Fondements théoriques du solfège PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Fondements théoriques du solfège PDF full book. Access full book title Fondements théoriques du solfège by Gilles Giardino. Download full books in PDF and EPUB format.
Author: Gilles Giardino
Publisher: Editions Edilivre
ISBN: 2414238623
Category : Computers
Languages : fr
Pages : 172
Get Book Here
Book Description
Dans cet ouvrage tout à fait didactique et très complet, l’auteur se propose de répondre à ces différentes questions : Quels sont les principaux concepts musicaux ? Comment les appréhender le plus clairement possible et comprendre les relations qui interagissent entre eux ? Comment définir les particularités de l’art musical ? Dans son introduction, il explicite tout d’abord les concepts de pulsations, de notes et de vibrations et différencie les bruits des sons. Évoquant brièvement l’Histoire, il nous apprend également que le phénomène de résonnance fut connu dès Pythagore, il y a quelque 2500 ans, et que déjà, les hommes étaient fort sensibles aux instruments de musique et à certaines notes en particulier. Puis deux parties se distinguent, l’une concernant les fréquences et le rythme, la seconde traitant des gammes et de la tonalité. Des figures et des annexes complètent en outre ses explications à la fin de ce manuel qui s’adresse à tous les musiciens confirmés, en devenir, ou même simples mélomanes. Photo de couverture : piano Erard datant de 1917
Author: Gilles Giardino
Publisher: Editions Edilivre
ISBN: 2414238623
Category : Computers
Languages : fr
Pages : 172
Get Book Here
Book Description
Dans cet ouvrage tout à fait didactique et très complet, l’auteur se propose de répondre à ces différentes questions : Quels sont les principaux concepts musicaux ? Comment les appréhender le plus clairement possible et comprendre les relations qui interagissent entre eux ? Comment définir les particularités de l’art musical ? Dans son introduction, il explicite tout d’abord les concepts de pulsations, de notes et de vibrations et différencie les bruits des sons. Évoquant brièvement l’Histoire, il nous apprend également que le phénomène de résonnance fut connu dès Pythagore, il y a quelque 2500 ans, et que déjà, les hommes étaient fort sensibles aux instruments de musique et à certaines notes en particulier. Puis deux parties se distinguent, l’une concernant les fréquences et le rythme, la seconde traitant des gammes et de la tonalité. Des figures et des annexes complètent en outre ses explications à la fin de ce manuel qui s’adresse à tous les musiciens confirmés, en devenir, ou même simples mélomanes. Photo de couverture : piano Erard datant de 1917
Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 28
Get Book Here
Book Description
Author: ADOLPHE. DANHAUSER
Publisher:
ISBN: 9781033985182
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Theory
Languages : en
Pages : 61
Get Book Here
Book Description
Author: M. Friess
Publisher:
ISBN:
Category :
Languages : fr
Pages : 48
Get Book Here
Book Description
Author: Antonio Lauro
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 34
Get Book Here
Book Description
Antonio Lauro is one of the most famous composers to come from Venezuela. He has written many works for orchestra, piano, choir, harpsichord, and guitar. He is most well-known for his guitar works, this being his main instrument. The pieces represented in these guitar works are for players at a beginner-intermediate level, and in standard notation only. "El Totumo" is a golpe, a distinctive variant of the Venezuelan Jaropo. "Flores de la Montana" is a Venezuelan waltz, and "Cueca Chilena" is a popular Chilean dance which is performed by two dancers who symbolically imitate a cock and a chicken.
Author: Curtis Roads
Publisher: William Kaufmann Incorporated
ISBN:
Category : Music
Languages : en
Pages : 232
Get Book Here
Book Description
Author: Jonathan Cross
Publisher: Cambridge University Press
ISBN: 9780521663779
Category : Biography & Autobiography
Languages : en
Pages : 348
Get Book Here
Book Description
Stravinsky's work spanned the major part of the twentieth century and engaged with nearly all its principal compositional developments. This Companion reflects the breadth of Stravinsky's achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of 'Stravinsky and Us' by Richard Taruskin.
