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Author: Sean Eedy
Publisher: Berghahn Books
ISBN: 1800730012
Category : History
Languages : en
Pages : 230
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Book Description
As with all other forms of popular culture, comics in East Germany were tightly controlled by the state. Comics were employed as extensions of the regime’s educational system, delivering official ideology so as to develop the “socialist personality” of young people and generate enthusiasm for state socialism. The East German children who avidly read these comics, however, found their own meanings in and projected their own desires upon them. Four-Color Communism gives a lively account of East German comics from both perspectives, showing how the perceived freedoms they embodied created expectations that ultimately limited the regime’s efforts to bring readers into the fold.
Author: Sean Eedy
Publisher: Berghahn Books
ISBN: 1800730012
Category : History
Languages : en
Pages : 230
Get Book
Book Description
As with all other forms of popular culture, comics in East Germany were tightly controlled by the state. Comics were employed as extensions of the regime’s educational system, delivering official ideology so as to develop the “socialist personality” of young people and generate enthusiasm for state socialism. The East German children who avidly read these comics, however, found their own meanings in and projected their own desires upon them. Four-Color Communism gives a lively account of East German comics from both perspectives, showing how the perceived freedoms they embodied created expectations that ultimately limited the regime’s efforts to bring readers into the fold.
Author: Manning Johnson
Publisher:
ISBN: 9781258775056
Category :
Languages : en
Pages : 82
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Book Description
Author: Manning Johnson
Publisher: Rare Treasure Editions
ISBN: 1774646684
Category : History
Languages : en
Pages : 94
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Book Description
Here is the story of one Black American Communist who became disillusioned with Communism and penned this cautionary tale of the perils of his experience. According to the author: "Ten years I labored in the cause of Communism. I was a dedicated "comrade." All my talents and efforts were zealously used to bring about the triumph of Communism in America and throughout the world. To me, the end of capitalism would mark the beginning of an interminable period of plenty, peace, prosperity and universal comradeship. All racial and class differences and conflicts would end forever after the liquidation of the capitalists, their government and their supporters. ..Little did I realize until I was deeply enmeshed in the Red Conspiracy, that just and seeming grievances are exploited to transform idealism into a cold and ruthless weapon against the capitalist system-that this is the end toward which all the communist efforts among Negroes are directed. Indeed, I had entered the red conspiracy in the vain belief that it was the way to a "new, better and superior" world system of society. Ten years later, thoroughly disillusioned, I abandoned communism."
Author: Zedong Mao
Publisher: China Books
ISBN: 9780835123884
Category : China
Languages : en
Pages : 328
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Book Description
Author: Manning Johnson
Publisher:
ISBN: 9781639232888
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Author: Krisztina Fehérváry
Publisher: Indiana University Press
ISBN: 0253009960
Category : History
Languages : en
Pages : 323
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Book Description
A historical anthropology of material transformations of homes in Hungary from the 1950s o the 1990s. Material culture in Eastern Europe under state socialism is remembered as uniformly gray, shabby, and monotonous—the worst of postwar modernist architecture and design. Politics in Color and Concrete revisits this history by exploring domestic space in Hungary from the 1950s through the 1990s and reconstructs the multi-textured and politicized aesthetics of daily life through the objects, spaces, and colors that made up this lived environment. Krisztina Féherváry shows that contemporary standards of living and ideas about normalcy have roots in late socialist consumer culture and are not merely products of postsocialist transitions or neoliberalism. This engaging study decenters conventional perspectives on consumer capitalism, home ownership, and citizenship in the new Europe. “A major reinterpretation of Soviet-style socialism and an innovative model for analyzing consumption.” —Katherine Verdery, The Graduate Center, City University of New York “Politics in Color and Concrete explains why the everyday is important, and shows why domestic aesthetics embody a crucially significant politics.” —Judith Farquhar, University of Chicago “The topic is extremely timely and relevant; the writing is lucid and thorough; the theory is complex and sophisticated without being overly dense, or daunting. I thoroughly enjoyed reading it.” —Brad Weiss, College of William and Mary
Author: Katarzyna Chmielewska
Publisher: Central European University Press
ISBN: 9633863791
Category : Political Science
Languages : en
Pages : 440
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Book Description
The thirteen authors of this collective work undertook to articulate matter-of-fact critiques of the dominant narrative about communism in Poland while offering new analyses of the concept, and also examining the manifestations of anticommunism. Approaching communist ideas and practices, programs and their implementations, as an inseparable whole, they examine the issues of emancipation, upward social mobility, and changes in the cultural canon. The authors refuse to treat communism in Poland in simplistic categories of totalitarianism, absolute evil and Soviet colonization, and similarly refuse to equate communism and fascism. Nor do they adopt the neoliberal view of communism as a project doomed to failure. While wholly exempt from nostalgia, these essays show that beyond oppression and bad governance, communism was also a regime in which people pursued a variety of goals and sincerely attempted to build a better world for themselves. The book is interdisciplinary and applies the tools of social history, intellectual history, political philosophy, anthropology, literature, cultural studies, and gender studies to provide a nuanced view of the communist regimes in east-central Europe.
