Author: Howard Jacobson
Publisher: Viking Adult
ISBN:
Category : Humor
Languages : en
Pages : 296
Book Description
An investigation of the origins of comedy and the meaning of laughter, drawing on biology, anthropology, classical studies, behavioural science, philosophy and psychology - with a few authorial jokes along the way.
Seriously Funny
Author: Howard Jacobson
Publisher: Viking Adult
ISBN:
Category : Humor
Languages : en
Pages : 296
Book Description
An investigation of the origins of comedy and the meaning of laughter, drawing on biology, anthropology, classical studies, behavioural science, philosophy and psychology - with a few authorial jokes along the way.
Publisher: Viking Adult
ISBN:
Category : Humor
Languages : en
Pages : 296
Book Description
An investigation of the origins of comedy and the meaning of laughter, drawing on biology, anthropology, classical studies, behavioural science, philosophy and psychology - with a few authorial jokes along the way.
The Art of the Ridiculous Sublime
Author: Slavoj Žižek
Publisher:
ISBN:
Category : Lost highway (Motion picture)
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Lost highway (Motion picture)
Languages : en
Pages : 72
Book Description
A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful
Author: Edmund Burke
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 326
Book Description
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 326
Book Description
What Have You Done?
Author: Louis Zorich
Publisher: Hal Leonard Corporation
ISBN: 9780879103651
Category : Performing Arts
Languages : en
Pages : 288
Book Description
"All actors, and many other performers, have one experience in common - the audition. This process is often a dreaded, nerve-wracking trial by fire, but it is also a source of many a great story. What Have You Done? is a treasure trove of such stories." "With hundreds of anecdotes from and about the illustrious and the anonymous, Louis Zorich brings us up on stage, into the producer's office, onto the casting couch - and, frequently, through the exit door - to share how a brief few moments can seem like an eternity, and how individual triumphs and failures reveal the enduring spirit of the performer. Included are stories about Robert De Niro, Madonna, Oprah Winfrey, Renee Zellweger, Barbra Streisand, James Dean, Will Ferrell, Nathan Lane, and many more." --Book Jacket.
Publisher: Hal Leonard Corporation
ISBN: 9780879103651
Category : Performing Arts
Languages : en
Pages : 288
Book Description
"All actors, and many other performers, have one experience in common - the audition. This process is often a dreaded, nerve-wracking trial by fire, but it is also a source of many a great story. What Have You Done? is a treasure trove of such stories." "With hundreds of anecdotes from and about the illustrious and the anonymous, Louis Zorich brings us up on stage, into the producer's office, onto the casting couch - and, frequently, through the exit door - to share how a brief few moments can seem like an eternity, and how individual triumphs and failures reveal the enduring spirit of the performer. Included are stories about Robert De Niro, Madonna, Oprah Winfrey, Renee Zellweger, Barbra Streisand, James Dean, Will Ferrell, Nathan Lane, and many more." --Book Jacket.
The Sublime in Antiquity
Author: James I. Porter
Publisher: Cambridge University Press
ISBN: 1107037476
Category : History
Languages : en
Pages : 713
Book Description
Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.
Publisher: Cambridge University Press
ISBN: 1107037476
Category : History
Languages : en
Pages : 713
Book Description
Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.
