French Lithography : the Restoration Salons 1817-1824 PDF Download
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Author: W. McAllister Johnson
Publisher:
ISBN:
Category : Lithographers
Languages : en
Pages : 232
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Book Description
Author: W. McAllister Johnson
Publisher:
ISBN:
Category : Lithographers
Languages : en
Pages : 232
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Book Description
Author: W. McAllister Johnson
Publisher: Kingston, Ont. : Agnes Etherington Art Centre
ISBN:
Category : Lithographs, French Exhibitions
Languages : en
Pages : 244
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Book Description
Author: William McAllister Johnson
Publisher:
ISBN:
Category : Lithography
Languages : en
Pages : 0
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Book Description
Author: Barbara Ann Day-Hickman
Publisher: University of Delaware Press
ISBN: 9780874136159
Category : Art
Languages : en
Pages : 198
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Book Description
Scholars have long debated the mysterious popularity of the Napoleonic Legend, from the emperor's final defeat in 1815 to the astounding electoral victory of his nephew, Louis-Napoleon Bonaparte, in the presidential elections of 1848. In this book, the author demonstrates how broadsheet illustrations about Napoleon Bonaparte helped shape popular support in regional France for the "new" Bonaparte elected in 1848. Nicholas Pellerin, an avowed republican, and Pierre-Germain Vadet, a veteran of the Imperial wars and staunch bonapartist, promoted representations of Napoleon to criticize and undermine the political status quo. The author reveals how the Pellerin broadsheets about Napoleon sustained anti-Bourbon, anti-Orleanist sentiments during the several decades preceding the revolution of 1848.
Author: Ian Coller
Publisher: Univ of California Press
ISBN: 0520260643
Category : History
Languages : en
Pages : 302
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Book Description
"Ian Coller's fascinating book explores the making of modern France during the Napoleonic period and under the Restoration 'from the outside inward'. He examines the life of Arab migrants in France: their role as outsiders, and victims, but also as participants in the creation of the modern nation and its empire. In the process he also throws much light on the history of the contemporary Arab Middle East and North Africa."—C.A. Bayly, University of Cambridge
Author: Patricia Mainardi
Publisher: Yale University Press
ISBN: 0300223781
Category : Design
Languages : en
Pages : 305
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Book Description
The remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. Another World unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history.
Author: Daniel Harkett
Publisher: Dartmouth College Press
ISBN: 1512600431
Category : Art
Languages : en
Pages : 322
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Book Description
This collection reconsiders the life and work of Emile Jean-Horace Vernet (1789-1863), presenting him as a crucial figure for understanding the visual culture of modernity. The book includes work by senior and emerging scholars, showing that Vernet was a multifaceted artist who moved with ease across the thresholds of genre and media to cultivate an image of himself as the embodiment of modern France. In tune with his times, skilled at using modern technologies of visual reproduction to advance his reputation, Vernet appealed to patrons from across the political spectrum and made works that nineteenth-century audiences adored. Even Baudelaire, who reviled Vernet and his art and whose judgment has played a significant role in consigning Vernet to art-historical obscurity, acknowledged that the artist was the most complete representative of his age. For those with an interest in the intersection of art and modern media, politics, imperialism, and fashion, the essays in this volume offer a rich reward.
Author: Nicholas Green
Publisher: Manchester University Press
ISBN: 9780719039096
Category : Art and society
Languages : en
Pages : 252
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Book Description
Explores the perception of nature in early 19th-century France. The book centres on a discussion of subjectivity and class and the way in which the process of looking at the countryside reinforced the identity of the metropolitan bourgeoisie - and especially men.
Author: Albert Alhadeff
Publisher: Routledge
ISBN: 1000036995
Category : Art
Languages : en
Pages : 211
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Book Description
This book examines Théodore Géricault’s images of black men, women and children who suffered slavery’s trans-Atlantic passage in the late eighteenth and early nineteenth centuries, including his 1819 painting The Raft of the Medusa. The book focuses on Géricault’s depiction of black people, his approach towards slavery, and the voices that advanced or denigrated them. By turning to documents, essays and critiques, both before and after Waterloo (1815), and, most importantly, Géricault’s own oeuvre, this study explores the fetters of slavery that Gericault challenged—alongside a growing number of abolitionists—overtly or covertly. This book will be of interest to scholars in art history, race and ethnic studies and students of modernism.
Author: David Skuy
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773524576
Category : History
Languages : en
Pages : 316
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Book Description
Annotation An in-depth examination of the event that precipitated the complete domination of Restoration politics by the Royalists and ultimately convinced millions of French citizens to support Louis XVIII and the Bourbon monarchy. On 13 February 1820 the Duke of Berry, the only Bourbon prince capable of siring an heir, was assassinated. Seven months later the Duchess of Berry gave birth to a boy, the Duke of Bordeaux, and the Bourbon lineage was saved. The boy was immediately nicknamed "the miracle child." The Duke's assassination and the birth of his son gave rise to the Royalist Reaction of 1820, a ten-month period that forever altered France's political landscape. This remarkable story provides the backdrop for David Skuy's analysis of the Royalist Reaction and its place in the history of the French Restoration. Skuy argues that the Royalist Reaction was the product of two divergent forces: historical echoes of the French Revolution and the Napoleonic Empire and the psychological consequences of the assassination, and the miracle child. Skuy discusses Restoration political theory and the development of modern political parties. He follows the strategems of anti-royalist extremists plotting to overthrow the Bourbon regime, and details the complexities and intrigues that characterized the royal court and parliament. Skuy reveals how the assassination and the birth of the miracle child triggered a popular Royalist Reaction that changed millions of French citizens from passive observers into ardent royalists.
