Foreign Films on American Screens ; Introduction by Arthur Knight

Foreign Films on American Screens ; Introduction by Arthur Knight PDF Author: Michael F. Mayer
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 119

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Foreign Films on American Screens. Introd. by Arthur Knight

Foreign Films on American Screens. Introd. by Arthur Knight PDF Author: Michael F. Mayer
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 119

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Foreign Films on American Screens

Foreign Films on American Screens PDF Author: Michael F. Mayer
Publisher:
ISBN:
Category : Foreign films
Languages : en
Pages : 130

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The Foreign Film Renaissance on American Screens, 1946–1973

The Foreign Film Renaissance on American Screens, 1946–1973 PDF Author: Tino Balio
Publisher: Univ of Wisconsin Press
ISBN: 0299247937
Category : Performing Arts
Languages : en
Pages : 382

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Largely shut out of American theaters since the 1920s, foreign films such as Open City, Bicycle Thief, Rashomon, The Seventh Seal, Breathless, La Dolce Vita and L’Avventura played after World War II in a growing number of art houses around the country and created a small but influential art film market devoted to the acquisition, distribution, and exhibition of foreign-language and English-language films produced abroad. Nurtured by successive waves of imports from Italy, Great Britain, France, Sweden, Japan, and the Soviet Bloc, the renaissance was kick-started by independent distributors working out of New York; by the 1960s, however, the market had been subsumed by Hollywood. From Roberto Rossellini’s Open City in 1946 to Bernardo Bertolucci’s Last Tango in Paris in 1973, Tino Balio tracks the critical reception in the press of such filmmakers as François Truffaut, Jean-Luc Godard, Federico Fellini, Michelangelo Antonioni, Tony Richardson, Ingmar Bergman, Akira Kurosawa, Luis Buñuel, Satyajit Ray, and Milos Forman. Their releases paled in comparison to Hollywood fare at the box office, but their impact on American film culture was enormous. The reception accorded to art house cinema attacked motion picture censorship, promoted the director as auteur, and celebrated film as an international art. Championing the cause was the new “cinephile” generation, which was mostly made up of college students under thirty. The fashion for foreign films depended in part on their frankness about sex. When Hollywood abolished the Production Code in the late 1960s, American-made films began to treat adult themes with maturity and candor. In this new environment, foreign films lost their cachet and the art film market went into decline.

Foreign Films on American Screens

Foreign Films on American Screens PDF Author: Michael F. Mayer
Publisher:
ISBN:
Category : Foreign films
Languages : en
Pages : 136

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Film Study

Film Study PDF Author: Frank Manchel
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 422

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Horror Cinema and the Avant-garde

Horror Cinema and the Avant-garde PDF Author: Joanne Berning Hawkins
Publisher:
ISBN:
Category :
Languages : en
Pages : 478

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Global Art Cinema

Global Art Cinema PDF Author: Rosalind Galt
Publisher: Oxford University Press
ISBN: 9780199726295
Category : Performing Arts
Languages : en
Pages : 408

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"Art cinema" has for over fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asian and Latin American new waves, the reinvigoration of European film, the success of Iranian directors, and the rise of the film festival have transformed the landscape of world cinema. This book brings into focus art cinema's core internationalism, demonstrating its centrality to understanding film as a global phenomenon. The book reassesses the field of art cinema in light of recent scholarship on world film cultures. In addition to analysis of key regions and films, the essays cover topics including theories of the film image; industrial, aesthetic, and political histories; and art film's intersections with debates on genre, sexuality, new media forms, and postcolonial cultures. Global Art Cinema brings together a diverse group of scholars in a timely conversation that reaffirms the category of art cinema as relevant, provocative, and, in fact, fundamental to contemporary film studies.

Catalog of the Library of the Museum of Modern Art: Man

Catalog of the Library of the Museum of Modern Art: Man PDF Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 706

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Catalog of the Library of the Museum of Modern Art: Eh

Catalog of the Library of the Museum of Modern Art: Eh PDF Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 674

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