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Author: Erik Irving Gray
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 208
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Book Description
"This subtle and meticulously discriminating study of the Victorians' Milton takes the critical debate on influence a stage further by exploring the paradox of Milton's powerful influence and invisible presence in Victorian culture."--Isobel Armstrong
Author: Erik Irving Gray
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 208
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Book Description
"This subtle and meticulously discriminating study of the Victorians' Milton takes the critical debate on influence a stage further by exploring the paradox of Milton's powerful influence and invisible presence in Victorian culture."--Isobel Armstrong
Author: Francis Fisher Browne
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 540
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Book Description
Author: Marissa Greenberg
Publisher: Northwestern University Press
ISBN: 0810147416
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
A collection of innovative examinations of embodiment in Milton’s oeuvre that challenge assumptions about disciplinary boundaries This volume brings unprecedented focus to the forms, spaces, and implications of embodied motion in Milton’s writing and its afterlives to explore how and why he privileges the body—human and textual—as a site of dynamic movement. The contributors bring a variety of lenses to Milton’s moving bodies: political history, kinematics, mathematics, cosmology, translation, illustration, anatomies of racialized and disabled bodies, and twenty-first-century pedagogies. From these wide-ranging vantage points, they consider anew Milton’s contributions to the histories of scientific development, global exploration and imperial expansion, migration and diaspora, and translation and adaptation in England, Europe, and the Americas, from the early modern period to today. Milton’s Moving Bodies draws together established and emerging scholars, offering fresh analyses of the poet’s legacy for multiple traditions within and beyond Milton studies.
Author: Phillip Rittenhause Clugston
Publisher:
ISBN:
Category :
Languages : en
Pages : 638
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Book Description
Author: Alfred Tennyson
Publisher:
ISBN:
Category :
Languages : en
Pages : 191
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Book Description
Author: Catherine Maxwell
Publisher: Manchester University Press
ISBN: 9780719057526
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
This innovative study of vision, gender and poetry traces Milton's mark on Shelley, Tennyson, Browning and Swinburne to show how the lyric male poet achieves vision at the cost of symbolic blindness and feminisation. Drawing together a wide range of concerns including the use of myth, the gender of the sublime, the lyric fragment, and the relation of pain to creativity, this book is a major re-evaluation of the male poet and the making of the English poetic tradition.The female sublime from Milton to Swinburne examines the feminisation of the post-Miltonic male poet, not through cultural history, but through a series of mythic or classical figures which include Philomela, Orpheus and Sappho. It recovers a disfiguring sublime imagined as an aggressive female force which feminises the male poet in an act that simultaneously deprives and energises him. This book will be required reading for anyone with a serious interest in the English poetic tradition and Victorian poetry.
Author: James Francis Augustin Pyre
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
Author: R. H. Winnick
Publisher: Open Book Publishers
ISBN: 1783746645
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
In Tennyson’s Poems: New Textual Parallels, R. H. Winnick identifies more than a thousand previously unknown instances in which Tennyson phrases of two or three to as many as several words are similar or identical to those occurring in prior works by other hands—discoveries aided by the proliferation of digitized texts and the related development of powerful search tools over the three decades since the most recent major edition of Tennyson’s poems was published. Each of these instances may be deemed an allusion (meant to be recognized as such and pointing, for definable purposes, to a particular antecedent text), an echo (conscious or not, deliberate or not, meant to be noticed or not, meaningful or not), or merely accidental. Unless accidental, Winnick writes, these new textual parallels significantly expand our knowledge both of Tennyson’s reading and of his thematic intentions and artistic technique. Coupled with the thousand-plus textual parallels previously reported by Christopher Ricks and other scholars, he says, they suggest that a fundamental and lifelong aspect of Tennyson’s art was his habit of echoing any work, ancient or modern, which had the potential to enhance the resonance or deepen the meaning of his poems. The new textual parallels Winnick has identified point most often to the King James Bible and to such canonical authors as Shakespeare, Milton, Dryden, Pope, Thomson, Cowper, Shelley, Byron, and Wordsworth. But they also point to many authors rarely if ever previously cited in Tennyson editions and studies, including Michael Drayton, Richard Blackmore, Isaac Watts, Erasmus Darwin, John Ogilvie, Anna Lætitia Barbauld, Letitia Elizabeth Landon, John Wilson, and—with surprising frequency—Felicia Hemans. Tennyson’s Poems: New Textual Parallels is thus a major new resource for Tennyson scholars and students, an indispensable adjunct to the 1987 edition of Tennyson’s complete poems edited by Christopher Ricks.
Author: University of California, Berkeley
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 196
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Book Description
Author: Alan Hollinghurst
Publisher: Bloomsbury Publishing USA
ISBN: 1596910038
Category : Fiction
Languages : en
Pages : 450
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Book Description
Obsessed with one of his pupils, teacher Edward Manners becomes embroiled in affairs with two other men, but only after discovering the life and work of Symbolist painter Edgard Orst does he come to understand the implications of obsession. Reprint.
