The Geese Theatre Handbook PDF Download
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Author: Clark Baim
Publisher: Waterside Press
ISBN: 1872870678
Category : Criminals
Languages : en
Pages : 225
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Book Description
Explains the thinking behind the Geese Theatre Company's approach to applied drama with offenders and people at risk of offending, including young people. It also contains over 100 exercises with explanations, instructions, and suggestions to help practitioners develop their own style and approach. The materials can be readily adapted to other settings including conflict resolution, restorative justice and interpersonal skills training.
Author: Clark Baim
Publisher: Waterside Press
ISBN: 1872870678
Category : Criminals
Languages : en
Pages : 225
Get Book Here
Book Description
Explains the thinking behind the Geese Theatre Company's approach to applied drama with offenders and people at risk of offending, including young people. It also contains over 100 exercises with explanations, instructions, and suggestions to help practitioners develop their own style and approach. The materials can be readily adapted to other settings including conflict resolution, restorative justice and interpersonal skills training.
Author: Clarke Baim
Publisher: Waterside Press
ISBN: 1906534500
Category : Social Science
Languages : en
Pages : 226
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Book Description
Geese Theatre 1st was formed in 1987 and is renowned across the criminal justice field. This book explains the thinking behind the company's approach to applied drama with offenders and people at risk of offending, including young people. It also contains over 100 exercises with explanations, instructions and suggestions to help practitioners.
Author: Clarke Baim
Publisher:
ISBN: 9781914603068
Category :
Languages : en
Pages : 226
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Book Description
Explains the thinking behind the company's approach to applied drama with offenders and people at risk of offending, including young people. Contains 100+ exercises with explanations, instructions and suggestions.
Author: Clark Baim
Publisher: Springer Nature
ISBN: 3030465551
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
This book examines the history, ethics, and intentions of staging personal stories and offers theatre makers detailed guidance and a practical model to support safe, ethical practice. Contemporary theatre has crossed boldly into therapeutic terrain and is now the site of radical self-exposure. Performances that would once have seemed shockingly personal and exposing have become commonplace, as people reveal their personal stories to audiences with ever-increasing candor. This has prompted the need for a robust and pragmatic framework for safe, ethical practice in mainstream and applied theatre. In order to promote a wider range of ethical risk-taking where practitioners negotiate blurred boundaries in safe and artistically creative ways, this book draws on relevant theory and practice from theatre and performance studies, psychodrama and attachment narrative therapy and provides detailed guidance supporting best practice in the theatre of personal stories. The guidance is structured within a four-part framework focused on history, ethics, praxis, and intentions. This includes a newly developed model for safe practice, called the Drama Spiral. The book is for theatre makers in mainstream and applied theatre, educators, students, researchers, drama therapists, psychodramatists, autobiographical performers, and the people who support them.
Author: Tim Prentki
Publisher: Routledge
ISBN: 1134109806
Category : Performing Arts
Languages : en
Pages : 397
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Book Description
The Applied Theatre Reader is the first book to bring together new case studies of practice by leading practitioners and academics in the field and beyond, with classic source texts from writers such as Noam Chomsky, bell hooks, Mikhail Bakhtin, Augusto Boal, and Chantal Mouffe. This book divides the field into key themes, inviting critical interrogation of issues in applied theatre whilst also acknowledging the multi-disciplinary nature of its subject. It crosses fields such as: theatre in educational settings prison theatre community performance theatre in conflict resolution and reconciliation interventionist theatre theatre for development. This collection of critical thought and practice is essential to those studying or participating in the performing arts as a means for positive change.
Author: Chris Johnston
Publisher: Psychology Press
ISBN: 9780878300891
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Kay Hepplewhite
Publisher: Taylor & Francis
ISBN: 1040129986
Category : Performing Arts
Languages : en
Pages : 130
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Book Description
This accessible book outlines the key ideas that define the global phenomenon of applied theatre, not only its theoretical underpinning, its origins and practice, but also providing eight real-life examples drawn from a diversity of forms and settings. The clearly arranged topic sections entitled When, What, Who, Why and Where emphasise the responsive nature of applied theatre, its social context and the importance of a beneficial outcome for participants, which can connect fields as disparate as health, criminal justice, education and migration. Labels and terms are explained, along with applied theatre’s core values, motivations and objectives, allowing the reader to build a coherent understanding of its distinguishing features. Applied Theatre: The Key Concepts is aimed at students, academics, artists and practitioners of applied theatre as well as those with an interest in this vital blend of social and creative practice.
