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Author: Julia Margaret Cameron
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
Author: Julia Margaret Cameron
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
Get Book Here
Book Description
Author: Julia Margaret Cameron
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 74
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Book Description
Author: Julia Margaret Cameron
Publisher:
ISBN: 9780826316103
Category :
Languages : en
Pages : 68
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Book Description
Author: Carol Hanbery MacKay
Publisher: Stanford University Press
ISBN: 9780804738293
Category : Social Science
Languages : en
Pages : 310
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Book Description
Focusing on the early Modern and Victorian periods, the author finds covert revolutionaries in four familiar practitioners of a strategy she calls creative negativity: poet-photographer Julia Margaret Cameron (1815-1879), novelist-essayist Anne Thackeray Ritchie (1837-1919), activist-spiritual leader Annie Besant (1847-1933), and actress-writer Elizabeth Robins (1862-1952).
Author: Julia Margaret Cameron
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 0
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Book Description
Author: Robin Farley
Publisher: HarperCollins
ISBN: 0062101641
Category : Juvenile Fiction
Languages : en
Pages : 35
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Book Description
Mia the kitten who loves ballet is back in another sweet I Can Read story perfect for fans of Tallulah books and aspiring ballerinas everywhere. When Mia grows up, she wants to be just like her big sister, Ava! Ava is a ballerina in a real show, and Mia's class is taking a trip to visit her. Mia and her friends watch Ava dance in the ballet, and then Ava shows them how to do some new moves. Mia tries to dance her best so that Ava will watch, but Ava is too busy helping Mia's friends to notice. How can Mia show her big sister what a great ballerina she is? Mia and the Big Sister Ballet is Mia's fourth My First I Can Read book, perfect for shared reading with a child.
Author: Juliet Hacking
Publisher: Bloomsbury Publishing
ISBN: 1350048542
Category : Photography
Languages : en
Pages : 248
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Book Description
Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.
Author: Julian Cox
Publisher: Getty Publications
ISBN: 0892366818
Category : Photography
Languages : en
Pages : 580
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Book Description
According to one of Julia Margaret Cameron’s great-nieces, “we never knew what Aunt Julia was going to do next, nor did anyone else.” This is an accurate summation of the life of the British photographer (1815–1879), who took up the camera at age forty-eight and made more than twelve hundred images during a fourteen-year career. Living at the height of the Victorian era, Cameron was anything but conventional, experimenting with the relatively new medium of photography, promoting her own art though exhibition and sale, and pursuing the eminent personalities of her age—Alfred Tennyson, Charles Darwin, Thomas Carlyle, and others—as subjects for her lens. For the first time, all known images by Cameron, one of the most important nineteenth-century artists in any medium, are gathered together in a catalogue raisonné. In addition to a complete catalogue of Cameron’s photographs, there is information on her life and times, initial experiments, artistic aspirations, techniques, small-format images, albums, commercial strategies, sitters, and sources of inspiration. Also provided are a selected bibliography of publications on Cameron, a list of exhibitions of her work held both in her time as well as our own, and a summary of important collections where her pictures can be found.
Author: Delia Gaze
Publisher: Routledge
ISBN: 1136599010
Category : Social Science
Languages : en
Pages : 786
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Book Description
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Author: Michele M. Penhall
Publisher: UNM Press
ISBN: 0826355900
Category : Art
Languages : en
Pages : 192
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Book Description
The remarkable photography collection of the University of New Mexico Art Museum owes its unique character and quality to the directors, curators, scholars, and artists who have taught, worked, and studied at the museum and in the university’s Department of Art and Art History. In this indispensable book, these distinguished scholars and artists reflect on the pictures from the collection that hold significance to them. Through their own professional and artistic practice, they represent different generations of aesthetic voices and intellectual directions. As one of the earliest collegiate institutions to begin collecting photography, the University of New Mexico Art Museum holds a stunning array of images that span photography’s 175-year history. In addition to iconic works by famous photographers, this book also features less familiar but equally masterful pictures. Together, these essays represent a unique history of photography and this renowned museum.
