Author: Elizabeth Rodini
Publisher: Bloomsbury Publishing
ISBN: 1838604812
Category : Art
Languages : en
Pages : 233
Book Description
The first book-length study on Bellini's famous portrait of Sultan Mehmed II, tracing it's history from the Ottoman Empire to the present day.
Gentile Bellini's Portrait of Sultan Mehmed II
Author: Elizabeth Rodini
Publisher: Bloomsbury Publishing
ISBN: 1838604812
Category : Art
Languages : en
Pages : 233
Book Description
The first book-length study on Bellini's famous portrait of Sultan Mehmed II, tracing it's history from the Ottoman Empire to the present day.
Publisher: Bloomsbury Publishing
ISBN: 1838604812
Category : Art
Languages : en
Pages : 233
Book Description
The first book-length study on Bellini's famous portrait of Sultan Mehmed II, tracing it's history from the Ottoman Empire to the present day.
Venice and the Islamic World, 828-1797
Author: Institut du Monde Arabe (Paris)
Publisher: Yale University Press
ISBN: 0300124309
Category : History
Languages : en
Pages : 388
Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Publisher: Yale University Press
ISBN: 0300124309
Category : History
Languages : en
Pages : 388
Book Description
From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.
Gentile Bellini's Portrait of Sultan Mehmed II
Author: Elizabeth Rodini
Publisher: Bloomsbury Publishing
ISBN: 1838604847
Category : Art
Languages : en
Pages : 233
Book Description
In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.
Publisher: Bloomsbury Publishing
ISBN: 1838604847
Category : Art
Languages : en
Pages : 233
Book Description
In 1479, the Venetian painter Gentile Bellini arrived at the Ottoman court in Istanbul, where he produced his celebrated portrait of Sultan Mehmed II. An important moment of cultural diplomacy, this was the first of many intriguing episodes in the picture's history. Elizabeth Rodini traces Gentile's portrait from Mehmed's court to the Venetian lagoon, from the railway stations of war-torn Europe to the walls of London's National Gallery, exploring its life as a painting and its afterlife as a famous, often puzzling image. Rediscovered by the archaeologist Austen Henry Layard at the height of Orientalist outlooks in Britain, the picture was also the subject of a lawsuit over what defines a “portrait”; it was claimed by Italians seeking to hold onto national patrimony around 1900; and it starred in a solo exhibition in Istanbul in 1999. Rodini's focused inquiry also ranges broadly, considering the nature of historical evidence, the shifting status of authenticity and verisimilitude, and the contemporary political resonance of Old Master paintings. Told as an object biography and imagined as an exploration of art historical methodologies, this book situates Gentile's portrait in evolving dialogues between East and West, uncovering the many and varied ways that objects construct meaning.
Portraits and Caftans of the Ottoman Sultans
Author: Nurhan Atasoy
Publisher:
ISBN: 9781614281054
Category : Art
Languages : en
Pages : 0
Book Description
From the founding of the Ottoman dynasty by Osman Gazi to Suleyman the Magnificent's legendary territorial conquests, the legacy of the 36 Ottoman sultans has undeniably left its mark throughout the course of history. Featuring exquisite portraits and lavishly decorated caftans, this large-format volume beautifully presents imagery that speaks to the magnificence of the Ottoman Empire and its powerful sultans. AUTHOR: Professor Nurhan Atasoy completed her PhD in Fine Arts and Art History in 1962 at Istanbul University. She currently serves as the resident scholar at the Turkish Cultural Foundation, where she regularly gives lectures on Turkish art. Professor Atasoy is a founder and board member of the Association of the Museum of Painting and Sculpture in Istanbul; KÜSAV (Foundation for the Promotion and Preservation of Culture and Art Works); and TAÇ (Foundation for the Preservation of Monuments, Environment and Tourism in Turkey). She has lectured on Turkish and Islamic art at congresses throughout the world; curated international exhibitions; and has published over 100 articles and 22 books on the subject, including Iznik: Ottoman Pottery of Turkey, (1989); IPEK: Imperial Ottoman Silks and Velvets (2001); and Impressions of Ottoman Culture in Europe (2012). 74 illustrations
Publisher:
ISBN: 9781614281054
Category : Art
Languages : en
Pages : 0
Book Description
