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Author: Alistair Rolls
Publisher: Springer
ISBN: 0230244823
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.
Author: Alistair Rolls
Publisher: Springer
ISBN: 0230244823
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.
Author: Robin Buss
Publisher: Marion Boyars Publishers
ISBN: 9780714530369
Category : Film noir
Languages : en
Pages : 0
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Book Description
Crime and punishment on the dark side of French society, as reflected in the silver screen.
Author: Raymond Borde
Publisher: City Lights Books
ISBN: 9780872864122
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
This first book published on film noir established the genre--a classic, at last in translation.
Author: Deborah Walker-Morrison
Publisher: Bloomsbury Publishing
ISBN: 1786735180
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
French film noir has long been seen as a phenomenon distinct from its Hollywood counterpart. This book - an innovative departure from conventional noir scholarship - now adopts a biocultural approach to exploring the French genre through the years 1941-1959. Chapters reveal noir as a product of the social and cultural factors at play in occupied, liberated and post-war France: marked by malaise at military defeat, Nazi collaboration and the impact of industrialisation. Furthermore, the book uncovers the evolutionary mechanisms of sexuality and reproduction beneath the national context that drive gendered behaviour on screen. During this period, for example, the emerging urgent demand for population growth, coupled with the severe shortage of eligible males, rendered the mating game particularly perilous for traditional women beginning to enter the workplace. This explains the cynical yet seductive behaviour of the femme fatale. Deborah Walker-Morrison focuses on the dangerous, often deadly, desires of an array of male and female character-types: moving past the celebrated, fatal `femme' to tragic heroines, psychopathic narcissists, fatal `hommes' and gangster anti-heroes. The book re-examines productions by directors such as Henri-Georges Clouzot, Jacques Becker and Jules Dassin and pulls together strands of sociological, biological, psychological and evolutionary science to create an illuminating study of the intense human passions underlying the cut-throat world of noir.
Author: Cédric Fabre
Publisher: Akashic Books
ISBN: 1617753645
Category : Fiction
Languages : en
Pages : 241
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Book Description
“Navigates the seedy side of Marseille with 14 stories that range from the creepily introspective to the downright brutal.” —Publishers Weekly The Akashic Noir series first ventured into France with Paris Noir—and now moves one step deeper . . . A crossroads for the people of Europe and the Mediterranean, Marseille is a city that does not discriminate. It embodies the down-and-dirty, tough-guy side of France, but what it lacks in sophistication, it makes up for in spirit. Still, in its shadows lurks a not-so-distant darkness . . . one that can be found in stories translated from French by David Ball and Nicole Ball and written by: François Beaune, Philippe Carrese, Patrick Coulomb, Cédric Fabre, René Frégni, Christian Garcin, Salim Hatubou, Rebecca Lighieri, Emmanuel Loi, Marie Neuser, Pia Petersen, Serge Scotto, Minna Sif, and François Thomazeau. “Gritty from east to west, Marseille is the perfect venue for the latest in Akashic’s venerable Noir series. While earlier entries in this 70-volume series have sometimes been bleak and atmospheric, this one is all red meat. . . . Just as Marseille is tailor-made for noir, this dark banquet is tailor-made for noir fans.” —Kirkus Reviews “The stories . . . are united by vivid and evocative writing, as well as by a distinctive take on the city. Another strong entry in a series that should be required reading for crime fans.” —Booklist
Author: Frédéric Dard
Publisher: Pushkin Vertigo
ISBN: 1782277773
Category : Fiction
Languages : en
Pages : 632
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Book Description
Now available in one collection, four classic crime thrillers from the award-winning “French master of noir” (Observer) Unravelling like a paranoid nightmare, Bird in a Cage melds existentialist drama with thrilling noir to tell the story of a man trapped in a prison of his own making. Crush is a chilling 1950s suspense story of youthful naivety, dark obsession—and the slippery slope to murder. The Executioner Weeps is the winner of the 1957 Grand Prix de Littérature Policière. And The Gravedigger's Bread is a claustrophobic thriller about love gone wrong. All from the French master of noir. In Bird in a Cage, trouble is the last thing Albert needs. Traveling back to his childhood home on Christmas Eve to mourn his mother’s death, he finds the loneliness and nostalgia of his Parisian quartier unbearable. Until, that evening, he encounters a beautiful, seemingly innocent woman at a brasserie, and his spirits are lifted. Still, something about the woman disturbs him. Where is the father of her child? And what are those two red stains on her sleeve? When she invites him back to her apartment, Albert thinks he’s in luck. But a monstrous scene awaits them, and he finds himself lured into the darkness against his better judgment. Crush: Bored with her mundane factory job, her nagging mother, and her alcoholic father-in-law, 17-year-old Louise Lacroix is captivated by a glamorous American couple who moves to her industrial hometown in Northern France. The Roolands' home is an island of color, good humor, and easy living in drab 1950s Léopoldville—a place straight out of Louise’s dreams. Louise is thrilled when she successfully convinces the couple to hire her as their maid. But once she is under their roof, their model life starts to fall apart. Painful secrets from their past emerge, cracks in their relationship appear, and a dark obsession begins to grow. In The Executioner Weeps, it was fate that led her to step out in front of the car. A quiet mountain road. A crushed violin. And a beautiful woman lying motionless in the ditch. Carrying her back to his lodging on a beach near Barcelona, Daniel discovers that the woman is still alive but that she remembers nothing—not even her own name. And soon he has fallen for her mysterious allure. She is a blank canvas, a perfect muse, and his alone. But when Daniel travels to France in search of her past, he slips into a tangled vortex of lies, depravity, and murder. The Gravedigger's Bread: Blaise should never have hung around in that charmless little provincial town. The job offer that attracted him in the first place had failed to materialize. He should have got on the first train back to Paris, but Fate decided otherwise. After a chance encounter with a beautiful blonde in the town post-office, Blaise is hooked. He realizes he'll do anything to stay by her side, and soon finds himself working for her husband, a funeral director. But the tension in this strange love triangle begins to mount, and eventually results in a highly unorthodox burial.
