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Author: Stephen Gilman
Publisher: Princeton University Press
ISBN: 1400855217
Category : Literary Criticism
Languages : en
Pages : 425
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Book Description
Benito Perez Galdos (1843-1920) was one of Spain's outstanding novelists and the author of two vast cycles of novels and a number of plays. In this critical study of Galdos in English, Stephen Gilman relates the writer and his work to the nineteenth century novel as a genre and traces his artistic growth during a twenty-year period, from his initial historical fable, La Fontana de Oro, to his masterpiece, Fortunata y Jacinta. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Stephen Gilman
Publisher: Princeton University Press
ISBN: 1400855217
Category : Literary Criticism
Languages : en
Pages : 425
Get Book Here
Book Description
Benito Perez Galdos (1843-1920) was one of Spain's outstanding novelists and the author of two vast cycles of novels and a number of plays. In this critical study of Galdos in English, Stephen Gilman relates the writer and his work to the nineteenth century novel as a genre and traces his artistic growth during a twenty-year period, from his initial historical fable, La Fontana de Oro, to his masterpiece, Fortunata y Jacinta. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Stephen Gilman
Publisher: Princeton, N.J. : Princeton University Press
ISBN: 9780691064567
Category :
Languages : en
Pages : 413
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Book Description
Benito Perez Galdos (1843-1920) was one of Spain's outstanding novelists and the author of two vast cycles of novels and a number of plays. In this critical study of Galdos in English, Stephen Gilman relates the writer and his work to the nineteenth century novel as a genre and traces his artistic growth during a twenty-year period, from his initial historical fable, La Fontana de Oro, to his masterpiece, Fortunata y Jacinta. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Brian Hamnett
Publisher: Oxford University Press
ISBN: 0199695040
Category : History
Languages : en
Pages : 344
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Book Description
Brian Hamnett examines key historical novels by Scott, Balzac, Manzoni, Dickens, Eliot, Flaubert, Fontane, Galdós, and Tolstoy, revealing the contradictions inherent in this form of fiction and exploring the challenges writers encountered in attempting to represent a reality that linked past and present.
Author: Diane Faye Urey
Publisher: Princeton University Press
ISBN: 1400860008
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
Benito Perez Galdos (1843-1920) occupies a position in Spanish literature surpassed only by Cervantes, and, like him, made a major contribution to the European novel that is now becoming widely recognized. In a semiological approach to the second period of Episodios Nacionales, Diane Urey demonstrates the relevance of these twenty-six novels, the least studied of Galdos's works, to fundamental issues such as the relationship between history and fiction, and between mimesis and creation. Her findings of ambiguity, irony, and allegory in this writer's highly self-conscious historical novels will revise our views of Galdos's place in European letters while offering new insights into a general theory of historical fiction. Diane Urey offers an alternative to referential or ideological interpretations of the Episodios by stressing the indeterminate textuality of historical incidents and the fictionality of historical discourse. Drawing on Derrida, De Man, Foucault, and Hayden White, she applies a wide range of narrative theory to these texts and concludes that novel and history are interchangeable modes of discourse because they rely necessarily on the same narrative strategies. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Michael Hollington
Publisher: A&C Black
ISBN: 1623560357
Category : Literary Criticism
Languages : en
Pages : 443
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Book Description
The Reception of Charles Dickens in Europe offers a full historical survey of Dickens's reception in all the major European countries and many of the smaller ones, filling a major gap in Dickens scholarship, which has by and large neglected Dickens's fortunes in Europe, and his impact on major European authors and movements. Essays by leading international critics and translators give full attention to cultural changes and fashions, such as the decline of Dickens's fortunes at the end of the nineteenth century in the period of Naturalism and Aestheticism, and the subsequent upswing in the period of Modernism, in part as a consequence of the rise of film in the era of Chaplin and Eisenstein. It will also offer accounts of Dickens's reception in periods of political upheaval and revolution such as during the communist era in Eastern Europe or under fascism in Germany and Italy in particular.