From the founding of the Ottoman dynasty by Osman Gazi to Suleyman the Magnificent's legendary territorial conquests, the legacy of the 36 Ottoman sultans has undeniably left its mark throughout the course of history. Featuring exquisite portraits and lavishly decorated caftans, this large-format volume beautifully presents imagery that speaks to the magnificence of the Ottoman Empire and its powerful sultans. AUTHOR: Professor Nurhan Atasoy completed her PhD in Fine Arts and Art History in 1962 at Istanbul University. She currently serves as the resident scholar at the Turkish Cultural Foundation, where she regularly gives lectures on Turkish art. Professor Atasoy is a founder and board member of the Association of the Museum of Painting and Sculpture in Istanbul; KÜSAV (Foundation for the Promotion and Preservation of Culture and Art Works); and TAÇ (Foundation for the Preservation of Monuments, Environment and Tourism in Turkey). She has lectured on Turkish and Islamic art at congresses throughout the world; curated international exhibitions; and has published over 100 articles and 22 books on the subject, including Iznik: Ottoman Pottery of Turkey, (1989); IPEK: Imperial Ottoman Silks and Velvets (2001); and Impressions of Ottoman Culture in Europe (2012). 74 illustrations
"The Turk and Islam in the Western Eye, 1450?750 "
Author: JamesG. Harper
Publisher: Routledge
ISBN: 1351539868
Category : Art
Languages : en
Pages : 342
Book Description
Unprecedented in its range - extending from Venice to the New World and from the Holy Roman Empire to the Ottoman Empire - this collection probes the place that the Ottoman Turks occupied in the Western imaginaire, and the ways in which this occupation expressed itself in the visual arts. Individual essays in this volume examine specific images or groups of images, problematizing the 'truths' they present and analyzing the contexts that shape the presentation of Ottoman or Islamic subject matter in European art. The contributors trace the transmission of early modern images and representations across national boundaries and across centuries to show how, through processes of translation that often involved multiple stages, the figure of the Turk (and by extension that of the Muslim) underwent a multiplicity of interpretations that reflect and reveal Western needs, anxieties and agendas. The essays reveal how anachronisms and inaccuracies mingled with careful detail to produce a "Turk," a figure which became a presence to reckon with in painting, sculpture, tapestry and printmaking.
Publisher: Routledge
ISBN: 1351539868
Category : Art
Languages : en
Pages : 342
Book Description
Unprecedented in its range - extending from Venice to the New World and from the Holy Roman Empire to the Ottoman Empire - this collection probes the place that the Ottoman Turks occupied in the Western imaginaire, and the ways in which this occupation expressed itself in the visual arts. Individual essays in this volume examine specific images or groups of images, problematizing the 'truths' they present and analyzing the contexts that shape the presentation of Ottoman or Islamic subject matter in European art. The contributors trace the transmission of early modern images and representations across national boundaries and across centuries to show how, through processes of translation that often involved multiple stages, the figure of the Turk (and by extension that of the Muslim) underwent a multiplicity of interpretations that reflect and reveal Western needs, anxieties and agendas. The essays reveal how anachronisms and inaccuracies mingled with careful detail to produce a "Turk," a figure which became a presence to reckon with in painting, sculpture, tapestry and printmaking.
The Sultan's World
Author: Palais des beaux-arts (Bruxelles).
Publisher: Hatje Cantz Verlag
ISBN: 9783775739665
Category : Art, European
Languages : en
Pages : 291
Book Description
"....The aim of our exhibition is to focus on the Ottoman Empire...and to explore the different ways the Ottomans, or 'Turks' as they were already called by their contemporaries, impacted the art and culture of the Renaissance.
Publisher: Hatje Cantz Verlag
ISBN: 9783775739665
Category : Art, European
Languages : en
Pages : 291
Book Description
"....The aim of our exhibition is to focus on the Ottoman Empire...and to explore the different ways the Ottomans, or 'Turks' as they were already called by their contemporaries, impacted the art and culture of the Renaissance.
Turks
Author: David J. Roxburgh
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 520
Book Description
This catalogue accompanies an exhibition devoted to the artistic & cultural riches of the Turkic-speaking peoples. Texts by leading scholars trace Turkic history & cultural development, while artefacts ranging from painting, sculpture, textiles, metalwork & ceramics reflect the artistic influences that the Turks assimilated.
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 520
Book Description
This catalogue accompanies an exhibition devoted to the artistic & cultural riches of the Turkic-speaking peoples. Texts by leading scholars trace Turkic history & cultural development, while artefacts ranging from painting, sculpture, textiles, metalwork & ceramics reflect the artistic influences that the Turks assimilated.
