Author: Frances Federer
Publisher: Gatekeeper Press
ISBN: 1662910894
Category : Crafts & Hobbies
Languages : en
Pages : 258
Book Description
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.
Gold Leaf, Paint & Glass
Author: Frances Federer
Publisher: Gatekeeper Press
ISBN: 1662910894
Category : Crafts & Hobbies
Languages : en
Pages : 258
Book Description
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.
Publisher: Gatekeeper Press
ISBN: 1662910894
Category : Crafts & Hobbies
Languages : en
Pages : 258
Book Description
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.
Gold Leaf Techniques
Author: Raymond J. Le Blanc
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 246
Book Description
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 246
Book Description
Roman Glass in the Corning Museum of Glass
Author: David Whitehouse
Publisher: Hudson Hills
ISBN: 9780872901506
Category : Antiques & Collectibles
Languages : en
Pages : 376
Book Description
This volumn covers 387 objects mostly from the first to seventh century A.D. Some with mold-blown ornament or inscriptions.
Publisher: Hudson Hills
ISBN: 9780872901506
Category : Antiques & Collectibles
Languages : en
Pages : 376
Book Description
This volumn covers 387 objects mostly from the first to seventh century A.D. Some with mold-blown ornament or inscriptions.
The Looking Glass Brother
Author: Peter von Ziegesar
Publisher: Macmillan
ISBN: 1250050146
Category : Biography & Autobiography
Languages : en
Pages : 333
Book Description
The fascinating true story of von Ziegesar's life of privilege mirrored by that of his half-brother of the same name, a homeless schizophrenic man and former violin prodigy. Woven through this remarkable memoir are memories of Peter's father, his experience of fatherhood, luxurious scenes from Peacock Point and the care he now gives to Little Peter.
Publisher: Macmillan
ISBN: 1250050146
Category : Biography & Autobiography
Languages : en
Pages : 333
Book Description
The fascinating true story of von Ziegesar's life of privilege mirrored by that of his half-brother of the same name, a homeless schizophrenic man and former violin prodigy. Woven through this remarkable memoir are memories of Peter's father, his experience of fatherhood, luxurious scenes from Peacock Point and the care he now gives to Little Peter.
The Glass Magician
Author: Caroline Stevermer
Publisher: Tor Books
ISBN: 1466820837
Category : Fiction
Languages : en
Pages : 227
Book Description
Reminiscent of The Golem and the Jinni, The Glass Magician by Caroline Stevermer is a magical and romantic tale set in New York’s Gilded Age. New York 1905—The Vanderbilts. The Astors. The Morgans. They are the cream of society—and they own the nation on the cusp of a new century. Thalia Cutler doesn’t have any of those family connections. What she does know is stage magic and she dazzles audiences with an act that takes your breath away. That is, until one night when a trick goes horribly awry. In surviving she discovers that she can shapeshift, and has the potential to take her place among the rich and powerful. But first, she’ll have to learn to control that power...before the real monsters descend to feast. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Publisher: Tor Books
ISBN: 1466820837
Category : Fiction
Languages : en
Pages : 227
Book Description
Reminiscent of The Golem and the Jinni, The Glass Magician by Caroline Stevermer is a magical and romantic tale set in New York’s Gilded Age. New York 1905—The Vanderbilts. The Astors. The Morgans. They are the cream of society—and they own the nation on the cusp of a new century. Thalia Cutler doesn’t have any of those family connections. What she does know is stage magic and she dazzles audiences with an act that takes your breath away. That is, until one night when a trick goes horribly awry. In surviving she discovers that she can shapeshift, and has the potential to take her place among the rich and powerful. But first, she’ll have to learn to control that power...before the real monsters descend to feast. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Gilded and Enamelled Glass from the Middle East
Author: British Museum
Publisher: British Museum Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
This is a volume of the collected papers given by 30 specialist contributors at an international conference held in the British Museum in April 1995. The focus is on the materials, techniques, iconography, patronage and trade of gilded and enamelled glass of 13th-15th century Egypt and Syria, as well as the origins of the technique in the Byzantine and early Islamic periods and its influence on production in Venice and other European sites between the 14th and 19th centuries. Contributors include archaeologists, art historians, historians, scientists, and glassmakers from Cairo, Jerusalem, St Petersburg, New York, Berlin, Bonn, Hamburg, Granada, Venice, Dublin, Sheffield, Bristol, Edinburgh, and London.
Publisher: British Museum Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
This is a volume of the collected papers given by 30 specialist contributors at an international conference held in the British Museum in April 1995. The focus is on the materials, techniques, iconography, patronage and trade of gilded and enamelled glass of 13th-15th century Egypt and Syria, as well as the origins of the technique in the Byzantine and early Islamic periods and its influence on production in Venice and other European sites between the 14th and 19th centuries. Contributors include archaeologists, art historians, historians, scientists, and glassmakers from Cairo, Jerusalem, St Petersburg, New York, Berlin, Bonn, Hamburg, Granada, Venice, Dublin, Sheffield, Bristol, Edinburgh, and London.
Warm Glass
Author: Philippa Beveridge
Publisher: Lark Books
ISBN: 1579906559
Category : Crafts & Hobbies
Languages : en
Pages : 167
Book Description
An authoritative, extensively illustrated guide to making glass objects in a kiln. Provides detailed information on the history and traditional techniques of using a kiln in glasswork, along with instructions and examples designed to help you understand all the steps each technique requires.
Publisher: Lark Books
ISBN: 1579906559
Category : Crafts & Hobbies
Languages : en
Pages : 167
Book Description
An authoritative, extensively illustrated guide to making glass objects in a kiln. Provides detailed information on the history and traditional techniques of using a kiln in glasswork, along with instructions and examples designed to help you understand all the steps each technique requires.
Glass in the Collections of the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870993062
Category : Glass painting and staining
Languages : en
Pages : 22
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870993062
Category : Glass painting and staining
Languages : en
Pages : 22
Book Description
Consular Reports
Author: United States. Bureau of Foreign Commerce
Publisher:
ISBN:
Category : Consular reports
Languages : en
Pages : 634
Book Description
Publisher:
ISBN:
Category : Consular reports
Languages : en
Pages : 634
Book Description
United States Consular Reports
Author:
Publisher:
ISBN:
Category : Consular reports
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : Consular reports
Languages : en
Pages : 638
Book Description