Author: George Simon Kaufman
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 936
Book Description
Collects plays written by George Kaufman in collaboration with other writers, including "Dinner at Eight," "Animal Crackers," "Stage Door," and "You Can't Take It With You."
George S. Kaufman & Co.: Broadway Comedies (LOA #152)
Author: George Simon Kaufman
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 936
Book Description
Collects plays written by George Kaufman in collaboration with other writers, including "Dinner at Eight," "Animal Crackers," "Stage Door," and "You Can't Take It With You."
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 936
Book Description
Collects plays written by George Kaufman in collaboration with other writers, including "Dinner at Eight," "Animal Crackers," "Stage Door," and "You Can't Take It With You."
George S. Kaufman & Co.: Broadway Comedies (LOA #152)
Author: George S. Kaufman
Publisher: Library of America
ISBN: 1931082677
Category : Drama
Languages : en
Pages : 0
Book Description
If Eugene O’Neill represents the tragic mask of American drama, then George S. Kaufman can easily lay claim to its smiling counterpart. No other comic dramatist in America has enjoyed more popular success and perennial influence or been more fortunate in his choice of collaborators, who included George and Ira Gershwin, Moss Hart, Irving Berlin, and the Marx Brothers. Here, in the most comprehensive collection of his plays ever assembled, are nine classics: his uproarious “backstage” play The Royal Family (1927, written with Edna Ferber); the Marx Brothers–inspired mayhem of Animal Crackers (1928, with Morrie Ryskind), in a version discovered in Groucho Marx’s papers and published here for the first time; June Moon (1929, with Ring Lardner), a hilarious look at a young composer trying to make it big on Tin Pan Alley; Once in a Lifetime (1930, with Moss Hart), one of the first and best satires of Hollywood; Pulitzer Prize winners Of Thee I Sing(1931, with Morrie Ryskind and Ira Gershwin) and You Can’t Take It with You (1936, with Moss Hart); Dinner at Eight(1932, with Edna Ferber), a tart ensemble piece that mixes comedy and melodrama; Stage Door (1936, with Edna Ferber), his much-loved story about young actresses trying to make it big in New York City; and The Man Who Came to Dinner (1939, with Moss Hart), an unforgettable burlesque of America’s cult of celebrity. Bursting with vernacular wit, farcical ingenuity, and theatrical panache, these plays have remained beloved favorites and exuberant reminders of Broadway in its glory days. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Publisher: Library of America
ISBN: 1931082677
Category : Drama
Languages : en
Pages : 0
Book Description
If Eugene O’Neill represents the tragic mask of American drama, then George S. Kaufman can easily lay claim to its smiling counterpart. No other comic dramatist in America has enjoyed more popular success and perennial influence or been more fortunate in his choice of collaborators, who included George and Ira Gershwin, Moss Hart, Irving Berlin, and the Marx Brothers. Here, in the most comprehensive collection of his plays ever assembled, are nine classics: his uproarious “backstage” play The Royal Family (1927, written with Edna Ferber); the Marx Brothers–inspired mayhem of Animal Crackers (1928, with Morrie Ryskind), in a version discovered in Groucho Marx’s papers and published here for the first time; June Moon (1929, with Ring Lardner), a hilarious look at a young composer trying to make it big on Tin Pan Alley; Once in a Lifetime (1930, with Moss Hart), one of the first and best satires of Hollywood; Pulitzer Prize winners Of Thee I Sing(1931, with Morrie Ryskind and Ira Gershwin) and You Can’t Take It with You (1936, with Moss Hart); Dinner at Eight(1932, with Edna Ferber), a tart ensemble piece that mixes comedy and melodrama; Stage Door (1936, with Edna Ferber), his much-loved story about young actresses trying to make it big in New York City; and The Man Who Came to Dinner (1939, with Moss Hart), an unforgettable burlesque of America’s cult of celebrity. Bursting with vernacular wit, farcical ingenuity, and theatrical panache, these plays have remained beloved favorites and exuberant reminders of Broadway in its glory days. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
George S. Kaufman: An intimate Portrait
Author: Howard Teichmann
Publisher:
ISBN:
Category :
Languages : en
Pages : 410
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 410
Book Description
Animal Crackers
Author: George Simon Kaufman
Publisher: Samuel French, Inc.
