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Author: Alex Niven
Publisher: John Hunt Publishing
ISBN: 1780990332
Category : Social Science
Languages : en
Pages : 87
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Book Description
For David Cameron and ‘Big Society’ Tories, folk culture means organic food, nu-folk pop music, and pastoral myths of Englishness. Meanwhile, postmodern liberal culture teaches us that talking about a singular ‘folk’ is reductive at best, neo-fascist at worst. But what is being held in check by this consensus against the possibility of a unified, oppositional, populist identity taking root in modern Britain? Folk Opposition explores a renewed contemporary divide between rulers and ruled, between a powerful elite and a disempowered populace. Using a series of examples, from folk music to football supporters’ trusts, from Raoul Moat to Ridley Scott, it argues that anti-establishment populism remains a powerful force in British culture, asserting that the left must recapture this cultural territory from the far right and begin to rebuild democratic representation from the bottom up. ,
Author: Alex Niven
Publisher: John Hunt Publishing
ISBN: 1780990332
Category : Social Science
Languages : en
Pages : 87
Get Book Here
Book Description
For David Cameron and ‘Big Society’ Tories, folk culture means organic food, nu-folk pop music, and pastoral myths of Englishness. Meanwhile, postmodern liberal culture teaches us that talking about a singular ‘folk’ is reductive at best, neo-fascist at worst. But what is being held in check by this consensus against the possibility of a unified, oppositional, populist identity taking root in modern Britain? Folk Opposition explores a renewed contemporary divide between rulers and ruled, between a powerful elite and a disempowered populace. Using a series of examples, from folk music to football supporters’ trusts, from Raoul Moat to Ridley Scott, it argues that anti-establishment populism remains a powerful force in British culture, asserting that the left must recapture this cultural territory from the far right and begin to rebuild democratic representation from the bottom up. ,
Author: Robert Edgar
Publisher: Taylor & Francis
ISBN: 1000951855
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
The Routledge Companion to Folk Horror offers a comprehensive guide to this popular genre. It explores its origins, canonical texts and thinkers, the crucial underlying themes of nostalgia and hauntology, and identifies new trends in the field. Divided into five parts, the first focuses on the history of Folk Horror from medieval texts to the present day. It considers the first wave of contemporary Folk Horror through the films of the ‘unholy trinity’, as well as discussing the influence of ancient gods and early Folk Horror. Part 2 looks at the spaces, landscapes, and cultural relics, which form a central focus for Folk Horror. In Part 3, the contributors examine the rich history of the use of folklore in children’s fiction. The next part discusses recent examples of Folk Horror-infused music and image. Chapters consider the relationship between different genres of music to Folk Horror (such as folk music, black metal, and new wave), sound and performance, comic books, and the Dark Web. Often regarded as British in origin, the final part analyses texts which break this link, as the contributors reveal the larger realms of regional, national, international, and transnational Folk Horror. Featuring 40 contributions, this authoritative collection brings together leading voices in the field. It is an invaluable resource for students and scholars interested in this vibrant genre and its enduring influence on literature, film, music, and culture.
Author: Rhian E. Jones
Publisher: John Hunt Publishing
ISBN: 1780997078
Category : Social Science
Languages : en
Pages : 117
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Book Description
Why have both pop and politics in Britain become the preserve of an unrepresentative elite? From chav-pop pantomimes to retro-chauvinist ‘landfill indie’, the bland, homogenous and compromised nature of the current 'alternative' sector reflects the interests of a similarly complacent and privileged political establishment. In particular, political and media policing of female social and sexual autonomy, through the neglected but significant gendered dimensions of the discourse surrounding ‘chavs’, has been accompanied by a similar restriction and regulation of the expression of working-class femininity in music. This book traces the progress of this cultural clampdown over the past twenty years. ,
Author: Moritz Ege
Publisher: Taylor & Francis
ISBN: 1000877388
Category : Science
Languages : en
Pages : 386
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Book Description
This book examines the highly ambivalent implications and effects of anti-elitism. It draws on this theme as a cross-cutting entry point to provide transdisciplinary analysis of current conjunctures and their contradictions, drawing on examples from popular culture and media, politics, fashion, labour and spatial arrangements. Using the toolboxes of media and discourse analysis, hegemony theory, ethnography, critical social psychology and cultural studies more broadly, the book surveys and theorizes the forms, the implications and the ambiguities and limits of anti-elitist formations in different parts of the world. Anti-elitist sentiments colour the contemporary political conjuncture as much as they shape pop cultural and media trends. Populists, right-wing authoritarian ones and others, direct their anger at cultural, political and, sometimes, economic elites while supporting other elites and creating new ones. At the same time, "elitist" knowledge and expertise, decision-making power and taste regimes are being questioned in societal transformations that are discussed much more positively under headlines such as participation or democratization. The book brings together a group of international, interdisciplinary case studies in order to better understand the ways in which the battle cry "against the elites" shapes current conjunctures and possible future politics, focusing on themes such as nationalist political discourse in India, Austria, the UK and Hungary, labour struggles and anti-oligarchy rhetoric in Russia, tax-avoiding elites and fiscal imaginaries, working-class agency, Melania Trump as a celebrity narrative in Slovenia, aesthetic codes of the Alt-Right, football hooliganism in Germany, "hipster hate" in German political discourse or the politics of expertise and anti-elite iconography in high fashion internationally. The book is intended for undergraduates, postgraduates and postdoctoral researchers. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license
Author: Tsypylma Darieva
Publisher: Campus Verlag
ISBN: 3593393840
Category : Architecture
Languages : en
Pages : 329
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Book Description
The two decades following the collapse of the Soviet Union brought great changes to the new nations on its periphery. This text offers a detailed ethnographic look at one area of change - the use and understanding of public space in the region's cities.
