Giulio Cesare Procaccini, Some Aspects of His Art PDF Download
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Author: Willard E. Lustenader
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Book Description
Author: Willard E. Lustenader
Publisher:
ISBN:
Category :
Languages : en
Pages : 164
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 19
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Book Description
Author: Marco Rosci
Publisher:
ISBN: 9788879290463
Category : Art
Languages : it
Pages : 152
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Book Description
Author: Giulio Cesare Procaccini
Publisher:
ISBN:
Category :
Languages : it
Pages :
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Book Description
Author: Anne H. Muraoka
Publisher: Renaissance and Baroque
ISBN: 9781433129278
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
The Path of Humility: Caravaggio and Carlo Borromeo establishes a fundamental relationship between the Franciscan humility of Archbishop of Milan Carlo Borromeo and the Roman sacred works of Caravaggio. This is the first book to consider and focus entirely upon these two seemingly anomalous personalities of the Counter-Reformation. The import of Caravaggio's Lombard artistic heritage has long been seen as pivotal to the development of his sacred style, but it was not his only source of inspiration. This book seeks to enlarge the discourse surrounding Caravaggio's style by placing him firmly in the environment of Borromean Milan, a city whose urban fabric was transformed into a metaphorical Via Crucis. This book departs from the prevailing preoccupation - the artist's experience in Rome as fundamental to his formulation of sacred style - and toward his formative years in Borromeo's Milan, where humility reigned supreme. This book is intended for a broad, yet specialized readership interested in Counter-Reformation art and devotion. It serves as a critical text for undergraduate and graduate art history courses on Baroque art, Caravaggio, and Counter-Reformation art.
Author: Claire Farago
Publisher: BRILL
ISBN: 900435378X
Category : Art
Languages : en
Pages : 1371
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Book Description
This first complete English translation, including over 250 full-color images, is a longitudinal cultural history of how art came to be institutionalized in the history of western representational practices.
Author: Girolamo De Simone
Publisher: Girolamo F. De Simone
ISBN: 8896055008
Category : Social Science
Languages : en
Pages : 383
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Book Description
Author: Massimo Favilla
Publisher:
ISBN: 9788896045060
Category : Art
Languages : it
Pages : 272
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Book Description
"This lavish book is the first ever art historical study to survey this specific and crucial period in the history of ‘La Serenissima’ – the Baroque. The 17th century saw Venice’s last big drive to respond on a cultural and artistic level to the Republic’s inexorable decline on the great stage of European politics. The city’s fabric still reflects the desire that was felt at the time for grandiloquent displays of hoped-for triumph. Excess and ostentation prevailed, fuelling a tendency for abundant ornamentation, a taste for the grotesque and the bizarre, and a zeal for enormity and greatness. Here, the authors trace the progression of painting, sculpture and architecture in 17th-century Venice in a series of scholarly essays illuminated by hundreds of glorious illustrations celebrating the city’s seminal examplars of Baroque style, among them Santa Maria della Salute, the mosaics of St Mark’s and the paintings of Giambattista Tiepolo."--Publisher's description.
Author: Hilary Gatti
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 290
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Book Description
Renaissance philosopher Giordano Bruno was a notable supporter of the new science which arose during his lifetime; his own role has been debated since the early 17th century. This work re-evaluates his contribution to the scientific revolution, emphasizing his links with the magnetic philosophers.
Author: Paola Zambelli
Publisher: BRILL
ISBN: 9047421388
Category : History
Languages : la
Pages : 292
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Book Description
This book explores philosophical theories which in the Renaissance provided an interpretation of nature, of its laws and exceptions and, lastly, of man’s capacity to dominate the cosmos by way of natural magic or by magical ceremonies. It does not concentrate on the Hermetic and Neoplatonic philosophers (Ficino, Pico, Della Porta), or on the relationship between magic and the scientific revolution, but rather upon the interference of the ideas and practices of learned magicians with popular rites and also with witchcraft, a most important question for social and religious history. New definitions of magic put forward by certain unorthodox and “wandering scholastics” (Trithemius, Agrippa, Paracelsus, Bruno) will interest readers of Renaissance and Reformation texts and history.