Antarctica
Author: Derek Mahon
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
The Abundance
Author: Annie Dillard
Publisher: HarperCollins
ISBN: 0062433016
Category : Literary Collections
Languages : en
Pages : 304
Book Description
Pulitzer Prize-Winning Author In recognition of her long and lauded career as a master essayist, a landmark collection including her most beloved pieces and some rarely seen work, rigorously curated by the author herself “Annie Dillard’s books are like comets, like celestial events that remind us that the reality we inhabit is itself a celestial event.”—Marilynne Robinson, Washington Post Book World “Annie Dillard is, was, and will always be the very best at describing the landscapes in which we find ourselves.”—Minneapolis Star Tribune “Annie Dillard is a writer of unusual range, generosity, and ambition. . . . Her prose is bracingly intelligent, lovely, and human. ”—Margot Livesey, Boston Globe “A writer who never seems tired, who has never plodded her way through a page or sentence, Dillard can only be enjoyed by a wide-awake reader,” warns Geoff Dyer in his introduction to this stellar collection. Carefully culled from her past work, The Abundance is quintessential Annie Dillard, delivered in her fierce and undeniably singular voice, filled with fascinating detail and metaphysical fact. The pieces within will exhilarate both admiring fans and a new generation of readers, having been “re-framed and re-hung,” with fresh editing and reordering by the author, to situate these now seminal works within her larger canon. The Abundance reminds us that Dillard’s brand of “novelized nonfiction” pioneered the form long before it came to be widely appreciated. Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through neighborhood streets, a teenager memorizes Rimbaud’s poetry—with beauty and irony, inviting readers onto sweeping landscapes, to join her in exploring the complexities of time and death, with a sense of humor: on one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar. Reminding us of the indelible contributions of this formative figure in contemporary nonfiction, The Abundance exquisitely showcases Annie Dillard’s enigmatic, enduring genius, as Dillard herself wishes it to be marked.
Publisher: HarperCollins
ISBN: 0062433016
Category : Literary Collections
Languages : en
Pages : 304
Book Description
Pulitzer Prize-Winning Author In recognition of her long and lauded career as a master essayist, a landmark collection including her most beloved pieces and some rarely seen work, rigorously curated by the author herself “Annie Dillard’s books are like comets, like celestial events that remind us that the reality we inhabit is itself a celestial event.”—Marilynne Robinson, Washington Post Book World “Annie Dillard is, was, and will always be the very best at describing the landscapes in which we find ourselves.”—Minneapolis Star Tribune “Annie Dillard is a writer of unusual range, generosity, and ambition. . . . Her prose is bracingly intelligent, lovely, and human. ”—Margot Livesey, Boston Globe “A writer who never seems tired, who has never plodded her way through a page or sentence, Dillard can only be enjoyed by a wide-awake reader,” warns Geoff Dyer in his introduction to this stellar collection. Carefully culled from her past work, The Abundance is quintessential Annie Dillard, delivered in her fierce and undeniably singular voice, filled with fascinating detail and metaphysical fact. The pieces within will exhilarate both admiring fans and a new generation of readers, having been “re-framed and re-hung,” with fresh editing and reordering by the author, to situate these now seminal works within her larger canon. The Abundance reminds us that Dillard’s brand of “novelized nonfiction” pioneered the form long before it came to be widely appreciated. Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through neighborhood streets, a teenager memorizes Rimbaud’s poetry—with beauty and irony, inviting readers onto sweeping landscapes, to join her in exploring the complexities of time and death, with a sense of humor: on one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar. Reminding us of the indelible contributions of this formative figure in contemporary nonfiction, The Abundance exquisitely showcases Annie Dillard’s enigmatic, enduring genius, as Dillard herself wishes it to be marked.
And I Quote, Revised Edition
Author: Ashton Applewhite
Publisher: Macmillan
ISBN: 9780312307448
Category : Language Arts & Disciplines
Languages : en
Pages : 552
Book Description
The popular guide to quotable quotes returns in a totally revised and updatededition including all-new material.
Publisher: Macmillan
ISBN: 9780312307448
Category : Language Arts & Disciplines
Languages : en
Pages : 552
Book Description
The popular guide to quotable quotes returns in a totally revised and updatededition including all-new material.
Observations on the Feeling of the Beautiful and Sublime
Author: Kant/Goldthwait
Publisher:
ISBN: 9780520352803
Category : PHILOSOPHY
Languages : en
Pages : 0
Book Description
When originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, Observations shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three Critiques.
Publisher:
ISBN: 9780520352803
Category : PHILOSOPHY
Languages : en
Pages : 0
Book Description
When originally published in 1960, this was the first complete English translation since 1799 of Kant's early work on aesthetics. More literary than philosophical, Observations shows Kant as a man of feeling rather than the dry thinker he often seemed to readers of the three Critiques.
