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Author: Maura Reilly
Publisher: Gregory R. Miller & Co.
ISBN: 9780980024203
Category : Art
Languages : en
Pages : 320
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Book Description
Text by Maura Reilly, Laurie Ann Farrell. Interview with Martine Antle.
Author: Maura Reilly
Publisher: Gregory R. Miller & Co.
ISBN: 9780980024203
Category : Art
Languages : en
Pages : 320
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Book Description
Text by Maura Reilly, Laurie Ann Farrell. Interview with Martine Antle.
Author: Lesly Deschler Canossi
Publisher: Leuven University Press
ISBN: 9462702861
Category : Photography
Languages : en
Pages : 338
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Book Description
Black Matrilineage, Photography, and Representation: Another Way of Knowing questions how the Black female body, specifically the Black maternal body, navigates interlocking structures that place a false narrative on her body and that of her maternal ancestors. This volume, which includes a curated selection of images, addresses the complicated relationship between Blackness and photography and, in particular, its gendered dimension, its relationship to health, sexuality, and digital culture – primarily in the context of racialized heteronormativity. With over forty contributors, this volume draws on scholarly inquiry ranging from academic essays, interviews, poetry, to documentary practice, and on contemporary art. Black Matrilineage, Photography, and Representation: Another Way of Knowing thus offers a cross-section of analysis on the topic of Black motherhood, mothering, and the participation of photography in the process. This collection challenges racist images and discourses, both historically and in its persistence in contemporary society, while reclaiming the innate brilliance of Black women through personal narratives, political acts, connections to place, moments of pleasure, and communal celebration. It serves as a reflection of the past, a portal to the future, and contributes to recent scholarship on the complexities of Black life and Black joy.
Author: Ghada Amer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 74
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Book Description
Author: Ghada Amer
Publisher: Distanz Verlag Gmbh C/O Edel Germany Gmbh LLC
ISBN: 9783954762606
Category :
Languages : en
Pages : 300
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Book Description
Ghada Amer (b. Cairo, 1963; lives and works in New York) rose to renown in the mid-1990s with depictions of erotic motifs she stitched onto her paintings. These works compellingly interwove an ironic take on traditional role models with a confident reimagination of the painterly medium by combining it with embroidery. In 2014, the artist turned to working with clay, initially using it to produce models for her steel sculptures, then developing increasingly impromptu shapes. After making abstract colorful clay sculptures that stand out for their coarse-grained contours, she was awarded a two-year residency at the Greenwich House Pottery in New York, where she created works that are without parallel in the worlds of fine art or ceramics. Amer starts out with large-format thin slabs of clay that are extraordinarily difficult to handle, painting women's portraits on both sides and then bending the slabs and standing them on edge. This book presents numerous works from both series of ceramics as well as documentary photographs showing the artist at work in the studio. With two essays by Justine Ludwig and Britta Schmitz and a conversation between Sebastian Preuss and Ghada Amer.
Author:
Publisher: Skira
ISBN: 9782370741493
Category :
Languages : en
Pages : 208
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Book Description
The gender politics of abstraction: embroidered paintings and more from Ghada Amer New York-based painter and embroiderer Ghada Amer (born 1963) was raised in Cairo, Egypt, and later educated in Nice and Paris, France. Her experiences with sexism in both locations served as the impetus for her to forge new ground in a range of mediums, from painting and sculpture to ceramics and earthworks. With a background in abstract painting, Amer eventually turned to embroidery as a strategy for infiltrating the male space of painting with a material traditionally associated with women. Her work is frequently based on the images of female figures found in magazines, through which she explores the constructions of gender, sexuality and eroticism. Her embroidery is intentionally loose, with threads dangling from the canvas, provoking a pictorial effect not unlike Pollock's splattered paint. More recent works introduce a verbal element, with quotations and aphorisms. This volume reproduces these pieces along with a selection of works from across her career.
Author: Judith K. Brodsky
Publisher: Goodman Publishers
ISBN: 9780979049798
Category : Art, Middle Eastern
Languages : en
Pages : 0
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Book Description
Issued in conjunction with an exhibition held at Mason Gross Galleries, Rutgers University, Aug. 13-Sept. 9, 2012, and elsewhere through Nov. 2012.
