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Author: Barbara Darby
Publisher: University Press of Kentucky
ISBN: 0813193788
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
The position Frances Burney (1752-1840) holds as a novelist, journalist, and letterwriter is now undisputed, thanks to reevaluations of the canon in recent years. Yet Burney was always intrigued by, and wrote for, the stage. Though only one of Burney's dramas was performed in her lifetime, Barbara Darby places the plays in the context of performance and feminist theory, challenging past assertions about Burney that were based entirely on her novels and journals. Darby maintains that in exposing the failure of such practices and institutions as courtship, marriage, family, government, and the church, Burney's dramas often exceed her novels in the depth of their social commentary. In her four comedies and four tragedies, Burney uses stage space, dialogue, blocking, and gesture to highlight the ways power is distributed among society's members. According to Darby, these plays show that the eighteenth-century female experience was dominated by physical, psychic, and emotional regulation that included bodily punishment and the limitation of personal choice. Placing Burney alongside other prominent female playwrights of the period, Darby brings to light a substantial body of work, revealing that Burney's drama was not a casual sideline to her novel writing. Frances Burney, Dramatist, expands our appreciation of the extent to which eighteenth-century women playwrights used the stage as a forum.
Author: Barbara Darby
Publisher: University Press of Kentucky
ISBN: 0813193788
Category : Literary Criticism
Languages : en
Pages : 349
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Book Description
The position Frances Burney (1752-1840) holds as a novelist, journalist, and letterwriter is now undisputed, thanks to reevaluations of the canon in recent years. Yet Burney was always intrigued by, and wrote for, the stage. Though only one of Burney's dramas was performed in her lifetime, Barbara Darby places the plays in the context of performance and feminist theory, challenging past assertions about Burney that were based entirely on her novels and journals. Darby maintains that in exposing the failure of such practices and institutions as courtship, marriage, family, government, and the church, Burney's dramas often exceed her novels in the depth of their social commentary. In her four comedies and four tragedies, Burney uses stage space, dialogue, blocking, and gesture to highlight the ways power is distributed among society's members. According to Darby, these plays show that the eighteenth-century female experience was dominated by physical, psychic, and emotional regulation that included bodily punishment and the limitation of personal choice. Placing Burney alongside other prominent female playwrights of the period, Darby brings to light a substantial body of work, revealing that Burney's drama was not a casual sideline to her novel writing. Frances Burney, Dramatist, expands our appreciation of the extent to which eighteenth-century women playwrights used the stage as a forum.
Author: Peter Sabor
Publisher: Cambridge University Press
ISBN: 113982760X
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
Frances Burney (1752–1840) was the most successful female novelist of the eighteenth century. Her first novel Evelina was a publishing sensation; her follow-up novels Cecilia and Camilla were regarded as among the best fiction of the time and were much admired by Jane Austen. Burney's life was equally remarkable: a protegee of Samuel Johnson, lady-in-waiting at the court of George III, later wife of an emigre aristocrat and stranded in France during the Napoleonic Wars, she lived on into the reign of Queen Victoria. Her journals and letters are now widely read as a rich source of information about the Court, social conditions and cultural changes over her long lifetime. This Companion is the first volume to cover all her works, including her novels, plays, journals and letters, in a comprehensive and accessible way. It also includes discussion of her critical reputation, and a guide to further reading.
Author: Frances Burney
Publisher: Penguin UK
ISBN: 0141911050
Category : Literary Collections
Languages : en
Pages : 945
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Book Description
Novelist and playwright Frances (Fanny) Burney, 1752-1840, was also a prolific writer of journals and letters, beginning with the diary she started at fifteen and continuing until the end of her eventful life. From her youth in London high society to a period in the court of Queen Charlotte and her years interned in France with her husband Alexandre d'Arblay during the Napoleonic Wars, she captured the changing times around her, creating brilliantly comic and candid portraits of those she encountered - including the 'mad' King George, Samuel Johnson, Sir Joshua Reynolds, David Garrick and a charismatic Napoleon Bonaparte. She also describes, in her most moving piece, undergoing a mastectomy at fifty-nine without anaesthetic. Whether a carefree young girl or a mature woman, Fanny Burney's forthright, intimate and wickedly perceptive voice brings her world powerfully to life.