ISBN: 9780573681370
Category : Music
Languages : en
Pages : 108
Book Description
"A stage vehicle for the Marx Brothers. The scene is the Long Island estate of Mrs. Rittenhouse, a wealthy patroness of the arts with a marriageable daughter. Her celebrity weekend guest is the renowned Captain Jeffrey Spaulding, the African Explorer. He arrives with his secretary, Horatio Jameson, followed by pair of "musicians": Ravelli and the Professor. What follows is typical Marxian lunacy, involving a stolen painting, a surreal bridge game, a Broadway gossip columnist named Wally Winston, a financial wizard formerly known as Abie the Fish Peddler, and a climatic burlesque of Marie Antoinette and the Three Musketeers."--George S. Kaufman website.
Publisher: Samuel French, Inc.
ISBN: 9780573681370
Category : Music
Languages : en
Pages : 108
Book Description
"A stage vehicle for the Marx Brothers. The scene is the Long Island estate of Mrs. Rittenhouse, a wealthy patroness of the arts with a marriageable daughter. Her celebrity weekend guest is the renowned Captain Jeffrey Spaulding, the African Explorer. He arrives with his secretary, Horatio Jameson, followed by pair of "musicians": Ravelli and the Professor. What follows is typical Marxian lunacy, involving a stolen painting, a surreal bridge game, a Broadway gossip columnist named Wally Winston, a financial wizard formerly known as Abie the Fish Peddler, and a climatic burlesque of Marie Antoinette and the Three Musketeers."--George S. Kaufman website.
S. J. Perelman: Writings (LOA #346)
Author: S. J. Perelman
Publisher: Library of America
ISBN: 1598536931
Category : Fiction
Languages : en
Pages : 629
Book Description
Adam Gopnik presents the very best of S. J. Perelman, America's zaniest humorist. S. J. Perelman (1904-1979) wrote for the Marx Brothers films Horse Feathers and Monkey Business and won an Oscar for his screenwriting on Around the World in Eighty Days, but he remains best known for his many sketches and essays penned for The New Yorker during its golden age of humor. In these short comic pieces--Perelman called them feuilletons--his penchant for wordplay, witticism, spoofery, self-deprecation, and plain zaniness are on full display. The New York Times once noted his ability in these magazine pieces "to transform the common cliché or figure of speech into an exploding cigar." Author and New Yorker staff writer Adam Gopnik has selected the very best of them, including Perelman's parodies of books and films, his biting social satire, autobiographical pieces, and a selection from the celebrated Cloudland Revisited series, in which Perelman reminisces nostalgically about books and movies encountered in youth before describing in his inimitable hyperkinetic style the rude shock of revisiting them as an adult. Also included in this volume are the acclaimed play The Beauty Part (1963) from Perelman's Broadway career; profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanael West; and a selection of letters written to correspondents such as Groucho Marx and Paul Theroux.
Publisher: Library of America
ISBN: 1598536931
Category : Fiction
Languages : en
Pages : 629
Book Description
Adam Gopnik presents the very best of S. J. Perelman, America's zaniest humorist. S. J. Perelman (1904-1979) wrote for the Marx Brothers films Horse Feathers and Monkey Business and won an Oscar for his screenwriting on Around the World in Eighty Days, but he remains best known for his many sketches and essays penned for The New Yorker during its golden age of humor. In these short comic pieces--Perelman called them feuilletons--his penchant for wordplay, witticism, spoofery, self-deprecation, and plain zaniness are on full display. The New York Times once noted his ability in these magazine pieces "to transform the common cliché or figure of speech into an exploding cigar." Author and New Yorker staff writer Adam Gopnik has selected the very best of them, including Perelman's parodies of books and films, his biting social satire, autobiographical pieces, and a selection from the celebrated Cloudland Revisited series, in which Perelman reminisces nostalgically about books and movies encountered in youth before describing in his inimitable hyperkinetic style the rude shock of revisiting them as an adult. Also included in this volume are the acclaimed play The Beauty Part (1963) from Perelman's Broadway career; profiles of the Marx Brothers, Dorothy Parker, and his brother-in-law Nathanael West; and a selection of letters written to correspondents such as Groucho Marx and Paul Theroux.
Three Plays
Author:
Publisher:
ISBN: 9780802150646
Category : Drama
Languages : en
Pages : 336
Book Description
Two renowned playwrights take a satirical look at three vaudevillians in Hollywood, portray an eccentric, but lovable, family, and relate the havoc that a convalescing guest wreaks on his unwitting hosts.
