Georges Bataille in the Paris Avant-garde, 1920-1940 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Georges Bataille in the Paris Avant-garde, 1920-1940 PDF full book. Access full book title Georges Bataille in the Paris Avant-garde, 1920-1940 by Andrew L. Stein. Download full books in PDF and EPUB format.
Author: Andrew L. Stein
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Get Book Here
Book Description
Author: Andrew L. Stein
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
Get Book Here
Book Description
Author: Lydia Gasman
Publisher: iUniverse
ISBN: 0595399002
Category : Art
Languages : en
Pages : 426
Get Book Here
Book Description
Vert ciel ciel ciel ciel vert vert ciel ciel ciel ciel noir vert vert ciel marron ciel ciel ciel noir noir noir noir blanc blanc noir vert marron ciel ciel cahce dans ses poches ses mains la nuit ciel aloes fleur ciel cobalt de corde livre de chevet ciel Coeur eventual violet ciel robe de soir bouquet de violettes violet violet ciel Pierre de lune ciel noir vert ciel marron roué de fue d'artifice perle ciel noir jaune vert citronnier noir ciseaux ombre jaune neige vert marron crème remplie d'eau-de-vie un vol de canaries bleu vert noir loup ciel ciel ciel jaune linge brodé vert nuit ciel soufre blanc plat d'argent terre labourée ciel ciel blane ciel ciel ciel blanc ciel ciel ciel ciel blanc blanc ciel bleu bleu bleu
Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352
Get Book Here
Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Author: Eric H. Boehm
Publisher:
ISBN:
Category : History, Modern
Languages : en
Pages : 410
Get Book Here
Book Description
Author: Alyce Mahon
Publisher: Princeton University Press
ISBN: 0691141614
Category : Art
Languages : en
Pages : 299
Get Book Here
Book Description
"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--
Author:
Publisher:
ISBN:
Category : Dissertation abstracts
Languages : en
Pages : 704
Get Book Here
Book Description
Author: Sandrine Sanos
Publisher: Stanford University Press
ISBN: 0804782830
Category : History
Languages : en
Pages : 385
Get Book Here
Book Description
The Aesthetics of Hate examines the writings of a motley collection of interwar far-right intellectuals, showing that they defined Frenchness in racial, gendered, and sexual terms. A broad, ambitious cultural and intellectual history, the book offers a provocative reinterpretation of a topic that has long been the subject of controversy. In works infused with rhetorics of abjection, disgust, and dissolution, such writers as Maulnier, Brasillach, Céline, and Blanchot imagined the nation through figures deemed illegitimate or inferior—Jews, colonial subjects, homosexuals, women. Sanos argues that these intellectuals offered an "aesthetics of hate," reinventing a language of far-right nationalism by appealing to the realm of beauty and the sublime for political solutions. By acknowledging the constitutive relationship of antisemitism and colonial racism at the heart of these canonical writers' nationalism, this book makes us rethink how aesthetics and politics function, how race is imagined and defined, how gender structured far-right thought, and how we conceive of French intellectualism and fascism.
Author: Vivienne Brough-Evans
Publisher: Routledge
ISBN: 1317060156
Category : Literary Criticism
Languages : en
Pages : 282
Get Book Here
Book Description
Vivienne Brough-Evans proposes a compelling new way of reevaluating aspects of international surrealism by means of the category of divin fou, and consequently deploys theories of sacred ecstasy as developed by the Collège de Sociologie (1937–39) as a critical tool in shedding new light on the literary oeuvre of non-French writers who worked both within and against a surrealist framework. The minor surrealist genre of prose literature is considered herein, rather than surrealism's mainstay, poetry, with the intention of fracturing preconceptions regarding the medium of surrealist expression. The aim is to explore whether International surrealism can begin to be more fully explained by an occluded strain of 'dissident' surrealist thought that searches outside the self through the affects of ekstasis. Bretonian surrealism is widely discussed in the field of surrealist studies, and there is a need to consider what is left out of surrealist practice when analysed through this Bretonian lens. The Collège de Sociologie and Georges Bataille's theories provide a model of such elements of 'dissident' surrealism, which is used to analyse surrealist or surrealist influenced prose by Alejo Carpentier, Leonora Carrington and Gellu Naum respectively representing postcolonial, feminist and Balkan locutions. The Collège and Bataille's 'dissident' surrealism diverges significantly from the concerns and approach towards the subject explored by surrealism. Using the concept of ekstasis to organise Bataille's theoretical ideas of excess and 'inner experience' and the Collège's thoughts on the sacred it is possible to propose a new way of reading types of International surrealist literature, many of which do not come to the forefront of the surrealist literary oeuvre.
Author: Georges Bataille
Publisher: Verso Books
ISBN: 1789602653
Category : Philosophy
Languages : en
Pages : 305
Get Book Here
Book Description
For Bataille, the absence of myth had itself become the myth of the modern age. In a world that had lost the secret of its cohesion, Bataille saw surrealism as both a symptom and a beginning of an attempt to address this loss. His writings on this theme are the result of a profound reflection in the wake of World War Two. The Absence of Myth is the most incisive study yet made of surrealism, insisting on its importance as a cultural and social phenomenon with far-reaching consequences. Clarifying Bataille's links with the surrealist movement, and throwing revealing light on his complex and greatly misunderstood relationship with Andre Breton, The Absence of Myth shows Bataille to be a much more radical figure than his postmodernist devotees would have us believe: a man who continually tried to extend Marxist social theory; a pessimistic thinker, but one as far removed from nihilism as can be.
Author: Lucien Taylor
Publisher: Routledge
ISBN: 1136651330
Category : Social Science
Languages : en
Pages : 504
Get Book Here
Book Description
Visualizing Theory is a lavishly illustrated collection of provocative essays, occasional pieces, and dialogues that first appeared in Visual Anthropology Review between 1990 and 1994. It contains contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Reclaiming visual anthropology as a space for the critical representation of visual culture from the naive realist and exoticist inclinations that have beleaguered practitioners' efforts to date, Visualizing Theory is a major intervention into this growing field.
