Future Science Fiction Digest Issue 4 PDF Download
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Author: Alex Shvartsman
Publisher: UFO Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 175
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Book Description
Issue 4 of FUTURE SF is themed Alien Invasion. It features eight stories from the UK, Russia, USA, China, Sweden, and Italy. Table of Contents: “They Are Coming” by Paul R. Hardy “The Building Atop the Hill” by Alexander Bachilo (translated by Alex Shvartsman) “A Typical Tale of Bloodlust and Conquest” by Mike Resnick “You Came to the Tower” by Shaenon K. Garrity “Through the Fog, a Distant Land Appears” by Wanxiang Fegnian (translated by Nathan Faires) “Yi” by Oskar Källner (translated by Gordon Jones) “The Last Trial” by Stephen S. Power “The Messiah of the Thirteenth Colony” by Davide Camparsi (translated by Michael Colbert)
Author: Alex Shvartsman
Publisher: UFO Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 175
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Book Description
Issue 4 of FUTURE SF is themed Alien Invasion. It features eight stories from the UK, Russia, USA, China, Sweden, and Italy. Table of Contents: “They Are Coming” by Paul R. Hardy “The Building Atop the Hill” by Alexander Bachilo (translated by Alex Shvartsman) “A Typical Tale of Bloodlust and Conquest” by Mike Resnick “You Came to the Tower” by Shaenon K. Garrity “Through the Fog, a Distant Land Appears” by Wanxiang Fegnian (translated by Nathan Faires) “Yi” by Oskar Källner (translated by Gordon Jones) “The Last Trial” by Stephen S. Power “The Messiah of the Thirteenth Colony” by Davide Camparsi (translated by Michael Colbert)
Author: Mike Resnick
Publisher:
ISBN: 9781790821754
Category :
Languages : en
Pages : 224
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Book Description
Science fiction magazine featuring stories from across the globe. In this issue we have original fiction and translations from China, the Ukraine, Nigeria, Italy, and the United States. Fiction contents:"The Rule of Three" by Lawrence M. Schoen, "SisiMumu" by Walter Dinjos, "The Emperor of Death" by Marina and Sergey Dyachenko, "One Bad Unit" by Steve Kopka, "The Substance of Ideas" by Clelia Farris, "In All Possible Futures" by Dantzel Cherry, "Perfection" by Mike Resnick, "Wordfall" by Liang Ling. Also included is an interview with Hollywood showrunners Javier Grillo-Marxuach and Jose Molina, an essay about the role of empire in SF storytelling, and a profile of Marina and Sergey Dyachenko by their translator and friend Julia Meitov Hersey. Includes 65,000 words of fiction and articles.
Author: Peter Frase
Publisher: Verso Books
ISBN: 1781688141
Category : Political Science
Languages : en
Pages : 134
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Book Description
"It is easier to imagine the end of the world," the theorist Fredric Jameson has remarked, "than to imagine the end of capitalism." Jacobin Editor Peter Frase argues that technological advancements and environmental threats will inevitably push our society beyond capitalism, and Four Futures imagines just how this might look. Extrapolating possible futures from current changes the world is now experiencing, and drawing upon speculative fictions to illustrate how these futures might be realized, Four Futures examines communism, rentism, socialism, and exterminism-or in other words, the socialisms we may reach if a resurgent Left is successful and the barbarisms we may be consigned to if those movements fail.
Author: Laura Resnick
Publisher: UFO Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 240
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Book Description
Issue 3 of Future Science Fiction Digest features over 60,000 words of fiction. A selection of moon-based stories commemorates the 50th anniversary of the moon landing, followed by a sampling of AI stories (featuring both humans owning robotic dogs and robots owning live dogs!), with a little bit of time travel to round things out. Fiction from authors in the United States, China, Russia, Bulgaria, and Sri Lanka.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 532
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Book Description
Author: Blake Bell
Publisher: Fantagraphics Books
ISBN: 1606995529
Category : Literary Criticism
Languages : en
Pages : 305
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Book Description
The Secret History of Marvel Comics digs back to the 1930s when Marvel Comics wasn't just a comic-book producing company. Marvel Comics owner Martin Goodman had tentacles into a publishing world that might have made that era’s conservative American parents lynch him on his front porch. Marvel was but a small part of Goodman’s publishing empire, which had begun years before he published his first comic book. Goodman mostly published lurid and sensationalistic story books (known as “pulps”) and magazines, featuring sexually-charged detective and romance short fiction, and celebrity gossip scandal sheets. And artists like Jack Kirby, who was producing Captain America for eight-year-olds, were simultaneously dipping their toes in both ponds. The Secret History of Marvel Comics tells this parallel story of 1930s/40s Marvel Comics sharing offices with those Goodman publications not quite fit for children. The book also features a comprehensive display of the artwork produced for Goodman’s other enterprises by Marvel Comics artists such as Jack Kirby and Joe Simon, Alex Schomburg, Bill Everett, Al Jaffee, and Dan DeCarlo, plus the very best pulp artists in the field, including Norman Saunders, John Walter Scott, Hans Wesso, L.F. Bjorklund, and Marvel Comics #1 cover artist Frank R. Paul. Goodman’s magazines also featured cover stories on celebrities such as Jackie Gleason, Elizabeth Taylor, Liberace, and Sophia Loren, as well as contributions from famous literary and social figures such as Isaac Asimov, Theodore Sturgeon, and L. Ron Hubbard.