Author: Tyler Stovall
Publisher: Createspace Independent Publishing Platform
ISBN: 9781469909066
Category : African American
Languages : en
Pages : 0
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Book Description
Originally published in 1996 by Houghton Mifflin.
Author: Nicholas Christopher
Publisher: Simon and Schuster
ISBN: 1439137617
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.
Author: Hervé Delouche
Publisher: Akashic Books
ISBN: 1617759910
Category : Fiction
Languages : en
Pages : 182
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Book Description
Following the success of Paris Noir, the Akashic Noir Series has expanded to include the famously diverse and sometimes controversial suburbs of this legendary city. "A treasure chest of resources for any noir author seeking a more gruesome approach or a more relentless destruction of the soul. One might hope the real Paris suburbs are not so dark and blood drenched. But by the end of the collection, that hope seems almost foolish, and the body found on the quay seems to be the lucky guy in the story." —New York Journal of Books "The short stories center on the suburbs of Paris, fertile soil for all sorts of resentment and violence. . . .For lovers of crime noir short fiction, these are 12 stories of life lived in the raw." —Library Journal "Dark tales shine a bright light on some little-seen parts of greater Paris." —Kirkus Reviews "Paris’s suburbs—a mix of slums, posh neighborhoods, fading industrial centers, and the city’s notorious housing projects that lie out of the sight of most tourists—provide the setting for [these] 13 tales." —Publishers Weekly Featuring brand-new stories by: Cloé Mehdi, Karim Madani, Insa Sané, Christian Roux, Marc Villard, Jean-Pierre Rumeau, Timothée Demeillers, Rachid Santaki, Marc Fernandez, Guillaume Balsamo, Anne Secret, Anne-Sylvie Salzman, and Patrick Pécherot. (All stories were written in French and translated into English by Katie Shireen Assef, David Ball, Nicole Ball, and Paul Curtis Daw.) From the introduction by Hervé Delouche: The term Greater Paris is in vogue today, for it has an administrative cachet and seems to denote a simple extension of the capital—as if a ravenous Paris need only extend her web. However, it was not our goal to embrace the tenets of the metro area’s comprehensive plan, aka the Grand Projet, envisioned as a future El Dorado by the planners and developers. Rather, our aim was to depict the Parisian suburbs in all their plurality and diversity. Without pretending to encompass every spot on the map, we instead opted to give voice and exposure to the localities chosen by the writers who have been part of this adventure. Thus, we decided to adopt the word “suburbs”— in the plural, obviously, for the periphery of the capital is not a homogeneous bloc, nor is it reducible to a cliché like “the suburban ring” . . . Here are thirteen stories, decidedly noir, to be savored without sugar or sweetener.
Author: Claire Gorrara
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 168
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Book Description
This book is one of the first English-language studies to chart the development of crime fiction in French from the mid-nineteenth century to the present day. It analyses the distinctive features of a French-language tradition and introduces readers to a rich and varied body of work. Each chapter examines a specific period, movement or group of writers, as well as engaging with wider debates on the place of crime fiction within contemporary French and European culture. From early twentieth-century pioneers, such as Gaston Leroux and Maurice Leblanc, to the phenomenal success of Georges Simenon, from May 68 to the gender politics of crime fiction and postmodern reinventions, this collection approaches crime fiction in an interdisciplinary manner, alive to the innovative and often critically informed perspective it provides on French society and culture. The book also includes short extracts in English translation and an extensive bibliography of critical material for further reading. Such resources are aimed at encouraging the reader to gain a greater appreciation and understanding of this potent and formidable narrative of modern times.
