Author: Keisuke Matsui
Publisher: Springer Science & Business Media
ISBN: 4431545506
Category : Science
Languages : en
Pages : 207
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Book Description
This book discusses modern aspects of Japanese religion in terms of cultural geography. To understand the function of religion, it is essential to examine it in the context of local societies. One of the distinguishing characteristics of Japanese religion is its diversity; indeed, it is often remarked that “Japan is a museum of religions.” In this work, the author clarifies some geographical aspects of the complex situation of Japanese religion. Chapter 1 discusses the trend of geographical studies of religion in Japan, of which four types can be identified. Chapter 2 focuses on certain characteristics of Japanese religious traditions by discussing tree worship and the landscape of sacred places. Chapter 3 clarifies regional divisions in the catchment areas of Japanese Shintoism by analyzing the distribution of certain types of believers. The author discusses two case studies: the Kasama Inari Shrine and the Kanamura Shrine. Chapter 4 discusses some modern aspects of sacred places and tourism through two case studies. The first part of the chapter focuses on changes in the types of businesses at the Omotesando of the Naritasan Shinshoji-Monzenmachi, and the following sections examine the revitalization of the local community through the promotion of religious tourism.
Author: Ichiro Hori
Publisher: University of Chicago Press
ISBN: 0226353346
Category : Social Science
Languages : en
Pages : 294
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Book Description
Ichiro Hori's is the first book in Western literature to portray how Shinto, Buddhist, Confucian, and Taoist elements, as well as all manner of archaic magical beliefs and practices, are fused on the folk level. Folk religion, transmitted by the common people from generation to generation, has greatly conditioned the political, economic, and cultural development of Japan and continues to satisfy the emotional and religious needs of the people. Hori examines the organic relationship between the Japanese social structure—the family kinship system, village and community organizations—and folk religion. A glossary with Japanese characters is included in the index.
Author: D. Max Moerman
Publisher: University of Hawaii Press
ISBN: 0824890051
Category : Religion
Languages : en
Pages : 369
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Book Description
From the fourteenth through the nineteenth centuries Japanese monks created hundreds of maps to construct and locate their place in a Buddhist world. This expansively illustrated volume is the first to explore the largely unknown archive of Japanese Buddhist world maps and analyze their production, reproduction, and reception. In examining these fascinating sources of visual and material culture, author D. Max Moerman argues for an alternative history of Japanese Buddhism—one that compels us to recognize the role of the Buddhist geographic imaginary in a culture that encompassed multiple cartographic and cosmological world views. The contents and contexts of Japanese Buddhist world maps reveal the ambivalent and shifting position of Japan in the Buddhist world, its encounter and negotiation with foreign ideas and technologies, and the possibilities for a global history of Buddhism and science. Moerman’s visual and intellectual history traces the multiple trajectories of Japanese Buddhist world maps, beginning with the earliest extant Japanese map of the world: a painting by a fourteenth-century Japanese monk charting the cosmology and geography of India and Central Asia based on an account written by a seventh-century Chinese pilgrim-monk. He goes on to discuss the cartographic inclusion and marginal position of Japan, the culture of the copy and the power of replication in Japanese Buddhism, and the transcultural processes of engagement and response to new visions of the world produced by Iberian Christians, Chinese Buddhists, and the Japanese maritime trade. Later chapters explore the transformations in the media and messages of Buddhist cartography in the age of print culture and in intellectual debates during the eighteenth and nineteenth centuries over cosmology and epistemology and the polemics of Buddhist science. The Japanese Buddhist World Map offers a wholly innovative picture of Japanese Buddhism that acknowledges the possibility of multiple and heterogeneous modernities and alternative visions of Japan and the world.
Author: Elizabeth ten Grotenhuis
Publisher: University of Hawaii Press
ISBN: 9780824820817
Category : Design
Languages : en
Pages : 260
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Book Description
The first broad study of Japanese mandalas to appear in a Western language, this volume interprets mandalas as sanctified realms where identification between the human and the sacred occurs. The author investigates eighth- to seventeenth-century paintings from three traditions: Esoteric Buddhism, Pure Land Buddhism, and the kami-worshipping (Shinto) tradition. It is generally recognized that many of these mandalas are connected with texts and images from India and the Himalayas. A pioneering theme of this study is that, in addition to the South Asian connections, certain paradigmatic Japanese mandalas reflect pre-Buddhist Chinese concepts, including geographical concepts. In convincing and lucid prose, ten Grotenhuis chronicles an intermingling of visual, doctrinal, ritual, and literary elements in these mandalas that has come to be seen as characteristic of the Japanese religious tradition as a whole. This beautifully illustrated work begins in the first millennium B.C.E. in China with an introduction to the Book of Documents and ends in present-day Japan at the sacred site of Kumano. Ten Grotenhuis focuses on the Diamond and Womb World mandalas of Esoteric Buddhist tradition, on the Taima mandala and other related mandalas from the Pure Land Buddhist tradition, and on mandalas associated with the kami-worshipping sites of Kasuga and Kumano. She identifies specific sacred places in Japan with sacred places in India and with Buddhist cosmic diagrams. Through these identifications, the realm of the buddhas is identified with the realms of the kami and of human beings, and Japanese geographical areas are identified with Buddhist sacred geography. Explaining why certain fundamental Japanese mandalas look the way they do and how certain visual forms came to embody the sacred, ten Grotenhuis presents works that show a complex mixture of Indian Buddhist elements, pre-Buddhist Chinese elements, Chinese Buddhist elements, and indigenous Japanese elements.
