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Author: S. George
Publisher: Springer
ISBN: 113732158X
Category : Social Science
Languages : en
Pages : 285
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Book Description
In the 1950s, science fiction invasion films played a complicated part in supporting and criticizing Cold War ideologies. By reading these invasion narratives as performances of middle-class, white Americans' excitement and anxiety about social and political issues, George shows how they often played out as another round in the battle of the sexes.
Author: S. George
Publisher: Springer
ISBN: 113732158X
Category : Social Science
Languages : en
Pages : 285
Get Book Here
Book Description
In the 1950s, science fiction invasion films played a complicated part in supporting and criticizing Cold War ideologies. By reading these invasion narratives as performances of middle-class, white Americans' excitement and anxiety about social and political issues, George shows how they often played out as another round in the battle of the sexes.
Author: Bonnie Noonan
Publisher: McFarland
ISBN: 1476622108
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
The 1950s era of science fiction film effectively ended when space flight became a reality with the first manned orbit of Earth in 1962. As the genre's wildly speculative depictions of science and technology gave way to more reality-based representations, relations between male and female characters reflected the changing political and social climates of the era. Drawing on critical analyses, film reviews and cultural commentaries, this book examines the development of science fiction film and its representations of gender, from the groundbreaking films of 1968--including 2001: A Space Odyssey, Barbarella and Planet of the Apes--through its often overlooked "Middle Period," which includes such films as Colossus: The Forbin Project (1970), The Stepford Wives (1975) and A Boy and His Dog (1975). The author examines intersections of gender and race in The Omega Man (1971) and Frogs (1972), gender and dystopia in Soylent Green (1973) and Logan's Run (1976), and gender and computers in Demon Seed (1977). The big-budget films of the late 1970s--Close Encounters of the Third Kind, Alien and Star Wars--are also discussed.
Author: Bridgitte Barclay
Publisher: Rowman & Littlefield
ISBN: 1498580580
Category : Social Science
Languages : en
Pages : 239
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Book Description
Gender and Environment in Science Fiction focuses on the variety of ways that gender and “nature” interact in science fiction films and fictions, exploring questions of different realities and posing new ones. Science fiction asks questions to propose other ways of living. It asks what if, and that question is the basis for alternative narratives of ourselves and the world we are a part of. What if humans could terraform planets? What if we could create human-nonhuman hybrids? What if artificial intelligence gains consciousness? What if we could realize kinship with other species through heightened empathy or traumatic experiences? What if we imagine a world without oil? How are race, gender, and nature interrelated? The texts analyzed in this book ask these questions and others, exploring how humans and nonhumans are connected; how nonhuman biologies can offer diverse ways to think about human sex, gender, and sexual orientation; and how interpretive strategies can subvert the messages of older films and written texts.
Author: Amanda DiGioia
Publisher: Emerald Group Publishing
ISBN: 1839829427
Category : Social Science
Languages : en
Pages : 116
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Book Description
Gender and Parenting in the Worlds of Alien and Blade Runner is a comparative, gendered analysis study of Ridley Scott’s contributions to the genre of science fiction and horror cinema, showcasing how patriarchal and gendered expectations regarding women, usually associated with the past, still run rampant.
Author: Melissa Scott
Publisher: Lethe Press
ISBN: 1590212428
Category : Fiction
Languages : en
Pages : 317
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Book Description
In the far future, human culture develops five distinctive genders due to the effects of a drug that eases sickness from faster-than-light travel. Winner of a Lambda Literary Award for Gay/Lesbian Science Fiction, "Shadow Man" remains one of the more important modern, speculative novels ever published in the field of gender and sexual identity.
Author: Krin Gabbard
Publisher: Rutgers University Press
ISBN: 0813543401
Category : Performing Arts
Languages : en
Pages : 210
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Book Description
Gender roles have been tested, challenged, and redefined everywhere during the past thirty years, but perhaps nowhere more dramatically than in film. Screening Genders is a lively and engaging introduction to the evolving representations of masculinity, femininity, and places once thought to be "in between." The book begins with a general introduction that traces the movement of gender theory from the margins of film studies to its center. The ten essays that follow address a range of topics, including screen stars; depictions of gay, straight, queer, and transgender subjects; and the relationship between gender and genre. Widely respected scholars, including Robert T. Eberwein, Lucy Fischer, Chris Holmlund, E. Ann Kaplan, Kathleen Rowe Karlyn, David Lugowski, Patricia Mellencamp, Jerry Mosher, Jacqueline Reich, and Chris Straayer, focus on the radical ideological advances of contemporary cinema, as well as on those groundbreaking films that have shaped our ideas about masculinity and femininity, not only in movies but in American culture at large. The first comprehensive overview of the history of gender theory in film, this book is an ideal text for courses and will serve as a foundation for further discussion among students and scholars alike.
