Author: James Baker
Publisher: Springer
ISBN: 3319499890
Category : History
Languages : en
Pages : 240
Book Description
This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
The Business of Satirical Prints in Late-Georgian England
Author: James Baker
Publisher: Springer
ISBN: 3319499890
Category : History
Languages : en
Pages : 240
Book Description
This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
Publisher: Springer
ISBN: 3319499890
Category : History
Languages : en
Pages : 240
Book Description
This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
Georgia
Author: Stephen F. Jones
Publisher: University of Toronto Press
ISBN: 1487507852
Category : History
Languages : en
Pages : 290
Book Description
This multidisciplinary collection provides a unique insiders' perspective on the major issues in Georgian politics, society, and economics in the twenty-five years since its independence from the Soviet Union.
Publisher: University of Toronto Press
ISBN: 1487507852
Category : History
Languages : en
Pages : 290
Book Description
This multidisciplinary collection provides a unique insiders' perspective on the major issues in Georgian politics, society, and economics in the twenty-five years since its independence from the Soviet Union.
Journal of a Residence on a Georgian Plantation in 1838-1839
Author: Fanny Kemble
Publisher:
ISBN:
Category : Georgia
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Georgia
Languages : en
Pages : 360
Book Description
A Passion for Him
Author: Sylvia Day
Publisher: Kensington Publishing Corp.
ISBN: 0758290632
Category : Fiction
Languages : en
Pages : 267
Book Description
In this Georgian-era romance by the #1 bestselling author of the Crossfire Series, a woman meant for another man succumbs to temptation. STRANGER He wears a mask . . . and he is following her. Staring at her like no other man since Colin. But Colin is dead and Amelia believes she will never again shiver with pleasure, never again sigh his name. LOVER Until her masked pursuer lures her into a moonlit garden and offers a single, reckless kiss. Now she is obsessed with discovering his identity. Perfectly attuned to his every desire, his every thought, she will not stop until she knows his every secret. Praise for A Passion for Him “Terrific. Readers will have a passion for Sylvia Day’s fine historicals.” —Midwest Book Review “Brilliantly blends danger and desire into an intrigue-rich, lushly sensual love story.” —Booklist
Publisher: Kensington Publishing Corp.
ISBN: 0758290632
Category : Fiction
Languages : en
Pages : 267
Book Description
In this Georgian-era romance by the #1 bestselling author of the Crossfire Series, a woman meant for another man succumbs to temptation. STRANGER He wears a mask . . . and he is following her. Staring at her like no other man since Colin. But Colin is dead and Amelia believes she will never again shiver with pleasure, never again sigh his name. LOVER Until her masked pursuer lures her into a moonlit garden and offers a single, reckless kiss. Now she is obsessed with discovering his identity. Perfectly attuned to his every desire, his every thought, she will not stop until she knows his every secret. Praise for A Passion for Him “Terrific. Readers will have a passion for Sylvia Day’s fine historicals.” —Midwest Book Review “Brilliantly blends danger and desire into an intrigue-rich, lushly sensual love story.” —Booklist
Library of Congress Subject Headings
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1480
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1480
Book Description
The Fateful Lightning
Author: Kathleen Diffley
Publisher: Print Culture in the South
ISBN: 9780820358550
Category : History
Languages : en
Pages : 256
Book Description
This "is the second volume of Diffley's trilogy on Civil War magazine fiction, called Making War Civil ... In Fateful Lightning, Diffley traces the sectional conflicts in a postwar nation, and how region shaped the political agendas of these post-war editorials. Diffley argues that the journals she looks at in this project present stories that give 'unpredictable' results of sectional conflict and commemorate the Civil War differently from the Northeast publishing establishments. Diffley threads this through her analysis of four literary journals: the Baltimore's Southern Magazine, Charlotte's The Land We Love, Chicago's Lakeside Monthly, and San Francisco's Overland Monthly"--
Publisher: Print Culture in the South
ISBN: 9780820358550
Category : History
Languages : en
Pages : 256
Book Description
This "is the second volume of Diffley's trilogy on Civil War magazine fiction, called Making War Civil ... In Fateful Lightning, Diffley traces the sectional conflicts in a postwar nation, and how region shaped the political agendas of these post-war editorials. Diffley argues that the journals she looks at in this project present stories that give 'unpredictable' results of sectional conflict and commemorate the Civil War differently from the Northeast publishing establishments. Diffley threads this through her analysis of four literary journals: the Baltimore's Southern Magazine, Charlotte's The Land We Love, Chicago's Lakeside Monthly, and San Francisco's Overland Monthly"--
Library of Congress Subject Headings
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1688
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1688
Book Description
From a Far Country
Author: Catharine Randall
Publisher: University of Georgia Press
ISBN: 0820338206
Category : History
Languages : en
Pages : 188
Book Description
In From a Far Country Catharine Randall examines Huguenots and their less-known cousins the Camisards, offering a fresh perspective on the important role these French Protestants played in settling the New World. The Camisard religion was marked by more ecstatic expression than that of the Huguenots, not unlike differences between Pentecostals and Protestants. Both groups were persecuted and emigrated in large numbers, becoming participants in the broad circulation of ideas that characterized the seventeenth- and eighteenth-century Atlantic world. Randall vividly portrays this French Protestant diaspora through the lives of three figures: Gabriel Bernon, who led a Huguenot exodus to Massachusetts and moved among the commercial elite; Ezéchiel Carré, a Camisard who influenced Cotton Mather’s theology; and Elie Neau, a Camisard-influenced writer and escaped galley slave who established North America’s first school for blacks. Like other French Protestants, these men were adaptable in their religious views, a quality Randall points out as quintessentially American. In anthropological terms they acted as code shifters who manipulated multiple cultures. While this malleability ensured that French Protestant culture would not survive in externally recognizable terms in the Americas, Randall shows that the culture’s impact was nonetheless considerable.
