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Author: Alistair Rolls
Publisher: Springer
ISBN: 0230244823
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.
Author: Alistair Rolls
Publisher: Springer
ISBN: 0230244823
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.
Author: Robin Buss
Publisher: Marion Boyars Publishers
ISBN: 9780714530369
Category : Film noir
Languages : en
Pages : 0
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Book Description
Crime and punishment on the dark side of French society, as reflected in the silver screen.
Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Author: Cédric Fabre
Publisher: Akashic Books
ISBN: 1617753645
Category : Fiction
Languages : en
Pages : 241
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Book Description
“Navigates the seedy side of Marseille with 14 stories that range from the creepily introspective to the downright brutal.” —Publishers Weekly The Akashic Noir series first ventured into France with Paris Noir—and now moves one step deeper . . . A crossroads for the people of Europe and the Mediterranean, Marseille is a city that does not discriminate. It embodies the down-and-dirty, tough-guy side of France, but what it lacks in sophistication, it makes up for in spirit. Still, in its shadows lurks a not-so-distant darkness . . . one that can be found in stories translated from French by David Ball and Nicole Ball and written by: François Beaune, Philippe Carrese, Patrick Coulomb, Cédric Fabre, René Frégni, Christian Garcin, Salim Hatubou, Rebecca Lighieri, Emmanuel Loi, Marie Neuser, Pia Petersen, Serge Scotto, Minna Sif, and François Thomazeau. “Gritty from east to west, Marseille is the perfect venue for the latest in Akashic’s venerable Noir series. While earlier entries in this 70-volume series have sometimes been bleak and atmospheric, this one is all red meat. . . . Just as Marseille is tailor-made for noir, this dark banquet is tailor-made for noir fans.” —Kirkus Reviews “The stories . . . are united by vivid and evocative writing, as well as by a distinctive take on the city. Another strong entry in a series that should be required reading for crime fans.” —Booklist
Author: Tyler Stovall
Publisher: Createspace Independent Publishing Platform
ISBN: 9781469909066
Category : African American
Languages : en
Pages : 0
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Book Description
Originally published in 1996 by Houghton Mifflin.
Author: Nicholas Christopher
Publisher: Simon and Schuster
ISBN: 1439137617
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
Author: Claire Gorrara
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 168
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Book Description
This book is one of the first English-language studies to chart the development of crime fiction in French from the mid-nineteenth century to the present day. It analyses the distinctive features of a French-language tradition and introduces readers to a rich and varied body of work. Each chapter examines a specific period, movement or group of writers, as well as engaging with wider debates on the place of crime fiction within contemporary French and European culture. From early twentieth-century pioneers, such as Gaston Leroux and Maurice Leblanc, to the phenomenal success of Georges Simenon, from May 68 to the gender politics of crime fiction and postmodern reinventions, this collection approaches crime fiction in an interdisciplinary manner, alive to the innovative and often critically informed perspective it provides on French society and culture. The book also includes short extracts in English translation and an extensive bibliography of critical material for further reading. Such resources are aimed at encouraging the reader to gain a greater appreciation and understanding of this potent and formidable narrative of modern times.
Author: Trica Danielle Keaton
Publisher: Duke University Press
ISBN: 0822352621
Category : History
Languages : en
Pages : 341
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Book Description
In Black France / France Noire, scholars, activists, and novelists address the paradox of race in France: the state does not acknowledge race as a meaningful category, but experiences of antiblack racism belie claims of color-blindness.
Author: Maxim Jakubowski
Publisher:
ISBN: 9781407424897
Category : Detective and mystery stories
Languages : en
Pages : 384
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Book Description
Paris Noir is a collection of new stories about the dark side of Paris, with contributions by leading French, British and American authors who have all either lived or spent a significant amount of time in Paris. Edited by Maxim Jakubowski, the stories range from quietly menacing to spectacularly violent, and include contributions from some of the most famous crime writers from both sides of the Atlantic, as well as the other side of the Channel.
Author: Jon Bassoff
Publisher: Down & Out Books
ISBN:
Category : Fiction
Languages : en
Pages : 161
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Book Description
A mysterious Iraq war veteran with a horribly scarred face…A disturbed young man in a strange mountain town…A masked preacher with a terrible secret…Amidst a firestorm of violence, betrayal and horror, their three worlds will eventually collide in an old mining shack buried deep in the mountains. Corrosion, the shattering debut novel by Jon Bassoff, is equal parts Jim Thompson, Flannery O’Connor and William Faulkner, and an unforgettable journey into the underbelly of crime and passion. Drawn from the darkest corners of the human experience, it is sure to haunt readers for years to come. Praise for CORROSION: “Bassoff confronts directly the traumatic stress disorder of our world today and tears off its mask, even if the face must follow.” —New York Magazine “Corrosion is a beautifully bleak noir novel that stretches the boundaries of the genre to its breaking point. A virtuoso performance by the terrific Jon Bassoff.” —Jason Starr, international bestselling author of The Craving “Like some unholy spawn of Cormac McCarthy’s Child of God and Donald Ray Pollock’s The Devil All the Time, Corrosion offers pungent writing, a cast of irresistibly damaged characters, and a narrative that’s as twisted and audacious as any I have read in a long while. A dark gem.” —Roger Smith, author of Dust Devils “Sharp, original, fierce, a real gut-ripper. Corrosion is one of the most startlingly original and unsettling novels I’ve read in ages. It ramps your pulse, it claws at your sweet spot. Bassoff has a career ahead of him brightly lit by a very bad star.” —Tom Piccirilli, author of the Edgar Award-nominated novel The Cold Spot “Imagine Chuck Palahniuk filtered through Tarantino speak, blended with an acidic Jim Thompson and a book that cries out to be filmed by David Lynch, then you have a flavor of Corrosion. The debut novel from the unique Jon Bassoff begins a whole new genre: Corrosive Noir.” —Ken Bruen, Shamus Award-winning author of The Guards “Jon Bassoff gives new meaning to the phrase ‘Hell on earth’ in his debut novel, Corrosion. It’s a harrowing page-turning tale of lost, misplaced, and mangled identity that barrels its way to breakdowns and showdowns of literal and figurative biblical proportions.” —Lynn Kostoff, author of Late Rain “Jon Bassoff’s stream of conscious novel sports Faulkner-like as this dark tale is told in first person timelines. It will grip and engage and ultimately leave you shaken to the core. Not for the tenderhearted… not no way, not no how. Corrosion is the tale of a man on a mission from God… or is it the Devil? Dare to find out.” —Charlie Stella, author of Johnny Porno “Talk about a book starting one way and then springing something on you…[Bassoff’s Corrosion] is dark and funny and sick, a book as much about identity as it is about crime.” —Bill Crider, author of the Sheriff Dan Rhodes series “Corrosion is a fever dream, a lucid nightmare. It is at once poetic and brutal; hypnotic and vicious; empathetic and heartless. It is the most effective kind of horror—the kind you believe. Reading it is a deeply uncomfortable experience in the best possible way.” —Marcus Sakey, author of The Two Deaths of Daniel Hayes “An archetypal, nightmare journey down a hall of mirrors. Corrosion will burn your eyeballs. Keeps you reading relentlessly to the end.” —Jonathan Woods, author of A Death in Mexico
