Swedish-American Life in Chicago PDF Download
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Author: Philip J. Anderson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 420
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Book Description
Papers originally presented at a conference held in Chicago in Oct. 1988, sponsored by the Swedish-American Historical Society, and other others.
Author: Philip J. Anderson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 420
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Book Description
Papers originally presented at a conference held in Chicago in Oct. 1988, sponsored by the Swedish-American Historical Society, and other others.
Author: Jane Livingston
Publisher: Univ of California Press
ISBN: 0520235703
Category : Abstract expressionism
Languages : en
Pages : 248
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Book Description
This exquisitely illustrated volume and the exhibition that it accompanies restore Joan Mitchell to her rightful place in the history of American artists--one of the few women among the first-rank Abstract Expressionist painters. 145 illustrations, 85 in color.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
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Book Description
Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 174
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872
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Book Description
Includes section "The great calender of American exhibitions."
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 572
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Book Description
Author:
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 922
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Book Description
Author: Karen A. Bearor
Publisher: University of Texas Press
ISBN: 0292737238
Category : Art
Languages : en
Pages : 346
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Book Description
Artist Irene Rice Pereira was a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking "archetypal" imagery. Yet her artistic philosophy and innovative imagery elude easy classification with her artistic contemporaries. In consequence, her work is rarely included in studies of the period and is almost unknown to the general public. This first intellectual history of the artist and her work seeks to change that. Karen A. Bearor thoroughly re-creates the artistic and philosophical milieu that nourished Pereira’s work. She examines the options available to Pereira as a woman artist in the first half of the twentieth century and explores how she used those options to contribute to the development of modernism in the United States. Bearor traces Pereira’s interest in the ideas of major thinkers of the period—among them, Spengler, Jung, Einstein, Cassirer, and Dewey—and shows how Pereira incorporated their ideas into her art. And she demonstrates how Pereira’s quest to understand something of the nature of ultimate reality led her from an early utopianism to a later interest in spiritualism and the occult. This lively intellectual history amplifies our knowledge of a time of creative ferment in American art and society. It will appeal to a wide range of readers interested in the modernist period.
Author: Charles Holme
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 438
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Book Description
Author: Victoria H. Cummins
Publisher: Texas A&M University Press
ISBN: 1648431518
Category : Art
Languages : en
Pages : 743
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Book Description
In Making the Unknown Known, leading scholars throughout Texas explore the significant role women artists played in developing early Texas art from the nineteenth century through the latter part of the twentieth century. The biographies presented here allow readers to compare these women’s experiences across time as they negotiated the gendered expectations about artists in society at large and the Texas art community itself. Surveying the contributions women made to the visual arts in the Lone Star state, Making the Unknown Known analyzes women’s artistic work with respect to geographic and historical connections. Including surveys of the work of artists such as Louise Wüste, Emma Richardson Cherry, Eleanor Onderdonk, Grace Spaulding John, and others, it offers a groundbreaking assessment of the role women artists have played in interpreting the meaning, history, heritage, and unique character of Texas. It places women artists within the larger social and cultural contexts in which they lived. In that regard, it contains an analysis of their varied styles of art, the media they employed, and the subject matter contained in their art. It thus evaluates the contributions made by women artists to defining the nature of the wider Texas experience as an American region. Beautifully illustrated throughout with rich, full-color reproductions of the works created by the artists, this volume provides an enriched understanding of the important but underappreciated role women artists have played in the development of the fine arts in Texas. At last, the unknown story can be known.
