French and Italian Renaissance Furniture, Tapestries, Brocades, Primitives, Precious Stone Lamps and Other Objects of Art PDF Download
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Author: O'Reilly's Plaza Art Galleries
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Languages : en
Pages :
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Author: O'Reilly's Plaza Art Galleries
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: O'Reilly's Plaza Art Galleries
Publisher: Hassell Street Press
ISBN: 9781014618139
Category :
Languages : en
Pages : 320
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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Category : Encyclopedias and dictionaries
Languages : en
Pages : 890
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Author: Frank Moore Colby
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Category : Encyclopedias and dictionaries
Languages : en
Pages : 894
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Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author:
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Category : Art
Languages : en
Pages : 370
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Author:
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Category : Antiques
Languages : en
Pages : 760
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Author:
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Category : Antiques
Languages : en
Pages : 760
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Author: Edith Wharton
Publisher: Charles Scribner
ISBN:
Category : Interior decoration
Languages : en
Pages : 350
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Author: Helen Churchill Candee
Publisher:
ISBN:
Category :
Languages : en
Pages : 514
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