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Author: Mechthild Fend
Publisher: Manchester University Press
ISBN: 1526104679
Category : Art
Languages : en
Pages : 544
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Book Description
Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Author: Mechthild Fend
Publisher: Manchester University Press
ISBN: 1526104679
Category : Art
Languages : en
Pages : 544
Get Book Here
Book Description
Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Author: Mechthild Fend
Publisher: Rethinking Art's Histories
ISBN: 9780719087967
Category : Anatomy, Artistic
Languages : en
Pages : 314
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Book Description
Fleshing out surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making and medical discourse in seventeenth to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body's substance, of flesh tones and body colour, it became increasingly a matter of skin, skin colour and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.
Author: Karmen MacKendrick
Publisher:
ISBN: 9780823235902
Category : Human body (Philosophy)
Languages : en
Pages : 215
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Book Description
Today, body and language are prominent themes throughout philosophy. Each is strange enough on its own: this book asks what sense we might make of them together.
Author: Helen Marshall
Publisher: Flying Shark Books
ISBN: 1927469244
Category : Fiction
Languages : en
Pages : 294
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Book Description
A child receives the body of Saint Lucia of Syracuse for her seventh birthday. A rebelling angel rewrites the Book of Judgement to protect the woman he loves. A young woman discovers the lost manuscript of Jane Austen written on the inside of her skin. A 747 populated by a dying pantheon makes the extraordinary journey to the beginning of the universe. Lyrical and tender, quirky and cutting. Helen Marshall’s exceptional debut collection weaves the fantastic and the horrific alongside the touchingly human in fifteen modern parables about history, memory and the cost of creating art. 2013 British Fantasy Sydney J. Bounds Award for Best Newcomer (Winner) 2013 Aurora Award for Best Related Work (Short-List) "Masterful horror. In Marshall’s dark landscapes, the metaphors are feral and they’ll turn on you in a heartbeat." --M.R. Carey, Author of The Girl with All the Gifts “. . . A tour de force of imagination, this remarkable debut collection uses the conventions of dark fantasy and horror as the framework for some of speculative fiction’s most unusual stories. VERDICT Fans of experimental fiction and exceptional writing should find a wealth of enjoyment here.” --Library Journal, Starred Review ". . . Amidst moments of body horror and hauntings galore, miracles and expressions of joy are liberally sprinkled, offering moments that lingered in my thoughts well after I’d finished the story. . . . I cannot wait to see what Marshall conjures next."--San Francisco Book Review "The stories in Helen Marshall’s Hair Side, Flesh Side occur in the interstices of our most fundamental relations. Brothers and sisters, parents and children, lovers find the space between them grown strange, shifting, as the familiar becomes the site and the source of startling transformation. Elegant, unsettling, these stories leave the reader no less changed than their characters. Highly recommended work." --John Langan, Author of Technicolor and Other Revelations and House of Windows ". . . Hair Side, Flesh Side is a strong first collection of speculative fiction borne out of faded manuscripts, old libraries and the memories of the past. However, it’s how Marshall sees us reconcile these ghosts with the world of the living that give her stories the weight of immediacy. She is a talent to be discovered." --The National Post
Author: Nicholas Thoburn
Publisher: U of Minnesota Press
ISBN: 1452951993
Category : Literary Criticism
Languages : en
Pages : 383
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Book Description
No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.
Author: Pamela K. Gilbert
Publisher: Cornell University Press
ISBN: 1501731602
Category : Literary Criticism
Languages : en
Pages : 449
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Book Description
In Victorian Skin, Pamela K. Gilbert uses literary, philosophical, medical, and scientific discourses about skin to trace the development of a broader discussion of what it meant to be human in the nineteenth century. Where is subjectivity located? How do we communicate with and understand each other's feelings? How does our surface, which contains us and presents us to others, function and what does it signify? As Gilbert shows, for Victorians, the skin was a text to be read. Nineteenth-century scientific and philosophical perspectives had reconfigured the purpose and meaning of this organ as more than a wrapping and instead a membrane integral to the generation of the self. Victorian writers embraced this complex perspective on skin even as sanitary writings focused on the surface of the body as a dangerous point of contact between self and others. Drawing on novels and stories by Dickens, Collins, Hardy, and Wilde, among others, along with their French contemporaries and precursors among the eighteenth-century Scottish thinkers and German idealists, Gilbert examines the understandings and representations of skin in four categories: as a surface for the sensing and expressive self; as a permeable boundary; as an alienable substance; and as the site of inherent and inscribed properties. At the same time, Gilbert connects the ways in which Victorians "read" skin to the way in which Victorian readers (and subsequent literary critics) read works of literature and historical events (especially the French Revolution.) From blushing and flaying to scarring and tattooing, Victorian Skin tracks the fraught relationship between ourselves and our skin.
Author: Amy Bryzgel
Publisher: Manchester University Press
ISBN: 1526115611
Category : Performing Arts
Languages : en
Pages : 440
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Book Description
This volume presents the first comprehensive academic study of the history and development of performance art in the former communist countries of Central, Eastern and South Eastern Europe since the 1960s. Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists. The discussions are based on primary source material-interviews with the artists themselves. It offers a comparative study of the genre of performance art in countries and cities across the region, examining the manner in which artists addressed issues such as the body, gender, politics and identity, and institutional critique.
Author: Dirk Vanderbeke
Publisher: Cambridge Scholars Publishing
ISBN: 144387518X
Category : Social Science
Languages : en
Pages : 352
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Book Description
Adopting an interdisciplinary approach, this volume explores representations of skin in literature, art, art history, visual media, and medicine and its history. The essays collected here probe the symbolic potential of skin as a shifting sign in various historical and cultural contexts, and also examine the material and organic properties of the body’s largest organ. They deal with skin as a sensual organ, as an interface or contact zone, as the visual marker of identity, and as a lieu de memoire in different periods and media. In its material characteristics, skin is regarded as a medium, a canvas, a surface, and an object of both artistic and medical investigations. The contributions investigate representations of skin in sculpture, painting, film, and fictional, as well as non-fictional, texts from the 16th century to the present. The topics addressed here include the problematic representation of racial identity via skin colour in various media; the sensual qualities of the skin, such as smell or taste; the form and function of tattoos as markers of personal, as well as collective, identity; and scars as signifiers of personal pain and collective suffering.
Author: Julia Skelly
Publisher: Bloomsbury Publishing
ISBN: 135012298X
Category : Design
Languages : en
Pages : 317
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Book Description
Skin Crafts discusses multiple artists from global contexts who employ craft materials in works that address historical and contemporary violence. These artists are deliberately embracing the fragility of textiles and ceramics to evoke the vulnerability of human skin and - in so doing - are demanding visceral responses from viewers. Drawing on a range of theories including affect theory, material feminism, skin studies, phenomenology and global art history, the book illuminates the various ways in which artists are harnessing the affective power of craft materials to address and cope with violence. Artists from Mexico, Africa, China, the Netherlands and Indigenous artists based in the unceded territory known as Canada are examined in relation to one another to illuminate the connections and differences across their bodies of work. Skin Crafts interrogates ongoing material violence towards women and marginalized others, and demonstrates the power of contemporary art to force viewers and scholars into facing their ethical responsibilities as human beings.
Author: Jacopo Galimberti
Publisher: Manchester University Press
ISBN: 1526117495
Category : Art
Languages : en
Pages : 312
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Book Description
This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries.
