A Manual of Marks on Pottery and Porcelain PDF Download
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Author: William Harcourt Hooper
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 256
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Book Description
Author: William Harcourt Hooper
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 256
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Book Description
Author: Henri Frantz
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 342
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Book Description
Author: Henri Frantz
Publisher:
ISBN: 9781332129768
Category : Art
Languages : en
Pages : 334
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Book Description
Excerpt from French Pottery and Porcelain Sevres; Various Manufactories of Porcelain; Rouen; St. Cloud; Lille; Chantilly; Mennecy; Paris; Vincennes; Sceaux; Orleans; Strasburg; Limoges; Bordeaux; Arras; Valenciennes; List of Pieces of French Faience and Porcelain Sold Since 1882; Marks and Monograms on Faience and Porcelain; Useful Books of Reference; Index About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Author: Ernest Simon Auscher
Publisher:
ISBN:
Category : Porcelain
Languages : en
Pages : 420
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Elizabeth Ann Williams
Publisher:
ISBN: 9780875872155
Category : Faience
Languages : en
Pages : 0
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Book Description
The catalogue will emphasize the aesthetics of faience and soft-paste porcelain and also its functionality.
Author: Christine A. Jones
Publisher: Rutgers University Press
ISBN: 1644530740
Category : Art
Languages : en
Pages : 315
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Book Description
Shapely Bodies: The Image of Porcelain in Eighteenth-Century France constructs the first cultural history of porcelain making in France. It takes its title from two types of “bodies” treated in this study: the craft of porcelain making shaped clods of earth into a clay body to produce high-end commodities and the French elite shaped human bodies into social subjects with the help of makeup, stylish patterns, and accessories. These practices crossed paths in the work of artisans, whose luxury objects reflected and also influenced the curves of fashion in the eighteenth century. French artisans began trials to reproduce fine Chinese porcelain in the 1660s. The challenge proved impossible until they found an essential ingredient, kaolin, in French soil in the 1760s. Shapely Bodies differs from other studies of French porcelain in that it does not begin in the 1760s at the Sèvres manufactory when it became technically possible to produce fine porcelain in France, but instead ends there. Without the secret of Chinese porcelain, artisans in France turned to radical forms of experimentation. Over the first half of the eighteenth century, they invented artificial alternatives to Chinese porcelain, decorated them with French style, and, with equal determination, shaped an identity for their new trade that distanced it from traditional guild-crafts and aligned it with scientific invention. The back story of porcelain making before kaolin provides a fascinating glimpse into the world of artisanal innovation and cultural mythmaking. To write artificial porcelain into a history of “real” porcelain dominated by China, Japan, and Meissen in Saxony, French porcelainiers learned to describe their new commodity in language that tapped into national pride and the mythic power of French savoir faire. Artificial porcelain cut such a fashionable image that by the mid-eighteenth century, Louis XV appropriated it for the glory of the crown. When the monarchy ended, revolutionaries reclaimed French porcelain, the fruit of a century of artisanal labor, for the Republic. Tracking how the porcelain arts were depicted in documents and visual arts during one hundred years of experimentation, Shapely Bodies reveals the politics behind the making of French porcelain’s image. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Henri Frantz
Publisher:
ISBN:
Category :
Languages : en
Pages : 177
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Book Description
Author: Christopher Maxwell
Publisher: Victoria & Albert Museum
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Throughout the eighteenth century, France was a place of intense scientific enquiry and innovative research. One of the most exciting discoveries of the period was the successful manufacture of porcelain. Known as 'white gold', porcelain was produced for use in all aspects of fashionable public and private life; from banquets to boudoirs, from tea drinking to the toilette. Of all the factories in France, the most renowned was the Royal Porcelain Manufacture at Sevres. The protection of Louis XV and the patronage of his mistress, Madame de Pompadour, drew to Sevres the best alchemists, designers and artists in Europe. The porcelain they produced was unequalled in quality, design and decoration. French Porcelain explores this extraordinary period through the V+A's own superb collection.
Author: Paul Arthur
Publisher: Editions Norma
ISBN: 9782915542653
Category : Art pottery, French
Languages : en
Pages : 0
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Book Description
"L'art nouveau, an artistic movement of a highly eclectic nature that developed in the late 19th century, took its lead from such diverse sources as Japanese art or the medieval revivalism of the Arts and Crafts. Perhaps in no medium was it better represented than in pottery, whose technical possibilities allowed for great freedom of expression. This richly illustrated dictionary, with glossary and select signatures, lists over 1,100 artists, ceramists and firms that participated in the creation of Art Nouveau ceramics in France, the melting pot of die new aesthetic."--Page 4 of cover.
