The Drama of German Expressionism PDF Download
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Author: Claude Hill
Publisher: University of North Carolina S
ISBN: 9780807888285
Category : Drama
Languages : en
Pages : 0
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Book Description
Originally published in 1960, this bibliography with more than five thousand items provided an indispensable tool for those interested in the German expressionist plays. The volume contains a general bibliography on German expressionistic drama and as well as sixteen leading German playwrights: Barlach, Brecht, Bronnen, Goering, Hasenclever, Jahnn, Johst, Kaiser, Kokoschka, Kornfeld, Rubiner, Sorge, Sternheim, Toller, Unruh, and Werfel.
Author: Claude Hill
Publisher: University of North Carolina S
ISBN: 9780807888285
Category : Drama
Languages : en
Pages : 0
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Book Description
Originally published in 1960, this bibliography with more than five thousand items provided an indispensable tool for those interested in the German expressionist plays. The volume contains a general bibliography on German expressionistic drama and as well as sixteen leading German playwrights: Barlach, Brecht, Bronnen, Goering, Hasenclever, Jahnn, Johst, Kaiser, Kokoschka, Kornfeld, Rubiner, Sorge, Sternheim, Toller, Unruh, and Werfel.
Author: Renate Benson
Publisher: London : Macmillan Press
ISBN: 9780333305867
Category : Expressionism
Languages : en
Pages : 179
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Book Description
Author: David F. Kuhns
Publisher: Cambridge University Press
ISBN: 0521583403
Category : Drama
Languages : en
Pages : 325
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Book Description
German Expressionist Theatre: The Actor and the Stage considers the powerfully stylized, anti-realistic styles of acting on the German Expressionist stage from 1916 to 1921. It relates this striking departure from the dominant European acting tradition of realism to the specific cultural crises that enveloped the German nation during the course of its involvement in World War I. This book describes three distinct Expressionist acting styles, all of which in their own ways attempted to show how symbolic stage performance could be a powerful rhetorical resource for a culture struggling to come to terms with the crises of historical change. The examination of Expressionist script and actor memoirs allows for an unprecedented focus on description and analysis of acting itself.
Author: Neil H. Donahue
Publisher: Camden House
ISBN: 1571131752
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
New essays examining the complex period of rich artistic ferment that was German literary Expressionism.
Author: Ernst Toller
Publisher:
ISBN:
Category : Luddites
Languages : en
Pages : 138
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Book Description
Author: Arnold Aronson
Publisher: Routledge
ISBN: 1317422260
Category : Performing Arts
Languages : en
Pages : 602
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Book Description
The Routledge Companion to Scenography is the largest and most comprehensive collection of original essays to survey the historical, conceptual, critical and theoretical aspects of this increasingly important aspect of theatre and performance studies. Editor and leading scholar Arnold Aronson brings together a uniquely valuable anthology of texts especially commissioned from across the discipline of theatre and performance studies. Establishing a stable terminology for a deeply contested term for the first time, this volume looks at scenography as the totality of all the visual, spatial and sensory aspects of performance. Tracing a line from Aristotle’s Poetics down to Brecht and Artaud and into contemporary immersive theatre and digital media, The Routledge Companion to Scenography is a vital addition to every theatre library.
Author: Julia A. Walker
Publisher: Cambridge University Press
ISBN: 1139446274
Category : Drama
Languages : en
Pages : 314
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Book Description
Although often dismissed as a minor offshoot of the better-known German movement, expressionism on the American stage represents a critical phase in the development of American dramatic modernism. Situating expressionism within the context of early twentieth-century American culture, Walker demonstrates how playwrights who wrote in this mode were responding both to new communications technologies and to the perceived threat they posed to the embodied act of meaning. At a time when mute bodies gesticulated on the silver screen, ghostly voices emanated from tin horns, and inked words stamped out the personality of the hand that composed them, expressionist playwrights began to represent these new cultural experiences by disarticulating the theatrical languages of bodies, voices and words. In doing so, they not only innovated a new dramatic form, but redefined playwriting from a theatrical craft to a literary art form, heralding the birth of American dramatic modernism.
Author: James MacPherson Ritchie
Publisher: Macmillan Reference USA
ISBN:
Category : Drama
Languages : en
Pages : 210
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Book Description
Author: Brill Olaf Brill
Publisher: Edinburgh University Press
ISBN: 1474411193
Category : Performing Arts
Languages : en
Pages : 444
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Book Description
One of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provide original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.
Author: Michael Patterson
Publisher: Routledge
ISBN: 1317217926
Category : Drama
Languages : en
Pages : 264
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Book Description
First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from the decline of Naturalism through the Expressionist upheaval to the political theatre of Piscator and Brecht. Early productions of Kaiser’s From Morning till Midnight and Toller’s Transfiguration are presented as examples of Expressionism. A thorough analysis of Piscator’s Hoppla, Such is Life! And Brecht’s Man show the similarities and differences in political theatre. In addition, elements of stage-craft are examined — illustrated with tabulated information, an extensive chronology, and photographs and designs of productions.