Author: Eleanor Heartney
Publisher: Prestel Verlag
ISBN: 3641108217
Category : Art
Languages : en
Pages : 507
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Book Description
"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.
Author: Jennie Hirsh
Publisher: Routledge
ISBN: 1351571036
Category : Art
Languages : en
Pages : 411
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Book Description
Contemporary art is deeply engaged with the subject of classical myth. Yet within the literature on contemporary art, little has been said about this provocative relationship. Composed of fourteen original essays, Contemporary Art and Classical Myth addresses this scholarly gap, exploring, and in large part establishing, the multifaceted intersection of contemporary art and classical myth. Moving beyond the notion of art as illustration, the essays assembled here adopt a range of methodological frameworks, from iconography to deconstruction, and do so across an impressive range of artists and objects: Francis Al?s, Ghada Amer, Wim Delvoye, Luciano Fabro, Joanna Frueh, Felix Gonzales-Torres, Duane Hanson, Yayoi Kusama, Roy Lichtenstein, Kara Walker, and an iconic photograph by Richard Drew subsequently entitled The Falling Man.? Arranged so as to highlight both thematic and structural affinities, these essays manifest various aspects of the link between contemporary art and classical myth, while offering novel insights into the artists and myths under consideration. Some essays concentrate on single works as they relate to specific myths, while others take a broader approach, calling on myth as a means of grappling with dominant trends in contemporary art.
Author: Lane Relyea
Publisher: MIT Press
ISBN: 0262316935
Category : Art
Languages : en
Pages : 313
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Book Description
A critic takes issue with the art world's romanticizing of networks and participatory projects, linking them to the values of a globalized, neoliberal economy. Over the past twenty years, the network has come to dominate the art world, affecting not just interaction among art professionals but the very makeup of the art object itself. The hierarchical and restrictive structure of the museum has been replaced by temporary projects scattered across the globe, staffed by free agents hired on short-term contracts, viewed by spectators defined by their predisposition to participate and make connections. In this book, Lane Relyea tries to make sense of these changes, describing a general organizational shift in the art world that affects not only material infrastructures but also conceptual categories and the construction of meaning. Examining art practice, exhibition strategies, art criticism, and graduate education, Relyea aligns the transformation of the art world with the advent of globalization and the neoliberal economy. He analyzes the new networked, participatory art world—hailed by some as inherently democratic—in terms of the pressures of part-time temp work in a service economy, the calculated stockpiling of business contacts, and the anxious duty of being a “team player” at work. Relyea calls attention to certain networked forms of art—including relational aesthetics, multiple or fictive artist identities, and bricolaged objects—that can be seen to oppose the values of neoliberalism rather than romanticizing and idealizing them. Relyea offers a powerful answer to the claim that the interlocking functions of the network—each act of communicating, of connecting, or practice—are without political content.
Author: Serge Lasvignes
Publisher: Acc Art Books
ISBN: 9781788841443
Category : Art
Languages : en
Pages : 160
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Book Description
- Accompanying a major exhibition at the Centre Georges Pompidou in Paris- Exploring the life and work of renowned feminist artist Alice Neel, 1900-1948- Essays and an extensive anthology provide an academic insight into Neel's work"I have always believed that women should resent and refuse to accept all the gratuitous insults that men impose upon them." - Alice Neel, 1971 One of the greatest portrait artists of the 20th century, Alice Neel's vibrant, expressionistic paintings revealed a breath-taking depth of emotion within her subjects. From works exploring loss and grief, to communist political art, Neel's work pushed boundaries of social justice throughout the 1900s. Her dedication to capturing the truth of humanity is evident: she painted those rejected by society, the victims of social or gendered oppression. Latin American and Puerto Rican immigrants, African-American writers excluded from the intellectual elite, single mothers struggling to raise their children, homosexual couples - all were presented with equal candidness by Neel's brush. Her unflinching approach to the female body took a ground-breaking step towards reclaiming the nude from the male gaze, and the activism inherent to her art resonates with viewers to this day. This book highlights Neel's political and social commitment to her art, as a figurative painter at odds with the artistic styles of the avant-gardes of her time. Structured in two thematic parts - social injustice and gender inequality - this retrospective includes some 60 paintings and drawings as well as numerous documents. Following the artist from her first works in the 1920s to her final evocative self-portrait, made shortly before her death, this is the defining treatise on Alice Neel.
