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Author: G.W. Bowersock
Publisher: Oxford University Press
ISBN: 0190452080
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
For several decades G. W. Bowersock has been one of our leading historians of the classical world. This volume collects seventeen of his essays, each illustrating how the classical past has captured the imagination of some of the greatest figures in modern historiography and literature. The essays here range across three centuries, the eighteenth to the twentieth, and are divided chronologically. The great Enlightenment historian Edward Gibbon is in large part the unifying force of this collection as he appears prominently in the first four essays, beginning with Bowersock's engaging introduction to the methods and genius behind The Decline and Fall of the Roman Empire. Gibbon's profound influence is revealed in subsequent essays on Jacob Burckhardt, the nineteenth-century scholar famous for his history of the Italian Renaissance but whose work on late antiquity is only now being fully appreciated; the modern Greek poet Constantine Cavafy, whose annotations on Gibbon's Decline and Fall tell us much about his own historical poems; and finally W. H. Auden, whose poem and little known essay "The Fall of Rome" were, in quirky ways, tributes to Gibbon. The collection reprints Auden's poem and essay in full. The result is a rich survey of the early modern and modern uses of the classical past by one of its most important contemporary commentators.
Author: G.W. Bowersock
Publisher: Oxford University Press
ISBN: 0190452080
Category : Literary Criticism
Languages : en
Pages : 256
Get Book Here
Book Description
For several decades G. W. Bowersock has been one of our leading historians of the classical world. This volume collects seventeen of his essays, each illustrating how the classical past has captured the imagination of some of the greatest figures in modern historiography and literature. The essays here range across three centuries, the eighteenth to the twentieth, and are divided chronologically. The great Enlightenment historian Edward Gibbon is in large part the unifying force of this collection as he appears prominently in the first four essays, beginning with Bowersock's engaging introduction to the methods and genius behind The Decline and Fall of the Roman Empire. Gibbon's profound influence is revealed in subsequent essays on Jacob Burckhardt, the nineteenth-century scholar famous for his history of the Italian Renaissance but whose work on late antiquity is only now being fully appreciated; the modern Greek poet Constantine Cavafy, whose annotations on Gibbon's Decline and Fall tell us much about his own historical poems; and finally W. H. Auden, whose poem and little known essay "The Fall of Rome" were, in quirky ways, tributes to Gibbon. The collection reprints Auden's poem and essay in full. The result is a rich survey of the early modern and modern uses of the classical past by one of its most important contemporary commentators.
Author: Hugh Liebert
Publisher: Penn State Press
ISBN: 0271092424
Category : History
Languages : en
Pages : 256
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Book Description
There has never been much doubt about the faith of the “infidel historian” Edward Gibbon. But for all of Gibbon’s skepticism regarding Christianity’s central doctrines, the author of The History of the Decline and Fall of the Roman Empire did not merely seek to oppose Christianity; he confronted it as a philosophical and historical puzzle. Gibbon’s Christianity tallies the results and conditions of that confrontation. Using rich correspondence, private journals, early works, and memoirs that were never completed, Hugh Liebert provides intimate access to Gibbon’s life in order to better understand his complex relationship with religion. Approaching the Decline and Fall from the context surrounding its conception, Liebert shows how Gibbon adapted explanations of the Roman republic’s rise to account for a new spiritual republic and, subsequently, the rise of modern Europe. Taken together, Liebert’s analysis of this context, including the nuance of Gibbon’s relationship to Christianity, and his readings of Gibbon’s better- and lesser-known texts suggest a historian more eager to comprehend Christianity’s worldly power than to sneer at or dismiss it. Eminently readable and wholly accessible to anyone interested in or familiar with the Decline and Fall, this groundbreaking reassessment of Gibbon’s most famous work will appeal especially to scholars of eighteenth-century studies.
Author: Penelope J. Goodman
Publisher: Cambridge University Press
ISBN: 1108542751
Category : History
Languages : en
Pages : 436
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Book Description
The bimillennium of Augustus' death on 19 August 2014 commemorated not only the end of his life but also the beginning of a two-thousand-year reception history. This volume addresses the range and breadth of that history. Beginning with the Emperor's death and continuing through Late Antiquity, Early Christianity, the Middle Ages, the Renaissance and early modernity to the present day, chapters address political positioning, religious mythologisation, philosophy, rhetoric, narratives, memory, and material embodiment. As they collectively reveal, Augustus has meant radically different things from one time and place to another, and even to some individual commentators as the circumstances around them changed. The weight of established narratives has often also shaped those of subsequent generations, with or without their conscious awareness. The book outlines and analyses the major themes in Augustus' reception history, clarifying the cultural and historiographical issues at stake and providing a platform for further scholarship.
