages : 92
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Book Description
An illustrated examination of Glenn Ligon's iconic Untitled (I Am a Man) (1988)—a quotation, an appropriated text turned into an artifact. The iconic work Untitled (I Am a Man) (1988) by the important contemporary American artist Glenn Ligon is a quotation, an appropriated text turned into an artifact. The National Gallery of Art in Washington presents the work as a “representation—a signifier—of the actual signs carried by 1,300 striking African American sanitation workers in Memphis, made famous by Ernest Withers' 1968 photographs.” In this illustrated study of the work, Gregg Bordowitz takes the National Gallery's presentation as his starting point, considering the museum's juxtaposition of Untitled (I Am a Man) and the ca. 1935 sculpture, Schoolteacher, by William Edmondson, and the relation of the two terms, “markers” and “signs.” After closely examining the canvas itself, its textures, brushwork, and structure, Bordowitz presents a theoretical framework that draws on the work of American philosopher Charles Sanders Peirce and his theory of Firstness, Secondness, and Thirdness. He makes a case for Thirdness as a function, operation, or law of meaning-making, not limited by the gender, age, ethnicity, race, class, or personal history of the viewer. Bordowitz goes on to examine Ligon's work in terms of the representation of self, race, and gender, focusing on three series: Profile Series (1990–91), Narratives, and Runaways (both 1993). He cites such historical figures as Sojourner Truth and her famous 1851 speech, “Ain't I a Woman?” as well as influences ranging from Bo Diddley's 1955 song, “I'm a Man” to the cultural theories of Stuart Hall.
Author: Glenn Ligon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 206
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Book Description
Text by Darby English, Wayne Baerwaldt, Huey Copeland, Mark Nash, Wayne Koestenbaum. Interview by Stephen Andrews.
Author: Jo Applin
Publisher:
ISBN: 9781849763325
Category : Abstract expressionism
Languages : en
Pages : 0
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Book Description
Jackson Pollock was one of the most influential and provocative American artists of the twentieth century. This fully illustrated publication accompanies the first exhibition in over three decades of a crucial phase of his work, referred to as the Black Pourings. This controversial body of black enamel and oil paintings, which were exceptional in their absolute merging of colour and surface, are accompanied here by drawings that are regarded as his most important and productive as a draughtsman.
Author: Thomas Hirschhorn
Publisher: Walther Konig Verlag
ISBN: 9783863356118
Category : Community arts projects
Languages : en
Pages : 0
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Book Description
"Published in commemoration of Gramsci Monument, a work in public space by Thomas Hirschhorn, produced by Dia Art Foundation. Forest Houses, Bronx, New York, July 1-September 15, 2013."
Author: Kelley Walker
Publisher: Contemporary Art Museum, St. Louis
ISBN: 9780988997066
Category : Art
Languages : en
Pages : 64
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Book Description
With nods to artistic influences ranging from Andy Warhol to Jackson Pollock and Sigmar Polke, Walker?s work interrogates the ways a single image can migrate into a number of cultural contexts. Throughout his career, Walker has explored the manipulation and repurposing of images in order to destabilize issues of identity, race, class, sexuality, and politics. Often using such technologies as 3-D modeling software and laser-cutting, the artist works in a variety of media, including photography, painting, printmaking, collage, and sculpture. In an era of digital reproduction, Walker?s work draws attention to popular culture?s perpetual consumption and reuse of images. 00Exhibition: Contemporary Art Museum, St. Louis, United States (16.09. - 31.12.2016).
Author: Glenn Ligon
Publisher:
ISBN: 9781909932067
Category : African Americans and mass media
Languages : en
Pages : 139
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Book Description
Somewhere between a scholarly study, a picture book, and an artist's book, Glenn Ligon's book documents shifts in the social, cultural, and political history of African-Americans in the post-World-War-II era by gathering together images and graphics on the covers of books written by and about them.
Author: Glenn Ligon
Publisher:
ISBN:
Category : African Americans in art
Languages : en
Pages : 40
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Book Description
Author: Claudia Rankine
Publisher: Graywolf Press
ISBN: 1555973485
Category : Literary Collections
Languages : en
Pages : 166
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Book Description
* Finalist for the National Book Award in Poetry * * Winner of the National Book Critics Circle Award in Poetry * Finalist for the National Book Critics Circle Award in Criticism * Winner of the NAACP Image Award * Winner of the L.A. Times Book Prize * Winner of the PEN Open Book Award * ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Boston Globe, The Atlantic, BuzzFeed, NPR. Los Angeles Times, Publishers Weekly, Slate, Time Out New York, Vulture, Refinery 29, and many more . . . A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric. Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.