Author: Michael Crowley
Publisher: Waterside Press
ISBN: 1906534977
Category : Drama
Languages : en
Pages : 163
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Book Description
A play in two Acts with an Introduction by the author. The story of John 'Babbacombe' Lee is one of the most bizarre in English criminal history. Lee is the only person to have been reprieved by a Home Secretary after standing on a gallows trap which failed to open. This happened at Exeter Prison in 1885 when the notoriously inept public hangman James Berry gave up after three abortive attempts. Lee spent 22 years in prison before being released. On retirement, Berry from Heckmondwike, Yorkshire, who carried out 134 executions, was the first executioner to write about his experiences in My Experiences As An Executioner. His resulting celebrity led to him taking to the boards, spinning gruesome tales of his former trade and showing audiences his dark souvenirs. Michael Crowley's imaginative play is set in a down-at-heel northern music hall where the proprietor is bent on reviving the venue's glory days by persuading the now released Lee to team up with Berry in a double act. Did John Lee commit the murder for which he was due to hang? Did poetic justice intervene on that fateful day in Exeter to prevent a miscarriage of justice? Will Lee stand on the scaffold once again with the noose around his neck, on stage and for the paying public? And will the truth come out or not as Lee begins to confide in the woman designated as leading lady during rehearsals? 'The Man They Couldn't Hang' by prison writer in residence Michael Crowley is an ideal vehicle for raising issues of crime and punishment. It will be particularly useful for drama groups in and out of prison, and tutors or group leaders seeking innovative ways of involving those they work with in issues of criminal justice and crime and punishment. The play is also suitable for full-scale drama productions.
Author: Michael Crowley
Publisher: Waterside Press
ISBN: 1904380786
Category : Juvenile Nonfiction
Languages : en
Pages : 260
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Book Description
A book for anyone concerned about the level of literacy amongst prisoners. Behind The Lines is the product of some 15 years of working with offenders and people at risk in prison and in the community. It is based on the author's extensive experience of using creative writing to change and improve thinking and behaviour to prevent crime. It includes: Easy to read explanations of the method; Dozens of practical exercises and ideas for discussion; Advice about the different approaches; Samples of writing by offenders, inside and outside of prison; The author's views about what works to engage and encourage (often) wary participants. Behind the Lines represents a major contribution to rehabilitative work (in one sense it is the prison-writing equivalent of the highly successful Waterside Press publication, The Geese Theatre Handbook). A Key Resource For: Writers in residence; Offending behaviour group workers; Youth workers; Youth offending teams; Community workers; Psychotherapists, therapists and counsellors; Special needs workers and teachers; Anyone tackling literacy levels of risk groups... and people training or studying in these and related fields. Reviews 'A very useful resource for those working in difficult environments, with students who generally have low levels of traditional educational attainment, negative learning experiences and who, due to cultural and class barriers, are not accustomed to engaging with the arts, either in institutions or outside': Cormac Behan, Lecturer in Criminology, University of Sheffield. 'Essential reading for anyone interested in the real challenges of rehabilitation': Pat Jones, Director of the Prisoners Education Trust (2008-12). 'Shows how you can turn the lead of anger and despair in prisoners into the gold of insight and creativity': Oliver James, author. 'Shows a sceptical world that [young offenders] are capable of reflection, of understanding what led them into the acts they have committed and the effects on other people and on themselves': Alicia Stubbersfield, Poet and Koestler Award Judge. 'A wake-up call to the educational system, which allows so many young people to leave school in the parlous position that he describes, and which creative writers up and down the country are devoting so much time and effort to mitigate': David Ramsbotham. Author Michael Crowley is a youth justice worker and writer. His works as a playwright include 'Beyond Omarska', 'The Man They Couldn't Hang' (published by Waterside Press 2010), and 'A Warning against Idle Gossip'. He has written for youth theatre and been writer in residence at a young offenders' institution for the last five years. He lives in West Yorkshire.
Author: Anthony Frost
Publisher: Bloomsbury Publishing
ISBN: 1350316245
Category : Performing Arts
Languages : en
Pages : 484
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Book Description
Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.
