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Author: Peter D. McDonald
Publisher: Oxford University Press
ISBN: 0198725159
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
Explores the relationship between literature and international relations and considers how writing resists norms and puts any fixed or final idea of community in question. Part I examines the European context (1860 to 1945) and Part II analyses the traditions of disruptive writing that emerged out of sub-Saharan Africa and south Asia after 1945.
Author: Peter D. McDonald
Publisher: Oxford University Press
ISBN: 0198725159
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
Explores the relationship between literature and international relations and considers how writing resists norms and puts any fixed or final idea of community in question. Part I examines the European context (1860 to 1945) and Part II analyses the traditions of disruptive writing that emerged out of sub-Saharan Africa and south Asia after 1945.
Author: Federica G. Pedriali
Publisher: Springer Nature
ISBN: 3030427919
Category : History
Languages : en
Pages : 240
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Book Description
This book tackles cultural mobilization in the First World War as a plural process of identity formation and de-formation. It explores eight different settings in which individuals, communities and conceptual paradigms were mobilized. Taking an interdisciplinary approach, it interrogates one of the most challenging facets of the history of the Great War, one that keeps raising key questions on the way cultures respond to times of crisis. Mobilization during the First World War was a major process of material and imaginative engagement unfolding on a military, economic, political and cultural level, and existing identities were dramatically challenged and questioned by the whirl of discourses and representations involved.
Author: Stephen Hodkinson
Publisher: Classical Press of Wales
ISBN: 1910589403
Category : History
Languages : en
Pages : 354
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Book Description
This is the 7th volume from the International Sparta Seminar, in the series begun in 1989 by Anton Powell with Stephen Hodkinson. The volume is both thematic and eclectic. Ephraim David and Yoann Le Tallec treat respectively the politics of nudity at Sparta and the role of athletes in forming the Spartan state. Nicolas Richer examines the significance of animals depicted in Lakonian art; Andrew Scott asks what Lakonian figured pottery reveals of local consumerism. Nino Luraghi and Paul Christesen deal respectively with the way in which Sparta was viewed by Messenians and by Ephorus. Jean Ducat treats 'the ghost of the Lakedaimonian state', a major study of formal relations between Spartiate and perioikic communities. Thomas Figueira considers how Spartan women policed masculine behaviour. Anton Powell traces the development of Spartan reactions to political divination in the classical period.
Author: Peter Swallow
Publisher: Oxford University Press
ISBN: 019286856X
Category : Drama
Languages : en
Pages : 298
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Book Description
In this lively and wide-ranging study, Peter Swallow explores the reception of Aristophanes in Britain throughout the long-nineteenth century, setting it in the broader context of Victorian Classicism and, more specifically, the period's reception of Greek tragedy. Swallow shows the surprising extent to which Aristophanes was repurposed across an array of mediums in Victorian Britain, and demonstrates that Aristophanic reception in the period was always a process of speaking to contemporary issues--making Old Comedy new. The book examines two strands of Aristophanic reception: the political and the aesthetic. From the start of the long-nineteenth century, the British reception of Aristophanes tied into contemporary political debate, as historians, translators and commentators, and even the burlesque writer J.R. Planché activated Aristophanes in support of their own political positions. But each writer's conceptualisation of Aristophanes was as different as their political outlooks. While many writers who appropriated Aristophanes for their cause were Tories, a notable outlier is Percy Shelley, whose Aristophanic drama Swellfoot the Tyrant activated Old Comedy to argue for democratic republicanism--what we would now call a left-wing political revolution. The second strand of Aristophanic reception, which developed from around the middle of the nineteenth century, actively depoliticised Old Comedy and instead received it through an aesthetic lens. The aesthetics of Aristophanes--with an emphasis on the beautiful and the archaeological--also lay behind school and university productions of Old Comedy during this period. These strands of nineteenth-century Aristophanic reception find synthesis towards the book's conclusion. Edwardian women's receptions of Aristophanes show how activists used his plays to argue for equal educational opportunities and the right to vote. In the final chapter, Gilbert Murray and George Bernard Shaw's receptions reveal both the political and artistic potential of Aristophanes.
