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Author: Laura López-Fernández
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
FORM and PERCEPTION IN VISUAL POETRY one of the first serious monographs in English that explores what is defined as Visual Poetry. This intermediate genre has its own characteristics. It demands inclusion of a number of disciplines: philosophy, psychology, neurobiology, literature, painting and graphic design, etc. As with many an emergent area of study an interdisciplinary approach takes into account new perspectives of analysis while maintaining respect for traditional methods of approach to poetry. This work discusses the increasing techno-visual elements of poetry creation and by studying the possible mechanisms of perceptions helps the reader/researcher understand the complex artistic and cultural paradigm thus presented. Material is developed that helps the "reading" and "decoding" process stimulated by an unusual combination of elements in poetic discourse and example. There is research work on the semantics of verbal and visual images, color and form. General Gestalt Theory is employed in discussions of form, rhythm, representation, projection and interpretation. A number of poems and poets are discussed from the Anglosphere as well as Spanish language traditions of Spain and Latin America.
Author: Laura López-Fernández
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
FORM and PERCEPTION IN VISUAL POETRY one of the first serious monographs in English that explores what is defined as Visual Poetry. This intermediate genre has its own characteristics. It demands inclusion of a number of disciplines: philosophy, psychology, neurobiology, literature, painting and graphic design, etc. As with many an emergent area of study an interdisciplinary approach takes into account new perspectives of analysis while maintaining respect for traditional methods of approach to poetry. This work discusses the increasing techno-visual elements of poetry creation and by studying the possible mechanisms of perceptions helps the reader/researcher understand the complex artistic and cultural paradigm thus presented. Material is developed that helps the "reading" and "decoding" process stimulated by an unusual combination of elements in poetic discourse and example. There is research work on the semantics of verbal and visual images, color and form. General Gestalt Theory is employed in discussions of form, rhythm, representation, projection and interpretation. A number of poems and poets are discussed from the Anglosphere as well as Spanish language traditions of Spain and Latin America.
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1924
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1590
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Book Description
Author: Willard Bohn
Publisher: University of Delaware Press
ISBN: 9780874137101
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
Far from frivolous playthings, modern visual poems represent serious experiments. Together with other members of the avant-grade, the visual poets sought to restructure the basic vision of reality that they inherited from their predecessors. This statement describes contemporary visual poets as well who, like their earlier colleagues, strive to say things that are more meaningful in ways that are more meaningful."--BOOK JACKET.
Author: Glyn Maxwell
Publisher: Harvard University Press
ISBN: 0674265874
Category : Literary Criticism
Languages : en
Pages : 116
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Book Description
“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
Author:
Publisher: BRILL
ISBN: 900444937X
Category : Literary Criticism
Languages : en
Pages : 442
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Book Description
This book addresses the major critical and interpretive issues of contemporary experimental poetic texts. Critical approaches, historical contexts, and basic concepts are surveyed in two introductory essays, while the study of poetic movements in historical context and the chronological trajectory of production of experimental texts are discussed in the first major segment of the volume, Experimentation in Its Historical Moment. The principal topic addressed here is the nature of experimental poetry in revolutionary social contexts. The second major theme, focused upon in the section Experimentation in the Language Arts, is that of language as a vehicle for experiments and cognitive quests, aimed not at the production of truth or social emancipation but at experiential aspects of language and language use. Haroldo de Campos's fragmented poetic prose work Galàxias is a highlighted topic of attention, as are poetic and language experiments in Lettrism, Fluxus, sound poetry, and new technological poetries. The development of the basic tenets of Concrete poetry and current critical perspectives on its status in poetical experimentation constitute the basis of the third section of the book, Concrete and Neo-Concrete Poetry. The relationship of historical Concrete poetry to artistic genres is presented, with special emphasis on Brazil and on contemporary visual writing. The section Memoirs of Concrete, in the context of oral history, includes retrospective accounts by two of Concrete poetry's most renowned editors. The closing section of this book presents statements on the theory and practice of avant-garde poetry by 22 participants in the Yale Symphosymposium on Contemporary Poetics and Concretism.
Author:
Publisher: BRILL
ISBN: 1848881126
Category : Social Science
Languages : en
Pages : 235
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Book Description
This interdisciplinary exploration of visual literacy is a result of the discussions that arose at the 2011 Conference on Visual Literacy in Oxford. Consistent with the themes which surfaced at the conference, this collection of articles examines our ways of framing what we see.
Author: Library of Congress. Office for Subject Cataloging Policy
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1698
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Book Description
Author: Library of Congress. Subject Cataloging Division
Publisher:
ISBN:
Category : Subject headings
Languages : en
Pages : 1546
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Book Description
Author: Franklin R. Rogers
Publisher: Bucknell University Press
ISBN: 9780838750773
Category : Art
Languages : en
Pages : 264
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Book Description
This study addresses itself to the formal (in the topological sense) aspect of literature and literary words, and concludes that if logos (discursive langauge) and mythos (literary language) are indeed contiguous complementary forms, they are then essentially no different from those forms with which the painter or sculptor deals in the formation of his art object.