Author: Scott McGill
Publisher: John Wiley & Sons
ISBN: 1118830369
Category : Literary Criticism
Languages : en
Pages : 701
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Book Description
Noted scholars in the field explore the rich variety of late antique literature With contributions from leading scholars in the field, A Companion to Late Antique Literature presents a broad review of late antique literature. The late antique period encompasses a significant transitional era in literary history from the mid-third century to the early seventh century. The Companion covers notable Greek and Latin texts of the period and provides a varied overview of literature written in six other late antique languages. Comprehensive in scope, this important volume presents new research, methodologies, and significant debates in the field. The Companion explores the histories, forms, features, audiences, and uses of the literature of the period. This authoritative text: Provides an inclusive overview of late antique literature Offers the widest survey to date of the literary traditions and forms of the period, including those in several languages other than Greek and Latin Presents the most current research and new methodologies in the field Contains contributions from an international group of contributors Written for students and scholars of late antiquity, this comprehensive volume provides an authoritative review of the literature from the era.
Author: Jasmine Hunter Evans
Publisher: Oxford University Press
ISBN: 0192638599
Category : Literary Criticism
Languages : en
Pages : 421
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Book Description
This interdisciplinary and archival study explores the reception of ancient Rome in the artistic, literary, and philosophical works of David Jones (1895-1974)—the Anglo-Welsh, Roman Catholic, First World War veteran. For Jones, the twentieth century was a period of crisis, an age of conflict, disillusionment and cultural decay, all of which he saw as evidence of the decline of Western civilisation. Across his lifetime, Jones would create a dynamic vision of ancient Rome in an attempt both to understand and to challenge this situation. His reimagining of Rome was not founded on a classical education. Instead, it was fashioned from his lived experience, extensive reading, and—most importantly—his engagement with four areas of contemporary discourse that were themselves built upon intricate and conflicting representations of Rome: British political rhetoric, cyclical history, the Catholic cultural revival, and the Welsh nationalist movement. Tracing Jones's developing approach to Rome across these contexts can provide a way into his art and thought. Whether in his poetic fragments, watercolours, essays, letters, marginalia or unique painted inscriptions, Jones strove to question, complicate and remake Rome's relationship with modernity. In this way, Rome appears in Jones's works both as a symbol of transhistorical imperialism, totalitarianism, and the mechanisation of life, and simultaneously as the cultural and religious progenitor of the West, and in particular, of Wales, with which artists must creatively reconnect if decline was to be avoided.
Author:
Publisher: UPNE
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: Omer Michaelis
Publisher: BRILL
ISBN: 9004682457
Category : History
Languages : en
Pages : 641
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Book Description
Religious and Intellectual Diversity in the Islamicate World and Beyond is a collection of essays in honor of Sarah Stroumsa, an eminent scholar who through the years has embodied and advanced the possibility of collaboration across borders. The volume is presented to her by scholars working on the study of the intellectual history of the Middle Ages, the intercultural contact and migration of knowledge in the Islamic world, and many other topics. Contributors: Binyamin Abrahamov, Camilla Adang, Anna Ayse Akasoy, Aleida Assmann, Jan Assmann, Meir M. Bar-Asher, José Bellver, Menachem Ben-Sasson, Haggai Ben-Shammai, Glen W. Bowersock, Rémi Brague, Godefroid de Callataÿ, Jonathan Decter, Michael Ebstein, Hussein Fancy, Carlos Fraenkel, Gil Gambash, Robert Gleave, Miriam Goldstein, Frank Griffel, Jaakko Hämeen Anttila, Steven Harvey, Warren Zev Harvey, Meir Hatina, Geoffrey Khan, Gudrun Krämer, Ehud Krinis, Y. Tzvi Langermann, Daniel J. Lasker, Reimund Leicht, Gideon Libson, Menachem Lorberbaum, Maria Mavroudi, Jon McGinnis, Omer Michaelis, Yonatan Moss, David Nirenberg, Sari Nusseibeh, Olaf Pluta, Meira Polliack, James T. Robinson, Marina Rustow, Sabine Schmidtke, Gregor Schwarb, Ahmed El Shamsy, Mark Silk, Uriel Simonsohn, Daniel De Smet, Josef Stern, Guy G. Stroumsa, Sara Sviri, Alexander Treiger, Roy Vilozny, Ronny Vollandt, Elvira Wakelnig, Paul E. Walker, David J. Wasserstein, Tanja Werthmann, Dong Xiuyuan, Arye Zoref.