Author: Cathy L. Preston
Publisher: Routledge
ISBN: 1317942957
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
First published in 1996. The need to write, particularly in pre-technological recording days, in order to preserve and to analyze, lies at the heart of folklore and yet to write means to change the medium in which much folk communication and art actually took and takes place. In Part I of the collection, the contributors address literary constructions of traditional and emergent cultures, those of Leslie Marmon Silko, Sandra Cisneros, Pat Mora, Carmen Tafolla, Julio Cortázar, Milan Kundera, Franz Kafka, Philip Roth, Thomas Hardy, and Dacia Maraini. The contributors to Part II of the collection offer readings of a variety of traditional, vernacular, and local performances.
Author: Lucy Mary Jane Garnett
Publisher:
ISBN:
Category : Folk-lore, Greek
Languages : en
Pages : 814
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Book Description
Author: Ulrich A. Wien
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111373576
Category : Religion
Languages : en
Pages : 769
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Book Description
The book focuses on the threat to free self-development and the effort to ward off a perceived threat of extinction as well as the development of self-preservation forces. The challenges for ethnic and religious minorities in the 19th–21st centuries are explained and unfolded against the historical background that serves as a frame of reference. The royal privileges granted in medieval Hungary were abolished in the mid-19th century. The German-speaking people’s church (Saxones) in Transylvania founded on this had to reorient itself, although a pioneer region of religious freedom had established itself behind the “Ottoman Curtain”. Since the reception of the Reformation, the “Saxones” had been Protestant. At the end of the 19th century, after the Austro-Hungarian Compromise, this minority realised the concept of cultural Protestantism in its purest form: ethnicity and religion were understood to be congruent. Homogeneity of society was the ideal, and affiliation with the German Empire was intensified. Economy, science, culture, language as well as school and church were understood as a unity; segregation and emigration were frowned upon. This concept fell into crisis due to various developments, including economic ones – especially after the annexation of Romania in 1918. National Socialism was widely adopted, along with anti-Semitism. For exponents of the church leadership, the Confessio Augustana only served as a label. On the one hand, external pressure under communist rule brought about a (only conditionally possible) retraditionalisation, on the other hand, it led to the bleeding out of the congregations due to increased emigration. Free development has only started again since the political upheaval in 1989. The church, which has become small, conveys important impulses and serves as a bridge to ecumenism.
Author: Christopher R. Wilson
Publisher: Oxford University Press
ISBN: 0190945141
Category : Drama
Languages : en
Pages : 1289
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Book Description
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--
Author: Dan Ben-Amos
Publisher: Indiana University Press
ISBN: 0253052440
Category : Social Science
Languages : en
Pages : 246
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Book Description
By defining folklore as artistic communication in small groups, Dan Ben-Amos led the discipline of Folklore in new directions. In Folklore Concepts, Henry Glassie and Elliott Oring have curated a selection of Ben-Amos's groundbreaking essays that explore folklore as a category in cultural communication and as a subject of scholarly research. Ben-Amos's work is well-known for sparking lively debate that often centers on why his definition intrinsically acknowledges tradition rather than expresses its connection forthright. Without tradition among people, there would be no art or communication, and tradition cannot accomplish anything on its own—only people can. Ben-Amos's focus on creative communication in communities is woven into the themes of the theoretical essays in this volume, through which he advocates for a better future for folklore scholarship. Folklore Concepts traces Ben-Amos's consistent efforts over the span of his career to review and critique the definitions, concepts, and practices of Folklore in order to build the field's intellectual history. In examining this history, Folklore Concepts answers foundational questions about what folklorists are doing, how they are doing it, and why.
