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Author: J. Paul Getty Museum
Publisher: J Paul Getty Museum Publications
ISBN: 9781606061268
Category : Art
Languages : en
Pages : 426
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Book Description
Florence and the Renaissance have become virtually synonymous, bringing to mind names like Dante, Giotto, Petrarch, Boccaccio, and many others whose creativity thrived during a time of unprecedented prosperity, urban expansion, and intellectual innovation. With more than 200 illustrations, Florence at the Dawn of the Renaissance reveals the full complexity and enduring beauty of the art of this period, including panel paintings, illuminated manuscripts, and stained glass panels. The book considers not only the work of Giotto and other influential artists, including Bernardo Daddi, Taddeo Gaddi, and Pacino di Bonaguida, but also that of the larger community of illuminators and panel painters who collectively contributed to Florence's artistic legacy. It places particular emphasis on those artists who worked in both panel painting and manuscript illumination, and presents new conservation research and scientific analyses that shed light on artists' techniques and workshop practices of the times. Reunited here for the first time are twenty-six leaves of the most important illuminated manuscript commission of the period: the Laudario of Sant' Agnese. The splendor of this book of hymns exemplifies the spiritual and artistic aspirations of early Renaissance Florence. A major exhibition on this subject will be on view at the J. Paul Getty Museum November 13, 2012, through February 10, 2013, and at the Art Gallery of Ontario March 16, 2013, through June 16, 2013. Contributors to this volume include Roy S. Berns, Eve Borsook, Bryan Keene, Francesca Pasut, Catherine Schmidt Patterson, Alan Phenix, Laura Rivers, Victor M. Schmidt, Alexandra Suda, Yvonne Szafran, Karen Trentelman, and Nancy Turner.
Author: J. Paul Getty Museum
Publisher: J Paul Getty Museum Publications
ISBN: 9781606061268
Category : Art
Languages : en
Pages : 426
Get Book
Book Description
Florence and the Renaissance have become virtually synonymous, bringing to mind names like Dante, Giotto, Petrarch, Boccaccio, and many others whose creativity thrived during a time of unprecedented prosperity, urban expansion, and intellectual innovation. With more than 200 illustrations, Florence at the Dawn of the Renaissance reveals the full complexity and enduring beauty of the art of this period, including panel paintings, illuminated manuscripts, and stained glass panels. The book considers not only the work of Giotto and other influential artists, including Bernardo Daddi, Taddeo Gaddi, and Pacino di Bonaguida, but also that of the larger community of illuminators and panel painters who collectively contributed to Florence's artistic legacy. It places particular emphasis on those artists who worked in both panel painting and manuscript illumination, and presents new conservation research and scientific analyses that shed light on artists' techniques and workshop practices of the times. Reunited here for the first time are twenty-six leaves of the most important illuminated manuscript commission of the period: the Laudario of Sant' Agnese. The splendor of this book of hymns exemplifies the spiritual and artistic aspirations of early Renaissance Florence. A major exhibition on this subject will be on view at the J. Paul Getty Museum November 13, 2012, through February 10, 2013, and at the Art Gallery of Ontario March 16, 2013, through June 16, 2013. Contributors to this volume include Roy S. Berns, Eve Borsook, Bryan Keene, Francesca Pasut, Catherine Schmidt Patterson, Alan Phenix, Laura Rivers, Victor M. Schmidt, Alexandra Suda, Yvonne Szafran, Karen Trentelman, and Nancy Turner.
Author: A. Victor Coonin
Publisher: Reaktion Books
ISBN: 1789141672
Category : Art
Languages : en
Pages : 289
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Book Description
The Italian sculptor known as Donatello helped to forge a new kind of art—one that came to define the Renaissance. His work was progressive, challenging, and even controversial. Using a variety of novel sculptural techniques and innovative interpretations, Donatello uniquely depicted themes involving human sexuality, violence, spirituality, and beauty. But to really understand Donatello, one needs to understand his changing world, marked by the transition from Medieval to Renaissance style and to an art that was more personal and representative of the modern self. Donatello was not just a man of his times, he helped shape the spirit of the times he lived in and profoundly influenced those that came after. In this beautifully illustrated book—the first thorough biography of Donatello in twenty-five years—A. Victor Coonin describes the full extent of Donatello’s revolutionary contributions, revealing how his work heralded the emergence of modern art.
Author: Beatrice Paolozzi Strozzi
Publisher:
ISBN: 9788874611867
Category : Art
Languages : en
Pages : 548
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Book Description
Florence is justly named the 'cradle of the renaissance'. It was here that, inspired by the revival of interest in classical antiquity, fuelled by civic pride and fostered by the wealthy Medici family, a visual language was created that was to be spoken
Author: J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 1606061437
Category : Art
Languages : en
Pages : 92
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Book Description
Whether part of a grand villa or an extension of a common kitchen, gardens in the Renaissance were planted and treasured in all reaches of society. Illuminated manuscripts of the period offer a glimpse into how people at the time pictured, used, and enjoyed these idyllic green spaces. This illustrated volume explores gardens on many levels, from the literary Garden of Love and the biblical Garden of Eden to courtly gardens of the nobility, and reports on the many activities that took place there.
Author: Dawn Cumming
Publisher: Matador
ISBN: 9781800460799
Category :
Languages : en
Pages : 352
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Book Description
Florence 1441. Cosimo de' Medici is in his ascendancy and the city wrestles with the aftermath of one of the greatest crimes of the Renaissance, the assassination of Baldaccio d'Anghiari.