Author: Sujung Kim
Publisher: University of Hawaii Press
ISBN: 0824881737
Category : Religion
Languages : en
Pages : 201
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Book Description
This ambitious work offers a transnational account of the deity Shinra Myōjin, the “god of Silla” worshipped in medieval Japanese Buddhism from the eleventh to sixteenth centuries. Sujung Kim challenges the long-held understanding of Shinra Myōjin as a protective deity of the Tendai Jimon school, showing how its worship emerged and developed in the complex networks of the East Asian “Mediterranean”—a “quality” rather than a physical space defined by Kim as the primary conduit for cross-cultural influence in a region that includes the Yellow Sea, the Sea of Japan (East Sea), the East China Sea, and neighboring coastal areas. While focusing on the transcultural worship of the deity, Kim engages the different maritime arrangements in which Shinra Myōjin circulated: first, the network of Korean immigrants, Chinese merchants, and Japanese Buddhist monks in China’s Shandong peninsula and Japan’s Ōmi Province; and second, that of gods found in the East Asian Mediterranean. Both of these networks became nodal points of exchange of both goods and gods. Kim’s examination of temple chronicles, literary writings, and iconography reveals Shinra Myōjin’s evolution from a seafaring god to a multifaceted one whose roles included the god of pestilence and of poetry, the insurer of painless childbirth, and the protector of performing arts. Shinra Myōjin and Buddhist Networks of the East Asian “Mediterranean” is not only the first monograph in any language on the Tendai Jimon school in Japanese Buddhism, but also the first book-length study in English to examine Korean connections in medieval Japanese religion. Unlike other recent studies on individual Buddhist deities, it foregrounds the need to approach them within a broader East Asian context. By shifting the paradigm from a land-centered vision to a sea-centered one, the work underlines the importance of a transcultural and interdisciplinary approach to the study of Buddhist deities.
Author: Paul L. Swanson
Publisher: University of Hawaii Press
ISBN: 9780824830021
Category : Religion
Languages : en
Pages : 488
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Book Description
For updates online, visit the Nanzan Guide site at Nanzan Library of Asian Religion and Culture. The Nanzan Guide to Japanese Religions combines, for the first time in any language, state-of-the-field theoretical and critical discussions with concrete resources students and scholars need to conduct research on Japanese religions. Even seasoned scholars typically approach their research in an unsystematic manner, becoming familiar with a particular area of inquiry while remaining largely unaware of what exists in the rest of the field. This inefficient method hinders particularly less-experienced researchers and circumscribes their lines of inquiry. The Nanzan Guide provides both beginners and specialists with a reference that will serve as a basic introduction to Japanese religions and allow them to conduct research more proficiently and in greater depth. Overlapping and thought-provoking chapters, written by leading specialists, offer a variety of perspectives on the complicated and multifaceted field of Japanese religions. The essays are divided into four sections: religious traditions (Japanese religions in general, Shinto, Buddhism, folk religion, new religions, Christianity); the history of Japanese religions (ancient, classical, medieval, early modern, modern, contemporary); major themes (symbolism, ritual and the arts, literature and scripture, state and religion, geography and environment, intellectual history, gender); and "practical" essays (finding references and using libraries, working with archive collections, conducting fieldwork). A chronology of religion in Japanese history is also provided.
Author: Wm. Theodore De Bary
Publisher: Columbia University Press
ISBN: 9780231143233
Category : History
Languages : en
Pages : 1196
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Book Description
"Wm. Theodore de Bary offers a selection of essential readings from his immensely popular anthologies Sources of Chinese Tradition, Sources of Korean Tradition, and Sources of Japanese Tradition so readers can experience a concise but no less comprehensive portrait of the social, intellectual, and religious traditions of East Asia."--
Author: Robert Burnett Hall
Publisher: Praeger
ISBN:
Category : Education
Languages : en
Pages : 154
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Book Description
The intent in compiling this bibliography was to bring the attention of Western geographers and other interested scholars those geographical writings of the Japanese which have appeared in the 20th century.
Author:
Publisher:
ISBN:
Category : Geography
Languages : en
Pages : 190
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Book Description
Author: John Breen
Publisher: John Wiley & Sons
ISBN: 1405155159
Category : Religion
Languages : en
Pages : 281
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Book Description
This accessible guide to the development of Japan’s indigenous religion from ancient times to the present day offers an illuminating introduction to the myths, sites and rituals of kami worship, and their role in Shinto’s enduring religious identity. Offers a unique new approach to Shinto history that combines critical analysis with original research Examines key evolutionary moments in the long history of Shinto, including the Meiji Revolution of 1868, and provides the first critical history in English or Japanese of the Hie shrine, one of the most important in all Japan Traces the development of various shrines, myths, and rituals through history as uniquely diverse phenomena, exploring how and when they merged into the modern notion of Shinto that exists in Japan today Challenges the historic stereotype of Shinto as the unchanging, all-defining core of Japanese culture
