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Author: Frank Koonce
Publisher: Mel Bay Publications
ISBN: 160974621X
Category : Music
Languages : en
Pages : 177
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Book Description
A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. for the uninitiated, just knowing where to start can be difficult.This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar.
Author: Frank Koonce
Publisher: Mel Bay Publications
ISBN: 160974621X
Category : Music
Languages : en
Pages : 177
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Book Description
A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. for the uninitiated, just knowing where to start can be difficult.This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar.
Author: Gaspar Sanz
Publisher: Saint-Nicolas, Québec : Éd. Doberman-Yppan
ISBN:
Category : Guitar
Languages : en
Pages : 196
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Book Description
Author: Jeffrey Lawrence George
Publisher: Mel Bay Publications
ISBN: 1619110806
Category : Music
Languages : en
Pages : 187
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Book Description
A scholarly, comprehensive performance edition of the Angelo Michele Bartolotti suites from the publication Secondo Libro Di Chitarra of 1655. Included are chapters on the transcription process, 13 Suites from Secondo Libro Di Chitarra scored for guitar solo, and facimile reproductions of the original tablatures. This is a historic edition which should augment any guitarist's library.
Author: Monica Hall
Publisher:
ISBN:
Category : Barockgitarre
Languages : en
Pages : 64
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Book Description
Author: James Tyler
Publisher: Indiana University Press
ISBN: 0253005019
Category : Music
Languages : en
Pages : 173
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Book Description
James Tyler offers a practical manual to aid guitar players and lutenists in transitioning from modern stringed instruments to the baroque guitar. He begins with the physical aspects of the instrument, addressing tuning and stringing arrangements and technique before considering the fundamentals of baroque guitar tablature. In the second part of the book Tyler provides an anthology of representative works from the repertoire. Each piece is introduced with an explanation of the idiosyncrasies of the particular manuscript or source and information regarding any performance practice issues related to the piece itself -- represented in both tablature and staff notation. Tyler's thorough yet practical approach facilitates access to this complex body of work.
Author: Christopher Parkening
Publisher: Hal Leonard Corporation
ISBN: 1458452611
Category : Music
Languages : en
Pages : 259
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Book Description
(Guitar Recorded Versions). Loaded with virtuoso music, this collection contains transcriptions of 21 solo pieces for classical guitar, edited and fingered by Parkening. Includes: Allegro * Allemande * Danza * Fugue * Galliard * I Stand at the Threshold * Prelude * Sevilla * Sonata in D * Suite in D Minor * Villanesca * and more.
Author: David Leisner
Publisher: Oxford University Press
ISBN: 0190693320
Category : Music
Languages : en
Pages : 177
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Book Description
Playing with Ease is a book about ergonomic technique for the guitar, as well as other instruments. Renowned classical guitarist David Leisner offers an introduction to the basic anatomy of movement, advice on relieving unnecessary tension, pioneering ideas about engaging large muscles, and tips for practicing and concert preparation.
Author: James Tyler
Publisher: OUP Oxford
ISBN: 0191518514
Category : Music
Languages : en
Pages : 349
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Book Description
Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
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Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Author: Harvey Turnbull
Publisher:
ISBN: 9780933224575
Category : Music
Languages : en
Pages : 218
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Book Description