Author: Kristina Straub
Publisher: University Press of Kentucky
ISBN: 0813187516
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Today Fanny Burney's venture into authorship would not be questionable. She was, after all, a daughter of a celebrated musician, and the Burney family was know to the circle of Samuel Johnson and Hester Thrale. Yet as Kristina Straub ably shows, the public recognition which followed the publication of her first novel placed Fanny Burney in a situation of disturbing ambiguity. Did she become famous or notorious? Was she a prodigy or a freak? In this study of Burney, Straub not only describes and analyzes the disturbing transition of a writer's self-awareness as a woman and a literary artist from private to public terms, but also reveals in Burney's works a hitherto unacknowledged complexity."
Author: Peter Sabor
Publisher: Routledge
ISBN: 1315477912
Category : Drama
Languages : en
Pages : 777
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Book Description
The complete plays of Fanny Burney, taken from the original manuscripts of her work. The work includes a general introduction, headnotes to each play, explanatory notes and variant readings.
Author: Frances Burney
Publisher:
ISBN: 9781785434839
Category :
Languages : en
Pages :
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Book Description
Frances Burney was born on June 13th, 1752 in Lynn Regis (now King's Lynn). By the age of 8 Frances had still not learned the alphabet and couldn't read. She now began a period of self-education, which included devouring the family library and to begin her own 'scribblings', these journal writings would document her life and cover the next 72 years. Her journal writing was accepted but writing novels was frowned upon by her family and friends. Feeling that she had been improper, she burnt her first manuscript, The History of Caroline Evelyn, which she had written in secret. It was only in 1778 with the anonymous publication of Evelina that her talents were available to the wider world. She was now a published and admired author. Despite this success and that of her second novel, Cecilia, in 1785, Frances travelled to the court of King George III and Queen Charlotte and was offered the post of "Keeper of the Robes." Frances hesitated. She had no wish to be separated from her family, nor to anything that would restrict her time in writing. But, unmarried at 34, she felt obliged to accept and thought that improved social status and income might allow her greater freedom to write. The years at Court were fruitful but took a toll on her health, writing and relationships and in 1790 she prevailed upon her father to request her release from service. He was successful. The ideals of the French Revolution had brought support from many English literates for the ideals of equality and social justice. Frances quickly became attached to General Alexandre D'Arblay, an artillery officer who had fled to England. In spite of the objections of her father they were married on July 28th, 1793. On December 18th, 1794, Frances gave birth to their only child, a son, Alexander. Frances's third novel, Camilla, in 1796 earned her 2000 and was enough for them to build a house in Westhumble; Camilla Cottage. In 1801 D'Arblay was offered service with the government of Napoleon in France, and in 1802 Frances and her son followed him to Paris, where they expected to remain for a year. The outbreak of the war between France and England meant their stay extended for ten years. In August 1810 Frances developed breast cancer and underwent a mastectomy performed by "7 men in black." Frances was later able to write about the operation in detail, being conscious through most of it, anesthetics not yet being in use. With the death of D'Arblay, in 1818, of cancer, Frances moved to London to be near her son. Tragically he died in 1837. Frances, in her last years, was by now retired but entertained many visits from younger members of the Burney family, who gathered to listen to her fascinating accounts and her talents for imitating the people she described. Frances Burney died on January 6th, 1840."
Author: Fanny Burney
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773513334
Category : Art
Languages : en
Pages : 800
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Book Description
This two-volume set of the comedies and tragedies of Frances Burney (1752-1840) reveals her remarkable, yet little-known, talent as a dramatist. Compiled from the original manuscripts, it includes a substantial general introduction, headnotes to each play, explanatory notes, and variant readings.
Author: Frances Burney
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773565558
Category : Performing Arts
Languages : en
Pages : 783
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Book Description
In the plays, as in her novels, Burney satirizes the social conventions and pretensions of her day. The Witlings (1779), her first play, is a biting satire on the Bluestockings; it was never performed, however, for fear of a possible scandal. The violent, the grotesque, and the macabre also figure strongly in her writings. Contents Volume 1: The Comedies Introduction Chronology The Witlings (1778-80) Love and Fashion (1798-99) A Busy Day (1800-02) The Woman-Hater (1800-02) Volume 2: The Tragedies Edwy and Elgiva (1788-95) Hubert de Vere (1790-97) The Siege of Pevensey (1790-91) Elberta (1791-1814) Appendix: The Triumphant Toadeater (1798)
Author: Fanny Burney
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 458
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Book Description
This two-volume set of the comedies and tragedies of Frances Burney (1752-1840) reveals her remarkable, yet little-known, talent as a dramatist. Compiled from the original manuscripts, it includes a substantial general introduction, headnotes to each play, explanatory notes, and variant readings.
Author: Fanny Burney
Publisher:
ISBN:
Category : English drama (Comedy)
Languages : en
Pages : 344
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Book Description