Author: Jo Labanyi
Publisher: Routledge
ISBN: 1317896505
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Benito Perez Galdos has been described as 'the greatest Spanish novelist since Cervantes.' His work constitutes a major contribution to the nineteenth-century novel, rivalling that of Dickens of Balzac and making him an essential candidate for any course on the fiction of the period. Jo Labanyi's study is supported by a wide-rangting introduction, a section of contemporary comment, headnotes to each piece and helpful appendix material.
Author: Harriet S. Turner
Publisher: Cambridge University Press
ISBN: 9780521378680
Category : Language Arts & Disciplines
Languages : en
Pages : 156
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Book Description
A new critical introduction to Galdos' four-part masterpiece set in Madrid in the 1870s.
Author: Robert S. Rudder
Publisher: Cambridge Scholars Publishing
ISBN: 1443874949
Category : Fiction
Languages : en
Pages : 190
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Book Description
Galdós’s early writings were inspired by the French writer Émile Zola, a practitioner of the literary school of Naturalism. This interest then turned to a type of spiritual naturalism under the influence of Russian writers, including Tolstoy, Dostoevsky, and Turgenev, whom he called his “great teacher.” One of his most important works during this period was the novel, Nazarín, a kind of retelling of the life of Christ, in which the main character, a disgraced priest, wanders about the countryside with two female companions, attempting to follow the teachings of the Bible to the letter. He is taken for either a saint or a mad man, and at the end is shut up in an institution. The publication of Nazarín was followed by its sequel, Halma, only six months later. In this novel, the protagonist, an aristocratic lady named Halma, after suffering great hardships, decides to use her inheritance to found an idyllic Christian society, harboring the needy and the sick. Two of its citizens will be the priest, Nazarín, and one of his two women followers; another will be Halma’s ne’er-do-well male cousin, Urrea. Her family and their friends express admiration for her high ideals, but they also believe she may be just as mad as the priest, and work to defeat her. A fortunate denouement comes only after the unforeseen intervention of the supposedly “mad” priest. Halma also has many points of contact with the motion picture Viridiana, by Spain’s’ great director, Luis Buñuel. In this film, a religious novice, Viridiana, attempts to turn a farm into a shelter for needy beggars. During her absence, however, the beggars wreck the house in a drunken orgy. While not sharing Buñuel’s artistic vision, Galdós, nevertheless, expresses his own ideas with great imagination.
Author: Bill Overton
Publisher: Springer
ISBN: 1349251739
Category : Fiction
Languages : en
Pages : 298
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Book Description
The novel of adultery is a nineteenth-century form about the experience of women, produced almost exclusively by men. Bill Overton's study is the first to address the gender implications of this form, and the first to write its history. The opening chapter defines the terms 'adultery' and 'novel of adultery', and discusses how the form arose in Continental Europe, but failed to appear in Britain. Successive chapters deal with its development in France, and with examples from Russia, Denmark, Germany, Spain and Portugal.
Author: Hazel Gold
Publisher: Duke University Press
ISBN: 9780822313670
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
In virtually every aspect of human behavior, ritual, language, and art, perceptions are organized through the act of framing. In the writing of Benito Perez Galdós, Spain's most prolific and innovative nineteenth-century novelist, Hazel Gold finds this principle insistently at work. By exploring Galdós's methods of structuring and evaluating literary and historical experience, Gold illuminates the novelist's art and uncovers the far-reaching narratological, social, and epistemological implications of his framing strategies. A close look at Galdós's novels reveals the artist at pains to contain and interpret what he perceived to be the distinctive and often disheartening experience of bourgeois liberalism of his day. At the same time, he can be seen here undermining or negating the accepted conventions of realist fiction. Looking beyond text to context, Gold examines the ways in which Galdós's work itself has been framed by readers and critics in accordance with changing allegiances to contemporary literary theory and the canon. The highly ambiguous status of the frame in Galdós's fictions confirms the author's own signal position as a writer poised at the limits between realism and modernity. Gold's work will command the interest of students of Spanish and comparative literature, narrative theory, and the novel, as well as all those for whom realism and representation are at issue.
