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Category : Tattooing
Languages : en
Pages : 0
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Category : Tattooing
Languages : en
Pages : 0
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Author: Luca Turin
Publisher: Profile Books
ISBN: 1847651526
Category : Business & Economics
Languages : en
Pages : 400
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'I've long wished perfumery to be taken seriously as an art, and for scent critics to be as fierce as opera critics, and for the wearers of certain "fragrances" to be hissed in public, while others are cheered. This year has brought Perfumes: The Guide by Luca Turin and Tania Sanchez, which I breathed in, rather than read, in one delighted gulp.' Hilary Mantel, Guardian Perfumes: The Guide is the culmination of Turin's lifelong obsession and rare scientific flair and Sanchez's stylish and devoted blogging about every scent that she's ever loved and loathed. Together they make a fine and utterly persuasive argument for the unrecognised craft of perfume-making. Perfume writing has certainly never been this honest, compelling or downright entertaining.
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Publisher: Bioversity International
ISBN:
Category :
Languages : en
Pages : 68
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Publisher: TheBookEdition
ISBN: 2970183153
Category :
Languages : en
Pages : 150
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Author: William J. Thompson
Publisher: Vanderbilt University Press
ISBN: 9780826512970
Category :
Languages : en
Pages : 260
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Surprisingly, there are few book-length studies available that approach the poems in Charles Baudelaireís collection on an individual basis. Understanding "Les Fleurs du Mal" fills this gap by providing students and serious readers with clear, scholarly "explications" to many of the most widely read of Baudelaire's poems.
Author: Sarah McCartney
Publisher: Frances Lincoln
ISBN: 0711242194
Category : Reference
Languages : en
Pages : 290
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'An authoritative guide from two experts who really know their way around scent' – FUNMI FETTO The Perfume Companion is a beautifully illustrated compendium of almost 500 recommended scents, designed to help you pick out your next favourite fragrance. Perfumes have the power to evoke treasured memories, make us feel fabulous and help us express our best self. But with so many out there, how do you choose something new? When the scents in the perfume shop are merging into one aromatic haze, how do you remain focused? And if your favourite scent goes out of stock, how do you replace it? The Perfume Companion is here to help. Sarah McCartney and Samantha Scriven deliver a host of scents for you to try – including bargain finds and luxury treasures, iconic stalwarts and indie newcomers, the lightest florals and the deepest leathers. With insider information about how perfumes are really made, discover hundreds of new fragrances and find the scents to share your own memories with. This is the perfect companion for your scented adventures.
Author: Horace Walpole
Publisher: Penguin UK
ISBN: 014190562X
Category : Fiction
Languages : en
Pages : 534
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The Gothic novel, which flourished from about 1765 until 1825, revels in the horrible and the supernatural, in suspense and exotic settings. This volume, with its erudite introduction by Mario Praz, presents three of the most celebrated Gothic novels: The Castle of Otranto, published pseudonymously in 1765, is one of the first of the genre and the most truly Gothic of the three. Vathek (1786), an oriental tale by an eccentric millionaire, exotically combines Gothic romanticism with the vivacity of The Arabian Nights and is a narrative tour de force. The story of Frankenstein (1818) and the monster he created is as spine-chilling today as it ever was; as in all Gothic novels, horror is the keynote.
Author: Natasha Ruiz-Gómez
Publisher: Penn State Press
ISBN: 0271098201
Category : Art
Languages : en
Pages : 225
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In this book, Natasha Ruiz-Gómez delves into an extraordinary collection of pathological drawings, photographs, sculptures, and casts created by neurologists at Paris’s Hôpital de la Salpêtrière in the nineteenth century. Led by Dr. Jean-Martin Charcot (1825–1893) and known collectively as the Salpêtrière School, these savants-artistes produced works that demonstrated an engagement with contemporary artistic discourses and the history of art, even as the artists/clinicians professed their dedication to absolute objectivity. During his lifetime, Charcot became internationally famous for his studies of hysteria and hypnosis, establishing himself as a pioneer in modern neurology. However, this book brings to light the often-overlooked contributions of other clinicians, such as Dr. Paul Richer, who created “scientific artworks” that merged scientific objectivity with artistic intervention. Challenging conventional interpretations of visual media in medicine, Ruiz-Gómez analyzes how these images and objects documented symptoms and neuropathology while defying disciplinary categorization. Grounded in extensive archival research, Pathology and Visual Culture targets an international audience of historians and students of art, visual culture, medicine, and the medical humanities. It will also captivate neurologists and anyone interested in fin-de-siècle French history and culture.
Author: Constance Gosselin Schick
Publisher: Rodopi
ISBN: 9789051836844
Category :
Languages : en
Pages : 228
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Gautier's poetry merits an attentive reading which respects his own essential criterion of poeticity, namely, textuality. This is a poetry which puts on display its literariness, that is, its existence as cultural artifact. In so doing, however, it also puts on display the absence of and its resistance to whatever personal or real signified it would evoke or name. Its beauty and self-indulgent pleasure reveal their hollowness and inadequacy. Its chiseled, polished surface renders its borders or limits and its play unsatisfyingly and teasingly perceptible. Its very superficiality allows, invites and seduces the reader to go entre les lignesand perceive the mystery, not of what has been symbolically buried/unburied, concealed/revealed, but of the truly absent, the ab�mes superficiels.Chapter 1, focusing on texts from the Po�siesof 1830, studies the intextual repetition of Gautier's poetry, the citations, imitations and transpositions which make evident the poetry's displacement of the significant and the personal into aesthetic simulacra. Chapter 2 deals with the poems of Gautier's second collection, Albertus,and analyzes the use of allegory and of humor as further markers of textual substitution. The inherent lifelessness and illusoriness of the textual artifact is revealed in the poems of La Com�die de la Mort,the collection examined in chapter 3. Chapter 4 analyzes the so-called descriptive, referential poetry of Espa�a,and finds that the monde ext�rieur of Gautier's poetry functions to express an absence of self and is itself always shown to be other than the Other. The dimunition of the poetic effected in Emaux et Cam�esis the subject of chapter 5, and chapter 6 deals with the contextuality, the fetishism, and the eroticism revealed in a miscellany of poems - in particular the libertine poems - which do not figure in Gautier's five major collections.By short-circuiting significations and transforming them into seductive appearances, Gautier reveals himself to be the acknowledged ma�treof both Baudelaire and Mallarm�.
![Le grand dictionaire françois flamen: augmenté en ceste derniere edition d'vne infinité de vocables, dictions et sentences ... Item un abregé des lettres qui ne se prononcent point. [By E. E. L. Mellema.] (Den Schat der Duytscher tale, met de verklaringe in't Fransoys ... vermeerdert verciert ende verrijckt met vele nieuwe woorden, spreucken ende sententien, achter met een appendix veler woorden, hunnen oorspronck hebbende van verscheyden talen, door Edouard Leon Mellema.). PDF](https://books.google.com/books/content/images/frontcover/RrZXiY7rfdwC?fife=w80-h100)
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Category :
Languages : en
Pages : 630
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