Paintings in Proust
Author: Eric Karpeles
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 386
Book Description
"Eric Karpele's guide offers a feast for the eyes as it celebrates the close relationship between the visual and literary arts in Proust's masterpiece, Karpeles has identified and located all of the paintings to which Proust makes exact reference. Where only a painter's name is mentioned to indicate a certain mood or appearance, he has chosen a representative work to illustrate the impression that Proust sought to evoke. Botticelli's angels, Manet's courtesans, Mantegna's warriors and Carpaccio's saints stand among Monet's water lilies and Piranesi's engravings of Rome, while Karpeles's insightful essay and lucid contextual commentary explain their significance to Proust. Extensive notes and a comprehensive index of all painters and paintings mentioned in the novel provide an invaluable resource for the reader navigating In Search of Lost Time for the first time or the fifth."--BOOK JACKET.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 386
Book Description
"Eric Karpele's guide offers a feast for the eyes as it celebrates the close relationship between the visual and literary arts in Proust's masterpiece, Karpeles has identified and located all of the paintings to which Proust makes exact reference. Where only a painter's name is mentioned to indicate a certain mood or appearance, he has chosen a representative work to illustrate the impression that Proust sought to evoke. Botticelli's angels, Manet's courtesans, Mantegna's warriors and Carpaccio's saints stand among Monet's water lilies and Piranesi's engravings of Rome, while Karpeles's insightful essay and lucid contextual commentary explain their significance to Proust. Extensive notes and a comprehensive index of all painters and paintings mentioned in the novel provide an invaluable resource for the reader navigating In Search of Lost Time for the first time or the fifth."--BOOK JACKET.
History of Mehmed the Conqueror
Author: Kritovoulos
Publisher: Princeton University Press
ISBN: 0691197911
Category : History
Languages : en
Pages : 234
Book Description
Five hundred years ago the great walled city of Constantinople fell under the relentless siege of the Ottoman Turks led by Sultan Mehmed II, Mehmed the Conqueror. Kristovoulos, one of the vanquished Greeks, later entered into the service of the Conqueror and began to write a history of the Sultan's life, starting with the year 1451, the beginning of Mehmed's 31-year reign. Death apparently prevented Kritovoulos from completing his account, but the manuscript covering the first seventeen years has been preserved and this exciting chronicle is here translated into English for the first time. Charles T. Riggs, who died in February 1953 at Robert College in modern Istanbul, was a missionary in the Near East. Originally published in 1954. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 0691197911
Category : History
Languages : en
Pages : 234
Book Description
Five hundred years ago the great walled city of Constantinople fell under the relentless siege of the Ottoman Turks led by Sultan Mehmed II, Mehmed the Conqueror. Kristovoulos, one of the vanquished Greeks, later entered into the service of the Conqueror and began to write a history of the Sultan's life, starting with the year 1451, the beginning of Mehmed's 31-year reign. Death apparently prevented Kritovoulos from completing his account, but the manuscript covering the first seventeen years has been preserved and this exciting chronicle is here translated into English for the first time. Charles T. Riggs, who died in February 1953 at Robert College in modern Istanbul, was a missionary in the Near East. Originally published in 1954. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Tell Them of Battles, Kings, and Elephants
Author: Mathias Énard
Publisher: New Directions Publishing
ISBN: 0811227057
Category : Fiction
Languages : en
Pages : 152
Book Description
Michelangelo’s adventure in Constantinople, from the “mesmerizing” (New Yorker) and “masterful” (Washington Post) author of Compass In 1506, Michelangelo—a young but already renowned sculptor—is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, along with an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: “You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.” Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II—whose commission he leaves unfinished—and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings, and Elephants—constructed from real historical fragments—is a thrilling page-turner about why stories are told, why bridges are built, and how seemingly unmatched fragments, seen from the opposite sides of civilization, can mirror one another.
Publisher: New Directions Publishing
ISBN: 0811227057
Category : Fiction
Languages : en
Pages : 152
Book Description
Michelangelo’s adventure in Constantinople, from the “mesmerizing” (New Yorker) and “masterful” (Washington Post) author of Compass In 1506, Michelangelo—a young but already renowned sculptor—is invited by the sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, along with an enormous payment, the promise of immortality, since Leonardo da Vinci’s design was rejected: “You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.” Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II—whose commission he leaves unfinished—and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, as he struggles to create what could be his greatest architectural masterwork. Tell Them of Battles, Kings, and Elephants—constructed from real historical fragments—is a thrilling page-turner about why stories are told, why bridges are built, and how seemingly unmatched fragments, seen from the opposite sides of civilization, can mirror one another.