Author: Tristan Power
Publisher: OUP Oxford
ISBN: 0191018015
Category : History
Languages : en
Pages : 351
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Book Description
The biographer Suetonius is one of the most fascinating writers of ancient Rome, but he is rarely afforded serious critical attention. This volume of new essays focuses on the various aspects of Suetonius' work, from his lost writing on Roman courtesans to his imperial portraits of the Caesars. Beginning with an introduction that assesses the originality of Suetonius as a writer and situates the essays within the context of debates and controversies over his biographical form, the collection addresses the issues surrounding his style, themes, and early influence on literature in three parts. The first part discusses formal features of Suetonian biography, such as his literary techniques, manners of citation and quotation, and devices of allusion and closure. The middle section is devoted to readings of the individual Lives, treating several topics - from Suetonius' decision to begin his collection with Julius Caesar, to fictional elements in his death scene of the emperor Caligula, to the theme of solitude in his Life of Domitian. The last part examines the ways in which Suetonius transgresses the boundaries of ancient biography by looking at his influence on epistolographers, antiquarians, commentators, and later biographers. This volume is essential reading for anyone who wants to know why Suetonius' Lives are such a unique and powerful medium for the stories of ancient Rome, and how they became the primary model for later biography.
Author: Keith Bradley
Publisher: University of Toronto Press
ISBN: 1487548893
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
Marguerite Yourcenar is best known as the author of the 1951 novel Mémoires d’Hadrien, her recreation of the life of the Roman emperor Hadrian. The work can be examined from the perspective of the issues raised by writing Roman imperial biography at large and the many ways in which Mémoires has a claim to historical authenticity. In Marguerite Yourcenar’s Hadrian, Keith Bradley explains how Mémoires d’Hadrien came to be written, gives details of Yourcenar’s own biography, and describes some of the intricate historical problems that her novel’s portrait of Hadrian presents. He draws on Yourcenar’s correspondence, her interviews with journalists, and her literary corpus as a whole, emphasizing Yourcenar’s profound knowledge of the ancient evidence on which her life of Hadrian is based and exploiting a wide range of contemporary Yourcenarian criticism. The book pays special attention to the methods by which Yourcenar believed Hadrian’s life history to be recoverable, compares examples of modern life-writing, and contrasts the procedures of conventional Roman biographers. Revealing how and why Mémoires d’Hadrien is as it is, Marguerite Yourcenar’s Hadrian illustrates how imaginative literary recreation is often little different from historical speculation.
Author: Peter Jeffreys
Publisher: Cornell University Press
ISBN: 1501701258
Category : Art
Languages : en
Pages : 272
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Book Description
During his sojourn in England during the 1870s, a young Cavafy found himself enthralled by the aesthetic movement of cosmopolitan London. It was during these years that he encountered the canvases and personalities of Pre-Raphaelite painters, including Burne-Jones and Whistler, as well as works of aesthetic writers who were effecting a revolution in British literary culture and channeling influences from France that would gradually coalesce into an international decadent movement. In Reframing Decadence, Peter Jeffreys returns us to this critical period of Cavafy’s life, showing the poet’s creative indebtedness to British and French avant-garde aesthetes whose collective impact on his poetry proved to be profound. In the process, Jeffreys offers a critical reappraisal of Cavafy’s relation to Victorian aestheticism and French literary decadence. Foremost among the tropes of decadence that captivated Cavafy were the decline of imperial Rome, the rise of Christianity, and the lingering twilight of Byzantium. The influence of Walter Pater on Cavafy’s view of classical and late-antique history was immense, inflected as it was with an unapologetic homoerotic aesthetic that Cavafy would adopt as his own, making Pater’s imaginary portraits an important touchstone for his own historicizing poetry. Cavafy would move beyond Pater to explore a more openly homoerotic sensuality but he never quite abandoned this rich Victorian legacy, one that contributed greatly to his emergence as a global poet. Jeffreys concludes by considering Cavafy’s current popularity as a gay poet and his curious relation to kitsch as manifest in his ongoing popularity via translation and visual media.