Publisher: University of Georgia Press
ISBN: 0820338206
Category : History
Languages : en
Pages : 188
Book Description
In From a Far Country Catharine Randall examines Huguenots and their less-known cousins the Camisards, offering a fresh perspective on the important role these French Protestants played in settling the New World. The Camisard religion was marked by more ecstatic expression than that of the Huguenots, not unlike differences between Pentecostals and Protestants. Both groups were persecuted and emigrated in large numbers, becoming participants in the broad circulation of ideas that characterized the seventeenth- and eighteenth-century Atlantic world. Randall vividly portrays this French Protestant diaspora through the lives of three figures: Gabriel Bernon, who led a Huguenot exodus to Massachusetts and moved among the commercial elite; Ezéchiel Carré, a Camisard who influenced Cotton Mather’s theology; and Elie Neau, a Camisard-influenced writer and escaped galley slave who established North America’s first school for blacks. Like other French Protestants, these men were adaptable in their religious views, a quality Randall points out as quintessentially American. In anthropological terms they acted as code shifters who manipulated multiple cultures. While this malleability ensured that French Protestant culture would not survive in externally recognizable terms in the Americas, Randall shows that the culture’s impact was nonetheless considerable.
A Checklist of American Imprints, 1820-1829
Author: M. Frances Cooper
Publisher: Scarecrow Press
ISBN: 9780810805132
Category : History
Languages : en
Pages : 570
Book Description
This printers, publishers and booksellers index is modeled after Bristol's Index of Printers, Publishers and Booksellers Indicated by Charles Evans in his American Bibliography. Each entry contains a name and place, with item numbers listed underneath by date. Personal names are listed in the most complete form that could be determined. Corporate names are listed in the form used by the Library of Congress. Newspapers and magazines are entered by their full titles as recorded in Brigham's American Newspapers, 1821-1936 and Union List of Serials. Also included is a geographical index by city and a list of omissions with explanations.
Publisher: Scarecrow Press
ISBN: 9780810805132
Category : History
Languages : en
Pages : 570
Book Description
This printers, publishers and booksellers index is modeled after Bristol's Index of Printers, Publishers and Booksellers Indicated by Charles Evans in his American Bibliography. Each entry contains a name and place, with item numbers listed underneath by date. Personal names are listed in the most complete form that could be determined. Corporate names are listed in the form used by the Library of Congress. Newspapers and magazines are entered by their full titles as recorded in Brigham's American Newspapers, 1821-1936 and Union List of Serials. Also included is a geographical index by city and a list of omissions with explanations.
Liberation in Print
Author: Agatha Beins
Publisher: University of Georgia Press
ISBN: 0820349518
Category : History
Languages : en
Pages : 224
Book Description
Introduction origins and reproductions -- Printing feminism -- Locating feminism -- Doing feminism -- Invitations to women's liberation -- Imaging and imagining revolution -- Conclusion feminism redux
Publisher: University of Georgia Press
ISBN: 0820349518
Category : History
Languages : en
Pages : 224
Book Description
Introduction origins and reproductions -- Printing feminism -- Locating feminism -- Doing feminism -- Invitations to women's liberation -- Imaging and imagining revolution -- Conclusion feminism redux