Author: Thomas Nolden
Publisher: UCL Press
ISBN: 1800083696
Category : Literary Criticism
Languages : en
Pages : 275
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Book Description
In the Face of Adversity explores the dynamics of translating texts that articulate particular notions of adverse circumstances. The chapters illustrate how literary records of often painful experiences and dissenting voices are at risk of being stripped of their authenticity when not carefully handled by the translator; how cultural moments in which the translation of a text that would have otherwise fallen into oblivion instead gave rise to a translator who enabled its preservation while ultimately coming into their own as an author as a result; and how the difficulties the translator faces in intercultural or transnational constellations in which prejudice plays a role endangers projects meant to facilitate mutual understanding. The authors address translation as a project of making available and preserving a corpus of texts that would otherwise be in danger of becoming censored, misperceived or ignored. They look at translation and adaptation as a project of curating textual models of personal, communal or collective perseverance, and they offer insights into the dynamics of cultural inclusion and exclusion through a series of theoretical frameworks, as well as through a set of concrete case studies drawn from different cultural and historical contexts. The collection also explores some of the venues that artists have pursued by transferring artistic expressions from one medium into another in order to preserve and disseminate important experiences in different cultural settings, media and arts.
Author: Rob Latham
Publisher:
ISBN: 0199838844
Category : Comics & Graphic Novels
Languages : en
Pages : 641
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Book Description
The Oxford Handbook of Science Fiction attempts to descry the historical and cultural contours of SF in the wake of technoculture studies. Rather than treating the genre as an isolated aesthetic formation, it examines SF's many lines of cross-pollination with technocultural realities since its inception in the nineteenth century, showing how SF's unique history and subcultural identity has been constructed in ongoing dialogue with popular discourses of science and technology. The volume consists of four broadly themed sections, each divided into eleven chapters. Section I, "Science Fiction as Genre," considers the internal history of SF literature, examining its characteristic aesthetic and ideological modalities, its animating social and commercial institutions, and its relationship to other fantastic genres. Section II, "Science Fiction as Medium," presents a more diverse and ramified understanding of what constitutes the field as a mode of artistic and pop-cultural expression, canvassing extra-literary manifestations of SF ranging from film and television to videogames and hypertext to music and theme parks. Section III, "Science Fiction as Culture," examines the genre in relation to cultural issues and contexts that have influenced it and been influenced by it in turn, the goal being to see how SF has helped to constitute and define important (sub)cultural groupings, social movements, and historical developments during the nineteenth, twentieth, and twenty-first centuries. Finally, Section IV, "Science Fiction as Worldview," explores SF as a mode of thought and its intersection with other philosophies and large-scale perspectives on the world, from the Enlightenment to the present day.
Author: Michael Ashley
Publisher:
ISBN: 1789621712
Category : Comics & Graphic Novels
Languages : en
Pages : 495
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Book Description
Fourth volume in Mike Ashley's acclaimed set on the history of science-fiction magazines. This volume looks at the 1980s.
Author: Peter J. Bowler
Publisher: Cambridge University Press
ISBN: 1108547540
Category : Technology & Engineering
Languages : en
Pages : 307
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Book Description
In this wide-ranging survey, Peter J. Bowler explores the phenomenon of futurology: predictions about the future development and impact of science and technology on society and culture in the twentieth century. Utilising science fiction, popular science literature and the novels of the literary elite, Bowler highlights contested responses to the potential for revolutionary social change brought about by real and imagined scientific innovations. Charting the effect of social and military developments on attitudes towards innovation in Europe and America, Bowler shows how conflict between the enthusiasm of technocrats and the pessimism of their critics was presented to the public in books, magazines and exhibitions, and on the radio and television. A series of case studies reveals the impact of technologies such as radio, aviation, space exploration and genetics, exploring rivalries between innovators and the often unexpected outcome of their efforts to produce mechanisms and machines that could change the world.
