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Author: Kate Ince
Publisher: Manchester University Press
ISBN: 1526141450
Category : Performing Arts
Languages : en
Pages : 189
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Book Description
‘Georges Franju' is the fullest study to date of this little-known French director, the co-founder of the Cinémathèque française, and the first book on him in English since 1967. Born in 1912, but only enjoying his real debut as a director in 1948 with his notorious documentary about Parisian abattoirs 'Le Sang des bêtes', Franju went on to make thirteen more courts métrages and eight longs métrages, including his horror classic 'Les Yeux sans visage'. Ince takes a new approach to Franju's films, investigating the areas of genre and gender, and grouping the films thematically rather than chronologically. A chapter on Franju's cinematic aesthetics offers a new synthesis of existing writings, combined with the author's responses to the films. A full introduction and conclusion set Franju's directorial career in the context of his lifelong commitment to France's cinema institutions. 'Georges Franju' will be essential reading on Franju, and of great interest to researchers, academics and students in film studies
Author: Kate Ince
Publisher: Manchester University Press
ISBN: 1526141450
Category : Performing Arts
Languages : en
Pages : 189
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Book Description
‘Georges Franju' is the fullest study to date of this little-known French director, the co-founder of the Cinémathèque française, and the first book on him in English since 1967. Born in 1912, but only enjoying his real debut as a director in 1948 with his notorious documentary about Parisian abattoirs 'Le Sang des bêtes', Franju went on to make thirteen more courts métrages and eight longs métrages, including his horror classic 'Les Yeux sans visage'. Ince takes a new approach to Franju's films, investigating the areas of genre and gender, and grouping the films thematically rather than chronologically. A chapter on Franju's cinematic aesthetics offers a new synthesis of existing writings, combined with the author's responses to the films. A full introduction and conclusion set Franju's directorial career in the context of his lifelong commitment to France's cinema institutions. 'Georges Franju' will be essential reading on Franju, and of great interest to researchers, academics and students in film studies
Author: Raymond Durgnat
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 148
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Book Description
Author: Ian Aitken
Publisher: Routledge
ISBN: 1135206201
Category : Performing Arts
Languages : en
Pages : 1663
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Book Description
The Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumière brothers' Workers Leaving the Lumière Factory (1885) to Michael Moore's Fahrenheit 911 (2004). This Encyclopedia provides a resource that critically analyzes that history in all its aspects. Not only does this Encyclopedia examine individual films and the careers of individual film makers, it also provides overview articles of national and regional documentary film history. It explains concepts and themes in the study of documentary film, the techniques used in making films, and the institutions that support their production, appreciation, and preservation.
Author: Richard Barsam
Publisher: Indiana University Press
ISBN: 9780253207067
Category : Performing Arts
Languages : en
Pages : 508
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Book Description
"Richard Barsam has given us as comprehensive a study of the origins and development of the nonfiction mode in motion pictures as we are ever likely to have in one volume. He draws on all the major written sources and many which are little known, and he shares with us many eloquent descriptions of the films themselves, giving us a valuable textbook." --Richard Dyer MacCann "... superb work... " --Historical Journal of Film, Radio, and Television
Author: Ian Aitken
Publisher: Routledge
ISBN: 0415596424
Category : Performing Arts
Languages : en
Pages : 1104
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Book Description
This reference work explores the history of the documentary film. It discusses individual films and filmmakers; examines national and regional filmmaking traditions; elaborates on production companies, organizations, festivals, and institutions; explores themes, issues, and representations; and describes various styles, techniques, and technical issues.
Author: Barry Keith Grant
Publisher: Wayne State University Press
ISBN: 9780814326398
Category : Performing Arts
Languages : en
Pages : 500
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Book Description
Documenting the Documentary features essays by 27 film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation-but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we increasingly perceive and comprehend the world through visual media, understanding the textual strategies by which individual documentaries are organized has become critically important. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balance between theory and criticism, abstract conceptualization and concrete analysis.
Author:
Publisher:
ISBN:
Category : Motion picture producers and directors
Languages : en
Pages :
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Book Description
Author: Adam Lowenstein
Publisher: Columbia University Press
ISBN: 0231507186
Category : Performing Arts
Languages : en
Pages : 274
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Book Description
In this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas. Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.
Author: Douglas W. Alden
Publisher: Susquehanna University Press
ISBN: 9780945636687
Category : Foreign Language Study
Languages : en
Pages : 554
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Book Description
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Author: Philippe Met
Publisher: Manchester University Press
ISBN: 1526107791
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
Decades before the emergence of a French self-styled 'hood' film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they found an inexhaustible reservoir of forms, landscapes and social types in which to anchor their fictions, from bourgeois villas and bucolic riverside cafés to post-war housing estates and postmodern new towns. For the first time in English, contributors to this volume address key aspects of this long film history, marked by such towering figures as Jean Renoir, Jacques Tati and Jean-Luc Godard. Idyllic or menacing, expansive or claustrophobic, the suburb served divergent aesthetic and ideological programmes across the better part of a century. Themes central to French cultural modernity – class conflict, leisure, boredom and anti-authoritarianism – cut across the fifteen chapters.