The Modern Androgyne Imagination
Author: Lisa Rado
Publisher: University of Virginia Press
ISBN: 9780813919805
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
In the late nineteenth century, as changing cultural representations of gender roles and categories made differences between men and women increasingly difficult to define, theorists such as Havelock Ellis, Richard von Krafft-Ebing, and Sigmund Freud began to postulate a third, androgynous sex. For many modern artists, this challenge to familiar hierarchies of gender represented a crisis in artistic authority. Faced with the failure of the romantic muse and other two-sex tropes for the imagination, James Joyce, H. D., William Faulkner, Virginia Woolf, and other modernist writers of both sexes became attracted to a culturally specific notion of an androgynous imagination. In The Modern Androgyne Imagination, Lisa Rado explores the dynamic process through which these writers filled the imaginative space left by the departed muse. For Joyce, the androgynous imagination meant experimenting with the idea of a "new womanly man." H. D. personified her "overmind" as the androgynous Ray Bart. Faulkner supplanted the muse with the hermaphrodite. And Woolf became a kind of psychic transsexual. Although they selected these particular tropes for different reasons, literary men and women shared the desire to embody perceived strengths of both sexes and to transcend sexual and artistic limitation altogether. However, courting this androgynous imagination was a risky act. It often evoked the dynamics, even the specific vocabulary, of the sublime, which Rado characterizes as a perilous confrontation with and attempted identification between self and the transcendent other--that powerful, androgynous creative mind--through which they hoped to generate authority and find inspiration. This empowerment toward which Joyce, H. D., Faulkner, and Woolf gesture in texts such as Ulysses, HERmione, The Sound and the Fury, and Orlando is rarely achieved. Joyce and Faulkner were unable to silence their fears of feminization and the female body, while H. D. and Woolf remained troubled by the threat of ego incorporation and self-erasure that the androgynous model of the imagination portends. Still, their pursuit of new imaginative tropes yields important insights into the work of these writers and of literary modernism.
Publisher: University of Virginia Press
ISBN: 9780813919805
Category : Literary Criticism
Languages : en
Pages : 244
Book Description
In the late nineteenth century, as changing cultural representations of gender roles and categories made differences between men and women increasingly difficult to define, theorists such as Havelock Ellis, Richard von Krafft-Ebing, and Sigmund Freud began to postulate a third, androgynous sex. For many modern artists, this challenge to familiar hierarchies of gender represented a crisis in artistic authority. Faced with the failure of the romantic muse and other two-sex tropes for the imagination, James Joyce, H. D., William Faulkner, Virginia Woolf, and other modernist writers of both sexes became attracted to a culturally specific notion of an androgynous imagination. In The Modern Androgyne Imagination, Lisa Rado explores the dynamic process through which these writers filled the imaginative space left by the departed muse. For Joyce, the androgynous imagination meant experimenting with the idea of a "new womanly man." H. D. personified her "overmind" as the androgynous Ray Bart. Faulkner supplanted the muse with the hermaphrodite. And Woolf became a kind of psychic transsexual. Although they selected these particular tropes for different reasons, literary men and women shared the desire to embody perceived strengths of both sexes and to transcend sexual and artistic limitation altogether. However, courting this androgynous imagination was a risky act. It often evoked the dynamics, even the specific vocabulary, of the sublime, which Rado characterizes as a perilous confrontation with and attempted identification between self and the transcendent other--that powerful, androgynous creative mind--through which they hoped to generate authority and find inspiration. This empowerment toward which Joyce, H. D., Faulkner, and Woolf gesture in texts such as Ulysses, HERmione, The Sound and the Fury, and Orlando is rarely achieved. Joyce and Faulkner were unable to silence their fears of feminization and the female body, while H. D. and Woolf remained troubled by the threat of ego incorporation and self-erasure that the androgynous model of the imagination portends. Still, their pursuit of new imaginative tropes yields important insights into the work of these writers and of literary modernism.