Author: Robin Roberts
Publisher: University of Illinois Press
ISBN: 9780252068102
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Boldly going where no one has gone before, Robin Roberts forges intriguing links between feminist politics and theory and the second Star Trek series, Star Trek: The Next Generation. This lively discussion shows how science fiction's ability to make the familiar strange allows Star Trek to expose and comment on entrenched attitudes toward gender roles and feminist issues. By having aliens or sexually neutral beings enact female dominance or passivity, experience pregnancy or maternity, or suffer rape or abortion, Star Trek provides viewers with a new perspective on these experiences and an antidote to explicit and implicit cultural biases. Roberts maintains that the relevance of Star Trek: The Next Generation to feminist issues accounts as no other factor can for the program's huge following of female fans. The incisive and innovative readings in Sexual Generations provide food for thought about how the final frontier can clarify pressing questions of our own space and time.
Author: Natalija Majsova
Publisher: Rowman & Littlefield
ISBN: 1793609322
Category : History
Languages : en
Pages : 257
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Book Description
This book interrogates the relations between nostalgias of today and past utopias in the context of the space age of the 20th century and its cinematic representations in the USSR and in post-Soviet Russia. Once an enthusiastic projection, then a promising and uncanny present, and eventually an assemblage of nostalgic signifiers, in the history of world cinema, this space age has been linked primarily to the genre of science fiction. Here, aspects of the space age such as humanity’s imminent expansion to space, interplanetary travel, contact with extraterrestrial intelligence, and intergalactic governance and economy were both celebrated and critically interrogated as cosmopolitan ideals and nation-branding strategies. This book presents the contemporary relevance of this genre as heritage and legacy, archive and canon, and a nest of forgotten ideals and warnings, as well as nostalgic anchoring points. The author analyzes over 30 Soviet science fiction films, foregrounding their structures of utopia and their evolution over time, in order to trace both their transnational positionalities, transmedial resonance, and impact on post-Soviet Russian films about the space age. Concepts, crucial to the understanding of space futures of the past, such as utopianism, otherness, liminality, and no(w)stalgia are activated to draw out the fictional tenants of the memory of the Soviet space age, and to establish the limits and potentialities of Soviet (exra)terraformative ambitions.
Author: Fiona Hovenden
Publisher: Routledge
ISBN: 1136355014
Category : Social Science
Languages : en
Pages : 348
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Book Description
The Gendered Cyborg explores the relationship between representation, technoscience and gender, through the metaphor of the cyborg. The contributors argue that the figure of the cyborg offers ways of thinking about the relationship between culture and technology, people and machines which disrupt the power of science to enfore the categories through which we think about being human: male and female. Taking inspiration from Donna Haraway's groundbreaking Manifesto for Cyborgs, the articles consider how the cyborg has been used in cultural representation from reproductive technology to sci-fi, and question whether the cyborg is as powerful a symbol as is often claimed. The different sections of the reader explore: * the construction of gender categories through science * the interraction of technoscience and gender in contemporary science fiction film such as Bladerunner and the Alien series * debates around modern reproductive technology such as ultrasound scans and IVF, assessing their benefits and constraints for women * issues relating to artificial intelligence and the internet.
Author: Bonnie Noonan
Publisher: McFarland
ISBN: 1476610053
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
In the 1950s, science was rapidly advancing, and so were scientific opportunities for women. Modern science fiction films reflected these simultaneous social developments. This book proposes that the social ideology of the 1950s, which was partly concerned with gender issues, saturated the B science fiction films of that era and inspired a new appreciation for the role of women in scientific advancements and other social achievements. Drawing on feminist literary and cultural theory, the author argues that the emergence of the modern American science fiction film in 1950 and the situation of post-World War II female scientists together created a film genre. That genre was explicitly amenable to exploring the tension between a woman's place in her home and her place in the work force, particularly in scientific fields. Early chapters provide a general introduction to the science fiction genre and specifically describe 1950s B science fiction films as they resonate with concerns proper to feminist theory. Subsequent chapters offer detailed, historically situated readings of 10 B science fiction films from the 1950s that feature women in science. The cinematic representations of female scientists are compared and contrasted with real female professionals of the time, illuminating the changing gender dynamics reflected in popular film in the 1950s. Films analyzed include Rocketship X-M, It Came from Beneath the Sea, Them!, Tarantula, The Deadly Mantis, Beginning of the End, Kronos, Cat-Women of the Moon, World Without End, and Queen of Outer Space.