Author: Sasan Samiei
Publisher: Bloomsbury Publishing
ISBN: 0857724142
Category : History
Languages : en
Pages : 334
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Book Description
Ancient Persia in Western History is a measured rejoinder to the dominant narrative that considers the Graeco-Persian Wars to be merely the first round of an oft-repeated battle between the despotic 'East' and the broadly enlightened 'West'. Sasan Samiei analyses the historiography which has skewed our understanding of this crucial era - contrasting the work of Edward Gibbon and Goethe, which venerated Classicism and Hellenistic history, with later writers such as John Linton Myres. Finally, Samiei explores the cross-cultural encounters which constituted the Achaemenid period itself, and repositions it as essential to the history of Europe, Asia and the Middle East.
Author: Patricia Owens
Publisher: Cambridge University Press
ISBN: 1108848974
Category : Political Science
Languages : en
Pages : 371
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Book Description
Women's International Thought: A New History is the first cross-disciplinary history of women's international thought. Bringing together some of the foremost historians and scholars of international relations working today, this book recovers and analyses the path-breaking work of eighteen leading thinkers of international politics from the early to mid-twentieth century. Recovering and analyzing this important work, the essays offer revisionist accounts of IR's intellectual and disciplinary history and expand the locations, genres, and practices of international thinking. Systematically structured, and focusing in particular on Black diasporic, Anglo-American, and European historical women, it does more than 'add women' to the existing intellectual and disciplinary histories from which they were erased. Instead, it raises fundamental questions about which kinds of subjects and what kind of thinking constitutes international thought, opening new vistas to scholars and students of international history and theory, intellectual history and women's and gender studies.
Author: Bloomsbury Publishing
Publisher: A&C Black
ISBN: 1472519779
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This exciting collection constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. The last three decades have seen a remarkable revival of the performance of ancient Greek drama; some ancient plays - "Sophocles", "Oedipus", "Euripides", and "Medea" - have established a distinguished place in the international performance repertoire, and attracted eminent directors including Peter Stein, Ariane Mnouchkine, Peter Sellars, and Katie Mitchell. Staging texts first written two and a half thousand years ago, for all-male, ritualised, outdoor performance in masks in front of a pagan audience, raises quite different intellectual questions from staging any other canonical drama, including Shakespeare. But the discussion of this development in modern performance has until now received scant theoretical analysis. This book provides the solution in the form of a lively interdisciplinary dialogue, inspired by a conference held at the Archive of Performances of Greek & Roman Drama (APGRD) in Oxford, between sixteen experts in Classics, Drama, Music, Cultural History and the world of professional theatre.The book will be of great interest to scholars and students of Classics and Drama alike.
Author: M. Pugh
Publisher: Springer
ISBN: 113729194X
Category : Political Science
Languages : en
Pages : 441
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Book Description
The book investigates the role of popular liberal internationalism as a social movement in Britain using Gramscian and Foucauldian ideas of civil society. It addresses the use of force for peace through an examination of the impact of civil society actors in popular liberal internationalism between the world wars.
Author: Betine van Zyl Smit
Publisher: John Wiley & Sons
ISBN: 1118347773
Category : Literary Criticism
Languages : en
Pages : 624
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Book Description
A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film
Author: Doug Munro
Publisher: ANU Press
ISBN: 176046144X
Category : Biography & Autobiography
Languages : en
Pages : 331
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Book Description
Including contributions from leading scholars in the field from both Australia and North America, this collection explores diverse approaches to writing the lives of historians and ways of assessing the importance of doing so. Beginning with the writing of autobiographies by historians, the volume then turns to biographical studies, both of historians whose writings were in some sense nation-defining and those who may be regarded as having had a major influence on defining the discipline of history. The final section explores elements of collective biography, linking these to the formation of historical networks. A concluding essay by Barbara Caine offers a critical appraisal of the study of historians’ biographies and autobiographies to date, and maps out likely new directions for future work. Clio’s Lives is a very good scholarly collection that advances the study of autobiography and biography within the writing of history itself, taking theoretical questions in significant new directions. The contributors are well known and highly respected in the history profession and write with an insight and intellectual energy that will ensure the book has considerable impact. They examine cutting-edge issues about the writing of history at the personal level through autobiography and biography in diverse and innovative ways. Together the writers have provided reflective chapters that will be widely read for their impressive theoretical advances as well as being inspirational for new entrants to the disciplinary area. — Patricia Grimshaw, University of Melbourne Clio’s Lives brings together a most interesting and varied cast of contributors. Its chapters contain sophisticated and well-penned ruminations on the uses of biography and autobiography among historians. These are clearly connected with the general themes of the volume. This delightfully mixed bag makes very good reading and, as well, will serve as a substantial contribution to the study of the biography and autobiography. — Eric Richards, Flinders University
