Author: Justin London
Publisher: Oxford University Press
ISBN: 0199744378
Category : Music
Languages : en
Pages : 251
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Book Description
When we hear music we don't just listen; we move along with it. Hearing in Time explores our innate propensity for rhythmic synchronization, drawing on research in music psychology, neurobiology, music theory, and mathematics. It looks at music from a wide range of musical styles and cultures.
Author: Julia Dokter
Publisher: Boydell & Brewer
ISBN: 1648250181
Category : Music
Languages : en
Pages : 546
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Book Description
Guides modern performers and scholars through the intricacies of German Baroque metric theory, via analyses of treatises and organ music by J.S. Bach and other leading composers, such as Buxtehude, Bruhns, and Weckman.
Author: Trevor de Clercq
Publisher: Taylor & Francis
ISBN: 104001948X
Category : Music
Languages : en
Pages : 492
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Book Description
The Practice of Popular Music is a music theory and musicianship textbook devoted to explaining the organization of contemporary popular music styles such as pop, rock, R&B, rap, and country. Rooted in recent research showing that the structure of popular music differs from classical music in important ways, this textbook offers an approach to teaching music theory that is fully oriented around popular and commercial genres. Beginning with fundamentals and requiring no previous training in music theory or notation, this book eventually guides the reader through a range of advanced topics, including chromatic mixture, secondary chord function, complex time signatures, and phrase organization. Each chapter develops concepts in tandem with aural comprehension, and the included exercises balance written tasks with listening activities. A companion website provides links to playlists of the music discussed in the book. With an innovative approach designed to broaden the reach of music theory coursework to a wide range of students, including non-majors and those in modern music degree programs such as audio engineering, songwriting, and music business, this textbook enables readers to gain a deep understanding of music theory in the context of popular music.
Author: Daniel Biro
Publisher: Oxford University Press, USA
ISBN: 0199936188
Category : Music
Languages : en
Pages : 368
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Book Description
At the centre of Bartók's œuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. This book examines these remarkable works from a range of theoretical and methodological perspectives.
Author: Alan Merriam
Publisher: Routledge
ISBN: 1351311239
Category : History
Languages : en
Pages : 436
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Book Description
All people, in no matter what culture, must be able to place their music firmly in the context of the totality of their beliefs, experiences, and activities, for without such ties, music cannot exist. This means that there must be a body of theory connected with any music system - not necessarily a theory of the structure of music sound, although that may be present as well, but rather a theory of what music is, what it does, and how it is coordinated with the total environment, both natural and cultural, in which human beings move.The Flathead Indians of Western Montana (just over 26,000 in number as of the 2000 census) inhabit a reservation consisting of 632,516 acres of land in the Jocko and Flathead Valleys and the Camas Prairie country, which lie roughly between Evaro and Kalispell, Montana. The reservation is bounded on the east by the Mission Range, on the west by the Cabinet National Forest, on the south by the Lolo National Forest, and on the north by an arbitrary line, approximately bisecting Flathead Lake about twenty-four miles south of Kalispell. The area is one of the richest agricultural regions in Montana, and fish and game are abundant. The Flathead are engaged in stocking, timbering, and various agricultural enterprises.For the Flathead, the most important single fact about music and its relationship to the total world is its origin in the supernatural sphere. All true and proper songs, particularly in the past, owe their origin to a variety of contacts experienced by humans with beings which, though a part of this world, are superhuman and the source of both individual and tribal powers and skills. Thus a sharp distinction is drawn by the Flathead between what they call "make-up" and all other songs. Merriam's pioneering work in the relationship of ethnography and musicology remains a primary source in this field in anthropology.
Author: Danuta Mirka
Publisher: Oxford University Press
ISBN: 019538492X
Category : Music
Languages : en
Pages : 349
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Book Description
Combining historical music theory with the cognitive study of music, Playing with Meter traces metric manipulations and strategies in Haydn and Mozart's string chamber music from 1787 to 1791. Her analysis shed new light on this repertoire and redefine the role of meter and rhythm in Classical music.
Author: Stefan Kostka
Publisher: Routledge
ISBN: 1317346548
Category : Music
Languages : en
Pages : 305
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Book Description
This text provides the most comprehensive analytical approach to post-tonal music available, from Impressionism to recent trends. It covers music from the early 1900s through the present day, with discussion of such movements as Minimalism and the Neoromanticism, and includes chapters on rhythm, form, electronic and computer music, and the roles of chance and choice in post-tonal music. Chapter-end exercises involve drills, analysis, composition, as well as several listening assignments.
Author: Stephen C. Meyer
Publisher: Oxford University Press
ISBN: 0190658460
Category : Music
Languages : en
Pages : 844
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Book Description
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Pärt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Author: Everett Gates
Publisher: Alfred Music
ISBN: 9781457465277
Category : Music
Languages : en
Pages : 32
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Book Description
A collection of duets for C Instruments by Everett Gates.
Author: Meredith Little
Publisher: Indiana University Press
ISBN: 9780253214645
Category : Music
Languages : en
Pages : 356
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Book Description
Johann Sebastian Bach devoted a significant portion of his life to the composition of stylized dance music and music based on dance rhythms. Although the music of this very special genre has long been a part of every serious musician's repertoire, very little has been written about it. In Part I, the authors describe the French dance practices in the cities and courts in which Bach lived. It also introduces terminology and analytical tools necessary for discussing dance music of Bach's time. Part II presents the dance forms used by Bach, annotating all of his named dances. It offers information from choreographies, studies of harmony, theorists' writings, and the music of many 17th- and 18th-century composers in order to arrive at a model for each dance type. In Appendix I all of Bach's named dances are listed in convenient tabular form; included are the BWV number for each piece, the date of composition, the larger work in which it appears, the instrumentation, and the meter. Appendix II supplies the same data for pieces clearly recognizable as dance types but not named as such. This volume will stimulate both the musical scholar and the performer with a new look at the rhythmic lifeblood of Bach's remarkable repertoire of dance based music.