Author: Martin A. Ruehl
Publisher: Cambridge University Press
ISBN: 1316298655
Category : Political Science
Languages : en
Pages : 343
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Book Description
Towards the end of the nineteenth century, Germany's bourgeois elites became enthralled by the civilization of Renaissance Italy. As their own country entered a phase of critical socioeconomic changes, German historians and writers reinvented the Italian Renaissance as the onset of a heroic modernity: a glorious dawn that ushered in an age of secular individualism, imbued with ruthless vitality and a neo-pagan zest for beauty. The Italian Renaissance in the German Historical Imagination is the first comprehensive account of the debates that shaped the German idea of the Renaissance in the seven decades following Jacob Burckhardt's seminal study of 1860. Based on a wealth of archival material and enhanced by more than one hundred illustrations, it provides a new perspective on the historical thought of Imperial and Weimar Germany, and the formation of a concept that is still with us today.
Author: Niall Atkinson
Publisher: Penn State Press
ISBN: 0271077832
Category : Art
Languages : en
Pages : 280
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Book Description
From the strictly regimented church bells to the freewheeling chatter of civic life, Renaissance Florence was a city built not just of stone but of sound as well. An evocative alternative to the dominant visual understanding of urban spaces, The Noisy Renaissance examines the premodern city as an acoustic phenomenon in which citizens used sound to navigate space and society. Analyzing a range of documentary and literary evidence, art and architectural historian Niall Atkinson creates an “acoustic topography” of Florence. The dissemination of official messages, the rhythm of prayer, and the murmur of rumor and gossip combined to form a soundscape that became a foundation in the creation and maintenance of the urban community just as much as the city’s physical buildings. Sound in this space triggered a wide variety of social behaviors and spatial relations: hierarchical, personal, communal, political, domestic, sexual, spiritual, and religious. By exploring these rarely studied soundscapes, Atkinson shows Florence to be both an exceptional and an exemplary case study of urban conditions in the early modern period.
Author: Philip J. Regal
Publisher: Createspace Independent Publishing Platform
ISBN: 9781517542146
Category : Nude in art
Languages : en
Pages : 77
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Book Description
Nudity in religious art had been virtually all shameful for the first 1400 years of Christianity-sinners burning in Hell, Adam and Eve after The Fall. But in the early Italian Renaissance, the nude human body can be found with dignity and beauty even in religious art. How were centuries of religious beliefs and traditions overcome? Renaissance Eroticism at the Dawn explores this question. It focuses on a detailed study of the first freestanding nude statue since antiquity, Donatello's puzzling bronze "David." In the popular mind this statue has long been simply the Biblical David standing on the head of Goliath, but experts have found it to be in fact quite mysterious in its details and it has never made sense simply as the slaying of Goliath. It is argued here however that mysterious details of the statue do make good sense in a historical intellectual context that has now become better understood. The general context was an effort in Italian Christian intellectual circles (loosely, the Humanist Zeitgeist) to recover a pure spirituality, unadulterated by the dogmas and politics of the then oppressive Roman Church. Intellectual Christians scoured ancient philosophical, magical, and mythological texts for possible insights into universal and authentic spiritual truths that they felt had been suppressed and denied them by theocrats. Northern European Protestants had much the same complaints with Roman dogma but took their resentments in very different directions with the Reformation. Renaissance Eroticism at the Dawn examines the details of "David" in the context of modern readings of spiritual trends in 15th century Neo-Platonism, Hermeticism, Kabbalah, spiritual alchemy, mythological allegory, magic, and numerology. These were once dismissed as "esoteric" or "occult," superstitious beliefs. But scholars began to study them more seriously in recent decades-for example to better understand the roots of modern CONCEPTUAL science. These have now come to be regarded as important "proto-sciences" and "alternative spiritualities." Of course Renaissance spirituality also forms an important chapter not only for the history of science but also for the complex history of Christian thought and of the Reformation and Counter-Reformation-and indeed for the development of the modern mind. The deeper motivational question looms: What strong compulsions-what powerful human aspirations-could have led bright people to persist doggedly at such efforts, that from our contemporary perspective can seem nonsensical? A consideration of the potential "esoteric" spirituality in "David" is an opportunity to explore the personal and emotional dimensions of that remarkably rich, diverse, and historically transformative climate of questioning, investigation, and speculation in Renaissance Italy. Renaissance, Eros, Plato, Neo-Platonism, Donatello, occult, esoteric, alchemy, magic, Ficino, Florence, putti, Amor-Atys, nudity, baptism, Pagan, Christianity, history of science, sensuality, Pico de Mirandola, mythology, Reformation, Council of Trent, Council of Florence, Dante, homosexual, androgyny.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Monica Azzolini
Publisher: Harvard University Press
ISBN: 0674070364
Category : History
Languages : en
Pages : 479
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Book Description
This study is the first to examine the important political role played by astrology in Italian court culture. Reconstructing the powerful dynamics existing between astrologers and their prospective or existing patrons, The Duke and the Stars illustrates how the “predictive art” of astrology was a critical source of information for Italian Renaissance rulers, particularly in times of crisis. Astrological “intelligence” was often treated as sensitive, and astrologers and astrologer-physicians were often trusted with intimate secrets and delicate tasks that required profound knowledge not only of astrology but also of the political and personal situation of their clients. Two types of astrological predictions, medical and political, were taken into the most serious consideration. Focusing on Milan, Monica Azzolini describes the various ways in which the Sforza dukes (and Italian rulers more broadly) used astrology as a political and dynastic tool, guiding them as they contracted alliances, made political decisions, waged war, planned weddings, and navigated health crises. The Duke and the Stars explores science and medicine as studied and practiced in fifteenth-century Italy, including how astrology was taught in relation to astronomy.