Author: Stephen Walsh
Publisher: Knopf
ISBN: 0593319044
Category : Biography & Autobiography
Languages : en
Pages : 720
Get Book Here
Book Description
Widely regarded the greatest composer of the twentieth century, Igor Stravinsky was central to the development of modernism in art. Deeply influential and wonderfully productive, he is remembered for dozens of masterworks, from The Firebird and The Rite of Spring to The Rake's Progress, but no dependable biography of him exists. Previous studies have relied too heavily on his own unreliable memoirs and conversations, and until now no biographer has possessed both the musical knowledge to evaluate his art and the linguistic proficiency needed to explore the documentary background of his life--a life whose span extended from tsarist Russia to Switzerland, France, and ultimately the United States. In this revealing volume, the first of two, Stephen Walsh follows Stravinsky from his birth in 1882 to 1934. He traces the composer's early Russian years in new and fascinating detail, laying bare the complicated relationships within his family and showing how he first displayed his extraordinary talents within the provincial musical circle around his teacher, Nikolay Rimsky-Korsakov. Stravinsky's brilliantly creative involvement with the Ballets Russes is illuminated by a sharp sense of the internal artistic politics that animated the group. Portraying Stravinsky's circumstances as an émigré in France trying to make his living as a conductor and pianist as well as a composer while beset by emotional and financial demands, Walsh reveals the true roots of his notorious obsession with money during the 1920s and describes with sympathy the nature of his long affair with Vera Sudeykina. While always respecting Stravinsky's own insistence that life and art be kept distinct, Stravinsky makes clear precisely how the development of his music was connected to his life and to the intellectual environment in which he found himself. But at the same time it demonstrates the composer's remarkably pragmatic psychology, which led him to consider the welfare of his art to be of paramount importance, before which everything else had to give way. Hence, for example, his questionable attitude toward Hitler and Mussolini, and his reputation as a touchy, unpredictable man as famous for his enmities as for his friendships. Stephen Walsh, long established as an expert on Stravinsky's music, has drawn upon a vast array of material, much of it unpublished or unavailable in English, to bring the man himself, in all his color and genius, to glowing life. Written with elegance and energy, comprehensive, balanced, and original, Stravinsky is essential reading for anyone interested in the adventure of art in our time. Praise from the British press for Stephen Walsh's The Music of Stravinsky "One of the finest general studies of the composer." --Wilfrid Mellers, composer, Times Literary Supplement "The beautiful prose of The Music of Stravinsky is itself a fund of arresting images. For those who already love Stravinsky's music, Walsh's essays on each work will bring a smile of recognition and joy at new kernels of insight. For those unfamiliar with many of the works he discusses, Walsh's commentaries are likely to whet appetites for performances of the works." --John Shepherd, Notes "This book sent me scurrying back to the scores and made me want to recommend it to other people. Above all, it is a good read." --Anthony Pople, Music and Letters
Author: Deryck Cooke
Publisher: Clarendon Press
ISBN: 9780198161806
Category : Music
Languages : en
Pages : 289
Get Book Here
Book Description
This important and controversial book has come to be regarded as a modern classic. Originally published in 1959, it has exerted a profound influence on all subsequent discussion in the field of musical aesthetics. The author's thesis is that the main characteristic of music is to express andevoke emotion, and that all composers whose music has a tonal basis have used the same, or closely similar, melodic phrases, harmonies, and rhythms to express and evoke the same emotions. He supports this view with numerous musical examples, varying from plainsong to Stravinsky. Based on thisevidence he argues that music is a language in the quite specific sense that idioms can be identified and a list of meanings compiled. While acknowledging that a 'dictionary' of the language of music cannot easily be provided, he attempts to supply what could at least be regarded as a 'phrase book'.The enlightening analysis of two complete symphonies by Mozart and Vaughan Williams demonstrates the expressive function of musical form, the latter being an element which the author considers inseparable from musical content.