Author: Robert Harvey
Publisher: Macmillan
ISBN: 1466888075
Category : History
Languages : en
Pages : 480
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Book Description
Today global communism seems just a terrible memory, an expressionist nightmare as horrific as Nazism and the Holocaust, or the slaughter in the First World War. Was it only just over a decade ago that stone-faced old men were still presiding over "workers" paradises in the name of "the people" while hundreds of millions endured grinding poverty under a system of mind-controlling servitude which did not hesitate to murder and imprison whole populations in the cause of "progress"? Or that the world seemed under threat from revolutionary hordes engulfing one country after another, backed by a vast military machine and the threat of nuclear annihilation? In the 1970s, with the fall of South Vietnam, Cambodia and Laos, the march of Marxism-Leninism across the world seemed irresistible. Less than two decades later the experiment had collapsed, leaving perhaps 100 million dead, as well as economic devastation spanning continents. Even China now increasingly embraces free market economics. Only in a few backwaters does communism endure, as obsolete as rust-belt industry. This book is the first global narrative history of that defining human experience. It weighs up the balance sheet: why did communism occur largely in countries wrenched from feudalism or colonialism to twentieth-century modernism, rather than--as Marx had predicted--in developed countries groaning under the weight of a parasitic middle class? Were coercion and state planning in fact the only way forward for backward countries? What was the explanation for its appeal -- not least among many highly intelligent observers in the West? Why did it grow so fast, and collapse with such startling suddenness? A Short History of Communism sets out the whole epic story for the first time, a panorama of human idealism, cruelty, suffering and courage, and provides an intriguing new analysis.
Author: David L Shambaugh
Publisher: Univ of California Press
ISBN: 9780520934696
Category : History
Languages : en
Pages : 260
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Book Description
Few issues affect the future of China--and hence all the nations that interact with China--more than the nature of its ruling party and government. In this timely study, David Shambaugh assesses the strengths and weaknesses, durability, adaptability, and potential longevity of China's Communist Party (CCP). He argues that although the CCP has been in a protracted state of atrophy, it has undertaken a number of adaptive measures aimed at reinventing itself and strengthening its rule. Shambaugh's investigation draws on a unique set of inner-Party documents and interviews, and he finds that China's Communist Party is resilient and will continue to retain its grip on power. Copub: Woodrow Wilson Center Press
Author: Dorian L. Alexander
Publisher: Univ. Press of Mississippi
ISBN: 1496837231
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Contributions by Dorian L. Alexander, Chris Bishop, David Budgen, Lewis Call, Lillian Céspedes González, Dominic Davies, Sean Eedy, Adam Fotos, Michael Goodrum, Simon Gough, David Hitchcock, Robert Hutton, Iain A. MacInnes, Małgorzata Olsza, Philip Smith, Edward Still, and Jing Zhang In Drawing the Past, Volume 2: Comics and the Historical Imagination in the World, contributors seek to examine the many ways in which history worldwide has been explored and (re)represented through comics and how history is a complex construction of imagination, reality, and manipulation. Through a close analysis of such works as V for Vendetta, Maus, and Persepolis, this volume contends that comics are a form of mediation between sources (both primary and secondary) and the reader. Historical comics are not drawn from memory but offer a nonliteral interpretation of an object (re)constructed in the creator’s mind. Indeed, when it comes to history, stretching the limits of the imagination only serves to aid in our understanding of the past and, through that understanding, shape ourselves and our futures. This volume, the second in a two-volume series, is divided into three sections: History and Form, Historical Trauma, and Mythic Histories. The first section considers the relationship between history and the comic book form. The second section engages academic scholarship on comics that has recurring interest in the representation of war and trauma. The final section looks at mythic histories that consciously play with events that did not occur but nonetheless inflect our understanding of history. Contributors to the volume also explore questions of diversity and relationality, addressing differences between nations and the cultural, historical, and economic threads that bind them together, however loosely, and however much those bonds might chafe. Together, both volumes bring together a range of different approaches to diverse material and feature remarkable scholars from all over the world.
