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Author: Etienne Gilson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 292
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Book Description
He takes up in turn: architecture, sculpture, painting, music, dance, poetry, and the theater, analyzing in each the basic materials afforded that artist, the possibilities of artistic form, and the means of transformation and creation."--BOOK JACKET.
Author: Etienne Gilson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 292
Get Book Here
Book Description
He takes up in turn: architecture, sculpture, painting, music, dance, poetry, and the theater, analyzing in each the basic materials afforded that artist, the possibilities of artistic form, and the means of transformation and creation."--BOOK JACKET.
Author: Etienne Gilson
Publisher: New York : Scribner
ISBN:
Category : Art
Languages : en
Pages : 292
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Book Description
Author: Etienne Gilson
Publisher: Dalkey Archive Scholarly
ISBN: 9781564782502
Category : Philosophy
Languages : en
Pages : 0
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Book Description
With his usual lucidity, Etienne Gilson addresses the idea that "art is the making of beauty for beauty's own sake." By distinguishing between aesthetics, which promotes art as a form of knowledge, and philosophy, which focuses on the presence of the artist's own talent or genius, Gilson maintains that art belongs to a different category entirely, the category of "making." Gilson's intellectually stimulating meditation on the relation of beauty and art is indispensable to philosophers and artists alike.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 282
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Book Description
Author: Henri Focillon
Publisher:
ISBN: 9780942299571
Category : Art
Languages : en
Pages : 190
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Book Description
Considers the problem of stylistic change in art, arguing that art is not reducible to external political, social, or economic determinants
Author: Pamela Sachant
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 614
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Book Description
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
Author: Martha Husain
Publisher: State University of New York Press
ISBN: 0791489795
Category : Philosophy
Languages : en
Pages : 163
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Book Description
Ontology and the Art of Tragedy is a sustained reflection on the principles and criteria from which to guide one's approach to Aristotle's Poetics. Its scope is twofold: historical and systematic. In its historical aspect it develops an approach to Aristotle's Poetics, which brings his distinctive philosophy of being to bear on the reception of this text. In its systematic aspect it relates Aristotle's theory of art to the perennial desiderata of any theory of art, and particularly to Kandinsky's.
Author: Wassily Kandinsky
Publisher: Courier Corporation
ISBN: 048613248X
Category : Art
Languages : en
Pages : 111
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Book Description
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
Author: Adrian Nita
Publisher:
ISBN: 9789401799577
Category :
Languages : en
Pages :
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Book Description
This anthology is about the signal change in Leibniz's metaphysics with his explicit adoption of substantial forms in 1678-79. This change can either be seen as a moment of discontinuity with his metaphysics of maturity or as a moment of continuity, such as a passage to the metaphysics from his last years. Between the end of his sejour at Paris (November 1676) and the first part of the Hanover period, Leibniz reformed his dynamics and began to use the theory of corporeal substance. This book explores a very important part of the philosophical work of the young Leibniz. Expertise from around the globe is collated here, including Daniel Garber's work based on the recent publication of Leibniz's correspondence from the late 1690s, examining how the theory of monads developed during these crucial years. Richard Arthur argues that the introduction of substantial forms, reinterpreted as enduring primitive forces of action in each corporeal substance, allows Leibniz to found the reality of the phenomena of motion in force, and thus avoid reducing motion to a mere appearance. Amongst other themes covered in this book, Pauline Phemister's paper investigates Leibniz's views on animals and plants, highlighting changes, modifications and elaborations over time of Leibniz's views and supporting arguments and paying particular attention to his claim that the future is already contained in the seeds of living things. The editor, Adrian Nita, contributes a paper on the continuity or discontinuity of Leibniz's work on the question of the unity and identity of substance from the perspective of the relation with soul (anima) and mind (mens).
Author: Étienne Gilson
Publisher: Wipf and Stock Publishers
ISBN: 1666717940
Category : Religion
Languages : en
Pages : 165
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Book Description
A medievalist and defender of the notion of Christian philosophy, Etienne Gilson had a lifelong interest in the philosophy of art. He questioned whether what is reproduced as art in contemporary society is art at all. This is not a simple issue. A cheap version of a novel is still a novel. A picture of a statue is not a statue, nor indeed is a photograph of a painting a painting. Recorded music has particular complications. The organizer of an industrial assembly line is neither an artist nor an artisan. Yet, thanks to such mass production, a much broader population has knowledge of artworks than would otherwise be possible. Religions must minister to mass societies and provide appropriate liturgies. But in the process, there is a danger of misrepresenting complex religious teachings. At the end of his own life, Henri Gouhier, Gilson's first doctoral student, prepared three essays on Gilson. The first, on Bergson, gives a sense of Gilson's formation in early twentieth-century French philosophy. The second reconstructs the development of the notion of Christian philosophy and the heated controversy it provoked. Finally, Gouhier presents Gilson's general philosophy of art and gives a helpful framework to Gilson's comments on art in a mass society.
