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Author:
Publisher: BRILL
ISBN: 9004485651
Category : Social Science
Languages : en
Pages : 337
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Book Description
Arising from the activities of the Centre for Seventeenth-Century French Theatre, this volume proposes a selection of eighteen essays by internationally renowned scholars aimed at all those who value and work with the theatre of seventeenth-century France, whether in teaching, research or performance. Frequently seeking out the interfaces of these areas, the essays cover historiography (including that of opera), the theory and practice of textual editing, visualizing – in terms of both theatre architecture and the significance of playtext illustration - , approaches to study and research (including the most recent applications of computer technology), and performance studies which relate the classical canon to contemporary French and other cultures. Always suggesting new directions, challenging the epistemological bases of the very concept of French classical theatre, the essays provide a snapshot of scholarship in the field at the dawn of a new millennium, and offer an ideal opportunity to reassess its past whilst looking to its future.
Author:
Publisher: BRILL
ISBN: 9004485651
Category : Social Science
Languages : en
Pages : 337
Get Book Here
Book Description
Arising from the activities of the Centre for Seventeenth-Century French Theatre, this volume proposes a selection of eighteen essays by internationally renowned scholars aimed at all those who value and work with the theatre of seventeenth-century France, whether in teaching, research or performance. Frequently seeking out the interfaces of these areas, the essays cover historiography (including that of opera), the theory and practice of textual editing, visualizing – in terms of both theatre architecture and the significance of playtext illustration - , approaches to study and research (including the most recent applications of computer technology), and performance studies which relate the classical canon to contemporary French and other cultures. Always suggesting new directions, challenging the epistemological bases of the very concept of French classical theatre, the essays provide a snapshot of scholarship in the field at the dawn of a new millennium, and offer an ideal opportunity to reassess its past whilst looking to its future.
Author: Edward Forman
Publisher: Scarecrow Press
ISBN: 0810874512
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
The term "French theater" evokes most immediately the glories of the classical period and the peculiarities of the Theater of the Absurd. It has given us the works of Corneille, Racine, and Moliere. In the Romantic era there was Alexander Dumas and surrealist works of Alfred Jarry, and then the Theater of the Absurd erupted in rationalistic France with Samuel Beckett, Eugene Ionesco, and Jean-Paul Sartre. The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.
Author: Freeman G. Henry
Publisher: Rodopi
ISBN: 9789042013193
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
From the contents: R. Howard BLOCH: Eneas before the walls of Carthage: the beginnings of the city and romance in the suburbs. - Richard l. REGOSIN: Language and nation in 16th-Century France: the Arts poetiques. - Zahi ZALLOUA: Reading the Essais: Where does the critic begin? - Louise K. HOROWITZ: Honore d'Urfe: Bellwether beginnings. - Leonard HINDS: Paratext and framing narrative: techniques of skepticism in Le parasite mormon."
Author: Mary Reilly
Publisher: Peter Lang
ISBN: 9783039102860
Category : Drama
Languages : en
Pages : 144
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Book Description
What is the nature of power in Racinian tragedy? This study looks beyond the conventional pageant of political power in the plays by exploring tensions inherent in the very concept of power, with each chapter elucidating how Racine's power relationships are concentrated in the question of language.
Author: Richard Bales
Publisher: Peter Lang
ISBN: 9783039102952
Category : Language Arts & Disciplines
Languages : en
Pages : 252
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Book Description
In celebrating the academic career and practice of a distinguished scholar of French literature, this volume concentrates on one of Peter Broome's major preoccupations and attainments: translation. Eschewing a dogmatic, theoretical approach, the contributors (former colleagues and students) tackle four rich areas of study: modern anglophone poets' reactions to, and translations of, authors with whom they have closely identified (Racine, the Symbolists, Saint-John Perse, Valéry); problematics of translating specific poets of recent centuries (Rimbaud, Mallarmé, Valéry, Césaire, some contemporary poets); reception and interaction in two foreign countries (Australia, Spain); and a more fluid interpretation of translation, moving the notion across into wider realms of literary expression (Mallarmé, Proust, Assia Djebar). A focalising feature, punctuating the volume, are Peter Broome's own translations of hitherto unpublished poems by five major contemporary French writers: Jean-Paul Auxeméry, Marie-Claire Bancquart, Louise Herlin, Vénus Khoury-Ghata and Jean-Charles Vegliante. The book thus intertwines theory and practice in a non-prescriptive manner which invites further elaboration and analysis.
