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Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
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Book Description
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author: C. R. F. Maunder
Publisher: Boydell Press
ISBN: 9781843830719
Category : Music
Languages : en
Pages : 304
Get Book Here
Book Description
Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Author: Michael Talbot
Publisher: Routledge
ISBN: 1351537288
Category : Music
Languages : en
Pages : 375
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Book Description
Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music. The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general. Vivaldi is a composer who constantly springs surprises as, even today, new pieces are discovered or old ones reinterpreted. Much has happened since Sardelli's book was first published in Italian, and this new English version takes full account of all these new discoveries and developments. The reader will be left with a much fuller picture of the composer and his times, and the knowledge and insights gained from minutely examining his music for these two wind instruments will be found to have a wider relevance for his work as a whole. Generous music examples and illustrations bring the book's arguments to life.
Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 1457475871
Category : Music
Languages : en
Pages : 42
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Book Description
The Flute Concerto No. 1 in G major (K. 313) was written in 1778 by Mozart as a commissioned work for flute soloist and orchestra. This score presents the orchestral portion as a piano reduction. The separate flute score is included.
Author: Yiruma
Publisher: Hal Leonard Corporation
ISBN: 1495043932
Category : Music
Languages : en
Pages : 10
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Book Description
(Guitar Sheet). Solo guitar sheet music for the popular song by composer Yiruma.
Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666
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Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
Author: Pierre-Gabriel Buffardin
Publisher: A-R Editions, Inc.
ISBN: 0895796597
Category : Music
Languages : en
Pages : 36
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Book Description
Pierre-Gabriel BuffardinFlute Concerto in E MinorEdited by Reinhard GoebelS10 ISBN 0-89579-659-7 (2009) vi + 27pp. $30.00 ISBN 978-0-89579-659-2 (13-digit) Includes flute part Contents I. Allegro con molto II. Andante III. Vivace Performance parts are available for rental: S10Q
Author: Giovanni Battista Sammartini
Publisher: A-R Editions, Inc.
ISBN: 0895795213
Category : Music
Languages : en
Pages : 212
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Book Description
xv + 186 pp.
Author: Nancy Toff
Publisher: Oxford University Press, USA
ISBN: 9780195105025
Category : Music
Languages : en
Pages : 522
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Book Description
Divides flute music into eras such as the baroque, classic, romantic, and modern; traces its development in countries such as France, Italy, England, Germany, Spain, the United States, Great Britain, by regions such as eastern and western Europe, and in cities such as Paris and Vienna. Includes appendices listing flute manufacturers, repair shops, sources for flute music and books, and flute clubs and related organizations worldwide.
Author: James Galway
Publisher:
ISBN: 9781871082135
Category : Flute
Languages : en
Pages : 0
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Book Description
Who better to write an authoritative yet fascinating introduction to flute-playing than James Galway whose glittering career extends from the principal flute in the Berlin Philharmonic to the top of the international pop charts? He starts with the history of the flute -- believed to be the first and in its simplest form, the most basic of man's many melodic instruments: only singers have less paraphernalia between them and their listeners. You just put your lips to the flute and blow. Galway entrances with his tale of the flute's evolution from the basic recorder to the complex, beautiful instrument we know today. The author's unique advice and experience is brought to bear on the problems and techniques of learning, practising and playing -- in solo, ensemble, at home, in concert and in the recording studio. The flautist will find the specific advice Galway gives invaluable, while the non-flute player will gain an insight into the way the lovely sounds of the flute are produced. Both will be enthralled by detailed analyses of the author's favourite pieces, while he gives due attention to the whole gamut of the flute repertoire.
Author: Michel Blavet
Publisher: A-R Editions, Inc.
ISBN: 0895796589
Category : Music
Languages : en
Pages : 32
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Book Description
Michel BlavetFlute Concerto in A MinorEdited by Reinhard GoebelS9 ISBN 0-89579-658-9 (2009) vi + 24pp. $25.00 ISBN 978-0-89579-658-5 (13-digit) Includes flute part Contents I. Allegro II. Première Gavotte-Deuxième Gavotte III. Allegro Performance parts are available for rental: S9Q
