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Author: Rachel Mary Kathleen Huckstep
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 100
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Book Description
Author: Rachel Mary Kathleen Huckstep
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 100
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Book Description
Author: Anita Strezova
Publisher: ANU Press
ISBN: 1925021858
Category : Art
Languages : en
Pages : 328
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Book Description
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.” Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University
Author: C.A. Tsakiridou
Publisher: Taylor & Francis
ISBN: 1040105769
Category : Art
Languages : en
Pages : 237
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Book Description
This study examines the theories of postmodern visuality and representation and identifies concepts that resonate with Orthodox theology and iconography. C.A. Tsakiridou frees the Orthodox icon from iconological precepts that limit its aesthetic and expressive range. The book’s key argument is that poststructuralist thought is not alien to Orthodox theology and iconography. Dissonance, liminality, and ambiguity are essential for conveying the paradoxes of Christian faith and recognizing the hagiopneumatic vitality and openness of the Orthodox tradition. Perichoresis or coinherence, a concept in patristic theology that defines the relationship between the three persons of the Holy Trinity and the two natures of Christ, acquires a feminine dimension in the person of the Theotokos. Like the ascetical concept of nepsis, it has aesthetic implications. Intermedial qualities present in iconography, photography, and cinema help explain how icons become hosts to transcendent realities and how their experience in Orthodox liturgy and devotion has anticipated and resolved the postmodern disorientation of visuality and representation. The book will be of interest to scholars working in art history, postmodernism, philosophy, theology, religion, and gender studies.
Author: Gregory Palamas
Publisher:
ISBN: 9780995510302
Category : Religion
Languages : en
Pages : 246
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Book Description
Classic Orthodox text describing the difference between worldly and spiritual knowledge, the nature of illumination and how the energies of the divine may be encountered. How the practice of hesychia leads to theosis, and how this can be followed by ordinary people living in the world today. Revised translation with Commentary by Robin Amis.
Author: Andrea Olsen Lam
Publisher: Routledge
ISBN: 1351185578
Category : Art
Languages : en
Pages : 485
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Book Description
For those within the fields of art history and Byzantine studies, Professor Henry Maguire needs no introduction. His publications transformed the way art historians approach medieval art through his insightful integration of rhetoric, poetry and non-canonical objects into the study of Byzantine art. His ground-breaking studies of Byzantine art that consider the natural world, magic and imperial imagery, among other themes, have redefined the ways medieval art is interpreted. From notable monuments to small-scale and privately used objects, Maguire’s work has guided a generation of scholars to new conclusions about the place of art and its function in Byzantium. In this volume, 23 of Henry Maguire’s colleagues and friends have contributed papers in his honour, resulting in studies that reflect the broad range of his scholarly interests.
Author: Lynn Jones
Publisher: Routledge
ISBN: 1351953834
Category : Art
Languages : en
Pages : 294
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Book Description
The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr’s work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of ’center’ and ’periphery’, expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr’s career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.
Author:
Publisher:
ISBN: 9780966700084
Category : Monks
Languages : en
Pages : 705
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Book Description
Author: Valentino Pace
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 272
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Book Description
Author: Léonide Ouspensky
Publisher: St Vladimir's Seminary Press
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
This is the most comprehensive introduction available to the history and theology of the icon, and is the standard text upon which most modern studies of iconography are based. It includes more than the basic theory of the transfiguration of beauty and the sanctification of art. It is a fundamental element in the entire body of Orthodox Tradition. n this two-volume work, author Leonid Ouspensky provides the reader with a deep and serious approach to the mystery of the sacred image. He surveys the development of the sacred art of the Christian East from its beginnings in catacomb art through the iconoclastic controversy of the eighth and ninth century. Drawing especially on the Russian Orthodox tradition, the author studies a large number of texts with care and in great detail. He includes an analysis of the flowering of early Russian iconography, tracing its later development and the state of the art today. The 51 black and white photo illustrations, along with the four-panel foldout and six color plates, will enable the reader to appreciate the Orthodox icon with an informed mind and open heart. Volume I, originally published in 1978, has been updated by the author and contains large sections of new material [Publisher description]
Author: George E. Demacopoulos
Publisher: St Vladimir's Seminary Press
ISBN: 0881413275
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
This book not only presents Eastern Orthodox readings of the great Latin theologian, but also demonstrates the very nature of theological consensus in ecumenical dialogue, from a referential starting point of the ancient and great Fathers. This collection exemplifies how, once, the Latin and Byzantine churches, from a deep communion of the faith that transcended linguistic, cultural and intellectual differences, sang from the same page a harmonious song of the beauty of Christ. Contributors are: Lewis Ayres ¿ John Behr ¿ David Bradshaw ¿ Brian E. Daley ¿ George E. Demacopoulos ¿ Elizabeth Fisher ¿ Reinhard Flogaus ¿ Carol Harrison ¿ David Bentley Hart ¿ Joseph T. Lienhard ¿ Andrew Louth ¿ Jean-Luc Marion ¿ Aristotle Papanikolaou ¿ David Tracy