Author: R. Darren Gobert
Publisher: Stanford University Press
ISBN: 080478826X
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
Descartes's notion of subjectivity changed the way characters would be written, performed by actors, and received by audiences. His coordinate system reshaped how theatrical space would be conceived and built. His theory of the passions revolutionized our understanding of the emotional exchange between spectacle and spectators. Yet theater scholars have not seen Descartes's transformational impact on theater history. Nor have philosophers looked to this history to understand his reception and impact. After Descartes, playwrights put Cartesian characters on the stage and thematized their rational workings. Actors adapted their performances to account for new models of subjectivity and physiology. Critics theorized the theater's emotional and ethical benefits in Cartesian terms. Architects fostered these benefits by altering their designs. The Mind-Body Stage provides a dazzlingly original picture of one of the most consequential and confusing periods in the histories of modern theater and philosophy. Interdisciplinary and comparatist in scope, it uses methodological techniques from literary study, philosophy, theater history, and performance studies and draws on scores of documents (including letters, libretti, religious jeremiads, aesthetic treatises, and architectural plans) from several countries.
Author: Robert Henke
Publisher: Routledge
ISBN: 1351938320
Category : Performing Arts
Languages : en
Pages : 815
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Book Description
This volume presents foundational and representative essays of the last half century on theatre performance practice during the period 1580 to 1750. The particular focus is on the nature of playing spaces, staging, acting and audience response in professional theatre and the selection of previously published research articles and book chapters includes significant works on topics such as Shakespearean staging, French and Spanish theatre audiences, the challenging aspects of the evolution of Italian renaissance acting practice, and the ’hidden’ dimensions of performance. The essays provide coherent transnational coverage as well as detailed treatments of their individual topics. Considerations of theatre practice in Italy, Spain and France, as well as England, place Shakespeare’s theatre in its European context to reveal surprising commonalities and salient differences in the performance practice of early modern Europe’s major professional theatres. This volume is an indispensable reference work for university libraries, lecturers, researchers and practitioners and offers a coherent overview of early modern comparative performance practice, and a deeper understanding of the field’s major topics and developments.
Author: Annie Sparks
Publisher: Bloomsbury Publishing
ISBN: 1408148897
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
A invaluable survey of French theatre since 1968 Mise en Scène is a book in two parts. The first half is a probing look at French theatre now, providing an historical and critical survey of drama and theatre in France since 1968. It explores playwrights such as Samuel Beckett, Marguerite Duras, Michel Vinaver and Bernard-Marie Koltès and directors of international reputation such as Peter Brook, Robert Wilson, Roger Planchon, Antoine Vitez, Patrice Chereau and Ariane Mnouchkine. The second part of Mise en Scène features a comprehensive listings guide to major theatre companies, insitutions, festivals, training schools and invaluable A-Z profiles of contemporary playwrights and directors from France.
Author: Roger Rees
Publisher: OUP Oxford
ISBN: 0191570095
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
This collection of sixteen articles, written by leading specialists in Classical and English literature, is an important contribution to the critical assessment of Ted Hughes, one of the most popular and controversial English poets of the late 20th century. The chapters are arranged broadly chronologically according to Hughes's publications, and deal with different aspects of his engagement with the culture and literature of ancient Greece and Rome, including translations, original works, classical thought, and ideologies in his drama and verse. Hughes is revealed as a leading figure in literary reception of the Classics in 20th century poetry, a sharply intelligent and sensitive reader of some of the world's foundational texts.
Author: Susan McCready
Publisher: Lexington Books
ISBN: 1498522793
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
Staging Francebetween the World Wars aims to establish the nature and significance of the modernist transformation of French theater between the world wars, and to elucidate the relationship between aesthetics and the cultural, economic, and political context of the period. Over the course of the 1920s and 30s, as the modernist directors elaborated a theatrical tradition redefined along new lines: more abstract, more fluid, and more open to interpretation, their work was often contested, especially when they addressed the classics of the French theatrical repertory. This study consists largely of the analysis of productions of classic plays staged during the interwar years, and focuses on the contributions of Jacques Copeau and the Cartel because of their prominence in the modernist movement and their outspoken promotion of the role of the theatrical director in general. Copeau and the Cartel began on the margins of theatrical activity, but over the course of the interwar period, their movement gained mainstream acceptance and official status within the theater world. Tracing their trajectory from fringe to center, from underdogs to elder statesmen, this study illuminates both the evolution of the modernist aesthetic and the rise of the metteur-en-scène, whose influence would reshape the French theatrical canon.