Publisher:
ISBN: 9780802150646
Category : Drama
Languages : en
Pages : 336
Book Description
Two renowned playwrights take a satirical look at three vaudevillians in Hollywood, portray an eccentric, but lovable, family, and relate the havoc that a convalescing guest wreaks on his unwitting hosts.
The Royal Family
Author: George Simon Kaufman
Publisher:
ISBN:
Category : Play
Languages : en
Pages : 304
Book Description
A thinly-veiled portrait of the Barrymore acting family, this 1956 comedy presents the Cavendish clan, known as "The Royal Family of Broadway." Dowager Fanny Cavendish presides over three generations of legendary American actors: "brother Herbert, a histrionic player now in his decline; Fanny's daughter Julie, at the height of her Broadway fame, and son Tony who has forsaken the stage for Hollywood. Heralding the third generation of players, Julie's daughter Gwen is just beginning a promising ingenue career. When Tony rushes home only to flee to Europe, escaping the attentions of a Polish movie star and Gwen shocks the family by marrying a "non-professional", it seems the Cavendish name and reputation is threatened. Through it all, Fanny rules with a combination of strength, wit, courage, and a sharp tongue, proving that the "show" indeed, "must (and will) go on."--Adapted from publisher's description.
Publisher:
ISBN:
Category : Play
Languages : en
Pages : 304
Book Description
A thinly-veiled portrait of the Barrymore acting family, this 1956 comedy presents the Cavendish clan, known as "The Royal Family of Broadway." Dowager Fanny Cavendish presides over three generations of legendary American actors: "brother Herbert, a histrionic player now in his decline; Fanny's daughter Julie, at the height of her Broadway fame, and son Tony who has forsaken the stage for Hollywood. Heralding the third generation of players, Julie's daughter Gwen is just beginning a promising ingenue career. When Tony rushes home only to flee to Europe, escaping the attentions of a Polish movie star and Gwen shocks the family by marrying a "non-professional", it seems the Cavendish name and reputation is threatened. Through it all, Fanny rules with a combination of strength, wit, courage, and a sharp tongue, proving that the "show" indeed, "must (and will) go on."--Adapted from publisher's description.
Horror Noire
Author: Robin R. Means Coleman
Publisher: Routledge
ISBN: 1136942947
Category : History
Languages : en
Pages : 294
Book Description
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
Publisher: Routledge
ISBN: 1136942947
Category : History
Languages : en
Pages : 294
Book Description
From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.
By George
Author: George Simon Kaufman
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 300
Book Description
The Films of John Carpenter
Author: John Kenneth Muir
Publisher: McFarland
ISBN: 0786493488
Category : Performing Arts
Languages : en
Pages : 277
Book Description
The films of John Carpenter cover a tremendous range and yet all bear his clear personal stamp. From the horrifying (Halloween) to the touching (Starman) to the controversial (The Thing) to the comic (Big Trouble in Little China), his films reflect a unique approach to filmmaking and singular views of humanity and American culture. This analysis of Carpenter's films includes a historical overview of his career, and in-depth entries on each of his films, from 1975's Dark Star to 1998's Vampires. Complete cast and production information is provided for each. The book also covers those films written and produced by Carpenter, such as Halloween II and Black Moon Rising, as well as Carpenter's work for television. Appendices are included on films Carpenter was offered but turned down, the slasher films that followed in the wake of the highly-successful Halloween, the actors and characters who make repeated appearances in Carpenter's films, and ratings for Carpenter's work. Notes, bibliography, and index are included.
Publisher: McFarland
ISBN: 0786493488
Category : Performing Arts
Languages : en
Pages : 277
Book Description
The films of John Carpenter cover a tremendous range and yet all bear his clear personal stamp. From the horrifying (Halloween) to the touching (Starman) to the controversial (The Thing) to the comic (Big Trouble in Little China), his films reflect a unique approach to filmmaking and singular views of humanity and American culture. This analysis of Carpenter's films includes a historical overview of his career, and in-depth entries on each of his films, from 1975's Dark Star to 1998's Vampires. Complete cast and production information is provided for each. The book also covers those films written and produced by Carpenter, such as Halloween II and Black Moon Rising, as well as Carpenter's work for television. Appendices are included on films Carpenter was offered but turned down, the slasher films that followed in the wake of the highly-successful Halloween, the actors and characters who make repeated appearances in Carpenter's films, and ratings for Carpenter's work. Notes, bibliography, and index are included.